Vier relative Bänder (Niedrig / Mittel / Hoch / Sehr hoch)
831 detaillierte Berufe in der BLS-Beschäftigungsprojektionstabelle. Der Wert wird je Code der National Employment Matrix (NEM) vergeben, daher erhalten Berufe mit demselben NEM-Code dasselbe Band
Index der Exposition gegenüber generativer KI, 0–1 wie veröffentlicht
ISCO-08-Berufsgattung — alle Berufe mit demselben Code erhalten diesen Wert
Von dieser Website berechnet, nicht von der IAO veröffentlicht: Von den 1.012 Berufen, die diese Website mit dem IAO-Datensatz verknüpft, erreichen oder übertreffen 61% diesen Wert.
Die Kategorie von BLS ist ein relativer Rang und kein absolutes Niveau, und sie ist keine eigene Messung: Sie fasst die Perzentilränge des Berufs aus mehreren veröffentlichten Studien in vier Bänder zusammen. Sie ist weder eine Beschäftigungs- oder Lohnprognose noch eine Einführungswahrscheinlichkeit und unterscheidet nicht zwischen Automatisierung und Augmentierung.
Prepare reports outlining past and future programs, including content.Details
27-4012
0.004752.2
0.005069.0
Edit broadcast material electronically, using computers.Details
27-4012
0.002527.8
0.002331.0
Instruct trainees in how to use television production equipment, how to film events, and how to copy and edit graphics or sound onto videotape.Details
27-4012
0.001820.0
—0
Not observed on any surface — 26 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states.
Control audio equipment to regulate the volume and sound quality during radio and television broadcasts.Details
—0
—0
Monitor strength, clarity, and reliability of incoming and outgoing signals and adjust equipment as necessary to maintain quality broadcasts.Details
—0
—0
Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.Details
—0
—0
Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.Details
—0
—0
Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.Details
—0
—0
Monitor and log transmitter readings.Details
—0
—0
Play and record broadcast programs using automation systems.Details
—0
—0
Maintain programming logs as required by station management and the Federal Communications Commission.Details
—0
—0
Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.Details
—0
—0
Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.Details
—0
—0
Select sources from which programming will be received or through which programming will be transmitted.Details
—0
—0
Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.Details
—0
—0
Substitute programs in cases where signals fail.Details
—0
—0
Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.Details
—0
—0
Schedule programming or read television programming logs to determine which programs are to be recorded or aired.Details
—0
—0
Give technical directions to other personnel during filming.Details
—0
—0
Set up and operate portable field transmission equipment outside the studio.Details
—0
—0
Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality and position them appropriately.Details
—0
—0
Design and modify equipment to employer specifications.Details
—0
—0
Discuss production requirements with clients.Details
—0
—0
Produce educational and training films and videotapes by performing activities, such as selecting equipment and preparing scripts.Details
—0
—0
Set up, operate, and maintain broadcast station computers and networks.Details
—0
—0
Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.Details
—0
—0
Make commercial dubs.Details
—0
—0
Develop employee work schedules.Details
—0
—0
Produce graphics for broadcasts.Details
—0
—0
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
Task
βE1 + 0.5 × E2
Maintain programming logs as required by station management and the Federal Communications Commission.Details
O*NET Task ID 4007
1.0
Substitute programs in cases where signals fail.Details
O*NET Task ID 4017
1.0
Schedule programming or read television programming logs to determine which programs are to be recorded or aired.Details
O*NET Task ID 4021
1.0
Edit broadcast material electronically, using computers.Details
O*NET Task ID 4022
1.0
Design and modify equipment to employer specifications.Details
O*NET Task ID 4026
1.0
Prepare reports outlining past and future programs, including content.Details
O*NET Task ID 4027
1.0
Set up, operate, and maintain broadcast station computers and networks.Details
O*NET Task ID 18655
1.0
Develop employee work schedules.Details
O*NET Task ID 18658
1.0
Control audio equipment to regulate volume and sound quality during radio and television broadcasts.Details
O*NET Task ID 4008
0.5
