Vier relative Bänder (Niedrig / Mittel / Hoch / Sehr hoch)
831 detaillierte Berufe in der BLS-Beschäftigungsprojektionstabelle. Der Wert wird je Code der National Employment Matrix (NEM) vergeben, daher erhalten Berufe mit demselben NEM-Code dasselbe Band
Index der Exposition gegenüber generativer KI, 0–1 wie veröffentlicht
ISCO-08-Berufsgattung — alle Berufe mit demselben Code erhalten diesen Wert
Von dieser Website berechnet, nicht von der IAO veröffentlicht: Von den 1.012 Berufen, die diese Website mit dem IAO-Datensatz verknüpft, erreichen oder übertreffen 61% diesen Wert.
Die Kategorie von BLS ist ein relativer Rang und kein absolutes Niveau, und sie ist keine eigene Messung: Sie fasst die Perzentilränge des Berufs aus mehreren veröffentlichten Studien in vier Bänder zusammen. Sie ist weder eine Beschäftigungs- oder Lohnprognose noch eine Einführungswahrscheinlichkeit und unterscheidet nicht zwischen Automatisierung und Augmentierung.
Determine formats, approaches, content, levels, and mediums to effectively meet objectives within budgetary constraints, using research, knowledge, and training.Details
27-4011
0.072451.6
Develop manuals, texts, workbooks, or related materials for use in conjunction with production materials or for training.Details
27-4011
0.016912.1
Produce rough and finished graphics and graphic designs.Details
27-4011
0.014310.2
Plan and develop pre-production ideas into outlines, scripts, story boards, and graphics, using own ideas or specifications of assignments.Details
27-4011
0.01208.5
Diagnose and resolve media system problems.Details
27-4011
0.00876.2
Install, adjust, and operate electronic equipment to record, edit, and transmit radio and television programs, motion pictures, video conferencing, or multimedia presentations.Details
27-4011
0.00523.7
Perform narration of productions or present announcements.Details
27-4011
0.00352.5
Conduct training sessions on selection, use, and design of audio-visual materials and on operation of presentation equipment.Details
27-4011
0.00261.9
Mix and regulate sound inputs and feeds or coordinate audio feeds with television pictures.Details
27-4011
0.00251.8
Design layouts of audio and video equipment and perform upgrades and maintenance.Details
27-4011
0.00211.5
Not observed on any surface — 19 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states.
Notify supervisors when major equipment repairs are needed.Details
—0
Perform minor repairs and routine cleaning of audio and video equipment.Details
—0
Switch sources of video input from one camera or studio to another, from film to live programming, or from network to local programming.Details
—0
Compress, digitize, duplicate, and store audio and video data.Details
—0
Monitor incoming and outgoing pictures and sound feeds to ensure quality and notify directors of any possible problems.Details
—0
Meet with directors and senior members of camera crews to discuss assignments and determine filming sequences, camera movements, and picture composition.Details
—0
Construct and position properties, sets, lighting equipment, and other equipment.Details
—0
Obtain, set up, and load videotapes for scheduled productions or broadcasts.Details
—0
Edit videotapes by erasing and removing portions of programs and adding video or sound as required.Details
—0
Direct and coordinate activities of assistants and other personnel during production.Details
—0
Maintain inventories of audio and videotapes and related supplies.Details
—0
Record and edit audio material, such as movie soundtracks, using audio recording and editing equipment.Details
—0
Inform users of audio and videotaping service policies and procedures.Details
—0
Obtain and preview musical performance programs prior to events to become familiar with the order and approximate times of pieces.Details
—0
Locate and secure settings, properties, effects, and other production necessities.Details
—0
Control the lights and sound of events, such as live concerts, before and after performances, and during intermissions.Details
—0
Organize and maintain compliance, license, and warranty information related to audio and video facilities.Details
—0
Reserve audio-visual equipment and facilities, such as meeting rooms.Details
—0
Analyze and maintain data logs for audio-visual activities.Details
—0
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
Task
βE1 + 0.5 × E2
Maintain inventories of audio and videotapes and related supplies.Details
O*NET Task ID 3995
1.0
Inform users of audio and videotaping service policies and procedures.Details
O*NET Task ID 3998
1.0
Develop manuals, texts, workbooks, or related materials for use in conjunction with production materials or for training.Details
O*NET Task ID 4005
1.0
Perform narration of productions or present announcements.Details
O*NET Task ID 4006
1.0
Analyze and maintain data logs for audio-visual activities.Details
O*NET Task ID 18652
1.0
Monitor incoming and outgoing pictures and sound feeds to ensure quality and notify directors of any possible problems.Details
O*NET Task ID 3981
0.5
Mix and regulate sound inputs and feeds or coordinate audio feeds with television pictures.Details
O*NET Task ID 3982
0.5
Design layouts of audio and video equipment and perform upgrades and maintenance.Details
O*NET Task ID 3984
0.5
Switch sources of video input from one camera or studio to another, from film to live programming, or from network to local programming.Details
O*NET Task ID 3987
0.5
Compress, digitize, duplicate, and store audio and video data.Details
O*NET Task ID 3990
0.5
Obtain, set up, and load videotapes for scheduled productions or broadcasts.Details
O*NET Task ID 3991
0.5
Edit videotapes by erasing and removing portions of programs and adding video or sound as required.Details
O*NET Task ID 3992
0.5
Plan and develop pre-production ideas into outlines, scripts, story boards, and graphics, using own ideas or specifications of assignments.Details
O*NET Task ID 3994
0.5
Determine formats, approaches, content, levels, and mediums to effectively meet objectives within budgetary constraints, using research, knowledge, and training.Details
O*NET Task ID 3996
0.5
Record and edit audio material, such as movie soundtracks, using audio recording and editing equipment.Details
O*NET Task ID 3997
0.5
Obtain and preview musical performance programs prior to events to become familiar with the order and approximate times of pieces.Details
O*NET Task ID 3999
0.5
Produce rough and finished graphics and graphic designs.Details
O*NET Task ID 4000
0.5
Locate and secure settings, properties, effects, and other production necessities.Details
O*NET Task ID 4001
0.5
Control the lights and sound of events, such as live concerts, before and after performances, and during intermissions.Details
O*NET Task ID 4002
0.5
Organize and maintain compliance, license, and warranty information related to audio and video facilities.Details
O*NET Task ID 4004
0.5
Install, adjust, and operate electronic equipment to record, edit, and transmit radio and television programs, motion pictures, video conferencing, or multimedia presentations.Details
O*NET Task ID 18649
0.5
Diagnose and resolve media system problems.Details
O*NET Task ID 18650
0.5
Reserve audio-visual equipment and facilities, such as meeting rooms.Details
O*NET Task ID 18651
0.5
Notify supervisors when major equipment repairs are needed.Details
O*NET Task ID 3980
0.0
Perform minor repairs and routine cleaning of audio and video equipment.Details
O*NET Task ID 3985
0.0
Meet with directors and senior members of camera crews to discuss assignments and determine filming sequences, camera movements, and picture composition.Details
O*NET Task ID 3988
0.0
Construct and position properties, sets, lighting equipment, and other equipment.Details
O*NET Task ID 3989
0.0
Direct and coordinate activities of assistants and other personnel during production.Details
O*NET Task ID 3993
0.0
Conduct training sessions on selection, use, and design of audio-visual materials and on operation of presentation equipment.Details
O*NET Task ID 4003
0.0
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
Berufsinformationen
ILO-Berufsbeschreibung
Broadcasting and Audio-visual Technicians
Techniker für Rundfunk und audiovisuelle Medien
Quelle:European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
Broadcasting and audio-visual technicians control technical functioning of equipment to record and edit images and sound and for transmitting radio and television broadcasts of images and sounds, as well as other types of telecommunication signals on land, sea or in aircraft.
Aufgaben
(a) controlling equipment to record sound;
(b) controlling equipment to edit and mix image and sound recordings to ensure satisfactory quality and to create special image and sound effects;
(c) applying knowledge of principles and practices of image and sound recording and editing in order to identify and solve problems;
(d) controlling transmitting and broadcast systems and satellite systems for radio and television programmes;
(e) controlling radio communications systems, satellite services and multiplex systems on land, sea or in aircraft;
(f) applying knowledge of principles and practices of broadcasting, telecommunications terminals and transmissions systems, in order to identify and solve problems;
(g) making emergency repairs to equipment.
Beispielberufe
Audio-visual operator · Broadcasting equipment operator · Broadcast technician · Camera operator (motion picture) · Camera operator (video) · Production assistant (media)
Video-Operatoren steuern in Interaktion mit den darstellenden Künstlern die (projizierten) Bilder einer Aufführung auf der Grundlage des künstlerischen oder kreativen Konzepts. Ihre Arbeit steht in Wechselwirkung mit derjenigen anderer Operatoren. Daher arbeiten Video-Operatoren eng mit Designern, Operatoren und darstellenden Künstlern zusammen. Video-Operatoren erstellen Medienfragmente, überwachen die Installation, leiten die technische Crew an, programmieren die Geräte und bedienen das Videosystem. Ihre Arbeit beruht auf Plänen, Anweisungen und anderen Unterlagen.
Soundtechniker/SoundtechnikerinESCO 3521.1.11
Soundtechniker steuern in Interaktion mit den darstellenden Künstlern den Ton einer Aufführung auf der Grundlage des künstlerischen oder kreativen Konzepts. Ihre Arbeit steht in Wechselwirkung mit derjenigen anderer Operatoren. Daher arbeiten Soundtechniker eng mit den Designern und den darstellenden Künstlern zusammen. Sie erstellen Audio-Fragmente, überwachen die Einrichtung, leiten die technische Crew an, programmieren die Geräte und bedienen das Soundsystem. Ihre Arbeit beruht auf Plänen, Anweisungen und anderen Unterlagen.
Mastering-Ingenieure wandeln fertige Aufnahmen in das gewünschte Format um, z. B. in eine CD, eine Vinylschallplatte oder ein Digitalformat. Sie gewährleisten die Qualität des Tons in allen Formaten.
Toncutter/ToncutterinESCO 3521.1.10
Toncutter erzeugen den Soundtrack und Soundeffekte für Filme, Fernsehserien oder andere Multimedia-Produktionen. Sie sind zuständig für alle Musik- und Tonaufnahmen in Filmen, Serien oder Videospielen. Toncutter verwenden Geräte zum Bearbeiten und Mischen von Bild- und Tonaufzeichnungen und stellen sicher, dass Musik, Ton und Dialog synchronisiert sind und sich in die Szene einfügen. Sie arbeiten eng mit dem Film- und Videoeditor zusammen.
Veranstaltungstechniker (gemietetes Equipment) verwalten die technische Ausrüstung von Konzerten und anderen Großveranstaltungen.
Tonassistent/TonassistentinESCO 3521.1.2
Tonassistenten richten Mikrofone ein und bedienen sie per Hand, per Stange oder mithilfe einer beweglichen Plattform. Sie stellen sicher, dass sich jedes Mikrophon an der richtigen Stelle befindet und optimal platziert ist, um die Dialoge aufzunehmen. Tonassistenten kümmern sich auch um die an der Kleidung der Schauspieler befestigten Mikrofone.
Kameraschwenker/KameraschwenkerinESCO 3521.1.3
Kameraschwenker richten digitale Filmkameras ein und bedienen sie, um Aufnahmen für Film- oder Fernsehproduktionen zu erstellen. Sie arbeiten mit dem Film- und Fernsehregisseur, dem bildgestaltenden Kameramann oder dem privaten Auftraggeber zusammen. Kameraschwenker geben Schauspielern, dem Film- und Fernsehregisseur und anderen Kameraschwenkern Ratschläge zur Aufnahme von Szenen.
Fachkraft AV-MedientechnikESCO 3521.1
Fachkräfte AV-Medientechnik übernehmen die Installation, Bedienung und Wartung von Geräten zur Aufzeichnung und Bearbeitung von Bild und Ton für Radio- und Fernsehsendungen, bei Live-Veranstaltungen und für Telekommunikationssignale.
Sounddesigner/SounddesignerinESCO 3521.1.9
Sounddesigner entwickeln ein Soundkonzept für eine Aufführung und überwachen dessen Umsetzung. Ihre Arbeit stützt sich auf wissenschaftliche Erkenntnisse und künstlerische Vision. Ihr Konzept steht in Wechselwirkungen mit den übrigen Konzepten und muss mit diesen und der künstlerischen Gesamtvision harmonieren. Daher arbeiten Sounddesigner eng mit den künstlerischen Leitern, den Operatoren und dem künstlerischen Team zusammen. Sounddesigner erstellen Audiofragmente, die bei einer Ausführung verwendet werden. Hierzu gehören die Aufzeichnung, die Komposition und die Bearbeitung. Während der Proben und der Aufführung betreuen sie die Operatoren, damit der Klang zeitlich optimal einsetzt und gesteuert wird. Sounddesigner erstellen Pläne, Cue-Listen und andere Unterlagen zur Unterstützung der Operatoren und der Produktionscrew. Bisweilen arbeiten Sounddesigner auch als selbständige Künstler und schaffen Tonkunst außerhalb des Aufführungskontexts.
Videotechniker/VideotechnikerinESCO 3521.1.13
Videotechniker sind zuständig für die Einrichtung, Vorbereitung, Prüfung und Wartung der Geräte, um bei Live-Aufführungen eine optimale Bildprojektionsqualität zu gewährleisten. Sie arbeiten beim Entladen, Aufbauen und Bedienen der Videogeräte und -instrumente mit der Tourneecrew zusammen.
Studiotechniker/StudiotechnikerinESCO 3521.1.7
Studiotechniker bedienen und warten Mikrofone und Kopfhörer in Aufnahmekabinen von Aufnahmestudios. Sie bedienen Mischpulte. Studiotechniker sind für alle Anforderungen der Tonproduktion zuständig. Sie beraten Sänger im Hinblick auf den Einsatz ihrer Stimme. Studiotechniker bearbeiten Aufzeichnungen, um ein fertiges Produkt herzustellen.
Filmvorführer/FilmvorführerinESCO 3521.1.6
Filmvorführer bedienen und warten Projektoren in Filmtheatern. Sie überprüfen Filme, bevor sie diese in den Projektor einlegen. Filmvorführer sorgen für einen reibungslosen Ablauf während der Projektion des Films. Sie sind auch für die ordnungsgemäße Lagerung von Filmen verantwortlich.
Quelle:European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
ESCO reuse terms and the modification notice are in Credits.
Shown in the original Korean. This dataset is published under KOGL Type 4, which prohibits derivative works including translation, so the text is reproduced unaltered.
사물, 도구, 조종 장치를 다루기 위해 손사용(92) · 주말 및 공휴일 근무(90) · 극단적으로 밝거나 부적절한 조명(89) · 의사결정 가능성(85) · 이미지/평판/재정에 미치는 영향력(78)
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영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
마감시간(90) · 다른 사람들을 조율하거나 이끌기(87) · 걷거나 뛰기(84) · 재택근무(84) · 실외 근무(80)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
극단적으로 밝거나 부적절한 조명(100) · 장비 속도에 보조 맞추기(99) · 고지대 작업(97) · 주말 및 공휴일 근무(96) · 균형을 유지하기(96)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가
규칙적인 근무(100) · 다른 사람과 신체적 접촉(99) · 균형을 유지하기(99) · 치열한 경쟁(97) · 극단적으로 밝거나 부적절한 조명(92)
Related occupations
음향 및 녹음 기사 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
규칙적인 근무(100) · 균형을 유지하기(98) · 걷거나 뛰기(98) · 극단적으로 밝거나 부적절한 조명(98) · 다른 사람과 신체적 접촉(97)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
예술(97) · 디자인(54) · 의사소통과 미디어(43) · 교육 및 훈련(43) · 철학과 신학(36)
Work environment
규칙적인 근무(99) · 치열한 경쟁(94) · 이미지/평판/재정에 미치는 영향력(89) · 결과에 대한 책임(88) · 서서 근무(85)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
치열한 경쟁(100) · 규칙적인 근무(100) · 연설, 발표, 회의하기(98) · 극단적으로 밝거나 부적절한 조명(97) · 다른 사람과의 상호작용(96)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
다른 사람들을 조율하거나 이끌기(97) · 마감시간(95) · 다른 사람과의 상호작용(93) · 치열한 경쟁(90) · 의사결정 권한(86)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
극단적으로 밝거나 부적절한 조명(95) · 주말 및 공휴일 근무(87) · 사물, 도구, 조종 장치를 다루기 위해 손사용(85) · 다른 사람과 신체적 접촉(85) · 마감시간(81)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
연설, 발표, 회의하기(93) · 앉아서 근무(87) · 다른 사람과의 접촉(83) · 치열한 경쟁(81) · 사람들과 직접 접촉(80)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 촬영기사
The KNOW occupations and KECO codes listed here were linked to this page's occupation by this site; this is not a correspondence defined by the Korea Employment Information Service or the Ministry of Employment and Labor.
Projected change: +3.9%
Median wage: $58K
lowest $31Kmedian wage across 825 detailed occupations, BLS EP 2025–35highest $559K
Employment: 88K
Typical entry-level education: Postsecondary nondegree award