Monitor strength, clarity, and reliability of incoming and outgoing signals, and adjust equipment as necessary to maintain quality broadcasts.Details
O*NET Task ID 4009
0.5
Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.Details
O*NET Task ID 4010
0.5
Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.Details
O*NET Task ID 4011
0.5
Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.Details
O*NET Task ID 4012
0.5
Select sources from which programming will be received or through which programming will be transmitted.Details
O*NET Task ID 4013
0.5
Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.Details
O*NET Task ID 4015
0.5
Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality, and position them appropriately.Details
O*NET Task ID 4025
0.5
Produce educational and training films and videotapes by performing activities, such as selecting equipment and preparing scripts.Details
O*NET Task ID 4029
0.5
Monitor and log transmitter readings.Details
O*NET Task ID 18653
0.5
Play and record broadcast programs, using automation systems.Details
O*NET Task ID 18654
0.5
Make commercial dubs.Details
O*NET Task ID 18657
0.5
Produce graphics for broadcasts.Details
O*NET Task ID 18659
0.5
Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.Details
O*NET Task ID 4014
0.0
Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.Details
O*NET Task ID 4016
0.0
Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.Details
O*NET Task ID 4018
0.0
Instruct trainees in use of television production equipment, filming of events, and copying and editing graphics or sound onto videotape.Details
O*NET Task ID 4020
0.0
Give technical directions to other personnel during filming.Details
O*NET Task ID 4023
0.0
Set up and operate portable field transmission equipment outside the studio.Details
O*NET Task ID 4024
0.0
Discuss production requirements with clients.Details
O*NET Task ID 4028
0.0
Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.Details
O*NET Task ID 18656
0.0
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
Berufsinformationen
ILO-Berufsbeschreibung
Broadcasting and Audio-visual Technicians
Techniker für Rundfunk und audiovisuelle Medien
Quelle:European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
Broadcasting and audio-visual technicians control technical functioning of equipment to record and edit images and sound and for transmitting radio and television broadcasts of images and sounds, as well as other types of telecommunication signals on land, sea or in aircraft.
Aufgaben
(a) controlling equipment to record sound;
(b) controlling equipment to edit and mix image and sound recordings to ensure satisfactory quality and to create special image and sound effects;
(c) applying knowledge of principles and practices of image and sound recording and editing in order to identify and solve problems;
(d) controlling transmitting and broadcast systems and satellite systems for radio and television programmes;
(e) controlling radio communications systems, satellite services and multiplex systems on land, sea or in aircraft;
(f) applying knowledge of principles and practices of broadcasting, telecommunications terminals and transmissions systems, in order to identify and solve problems;
(g) making emergency repairs to equipment.
Beispielberufe
Audio-visual operator · Broadcasting equipment operator · Broadcast technician · Camera operator (motion picture) · Camera operator (video) · Production assistant (media)
Video-Operatoren steuern in Interaktion mit den darstellenden Künstlern die (projizierten) Bilder einer Aufführung auf der Grundlage des künstlerischen oder kreativen Konzepts. Ihre Arbeit steht in Wechselwirkung mit derjenigen anderer Operatoren. Daher arbeiten Video-Operatoren eng mit Designern, Operatoren und darstellenden Künstlern zusammen. Video-Operatoren erstellen Medienfragmente, überwachen die Installation, leiten die technische Crew an, programmieren die Geräte und bedienen das Videosystem. Ihre Arbeit beruht auf Plänen, Anweisungen und anderen Unterlagen.
Soundtechniker/SoundtechnikerinESCO 3521.1.11
Soundtechniker steuern in Interaktion mit den darstellenden Künstlern den Ton einer Aufführung auf der Grundlage des künstlerischen oder kreativen Konzepts. Ihre Arbeit steht in Wechselwirkung mit derjenigen anderer Operatoren. Daher arbeiten Soundtechniker eng mit den Designern und den darstellenden Künstlern zusammen. Sie erstellen Audio-Fragmente, überwachen die Einrichtung, leiten die technische Crew an, programmieren die Geräte und bedienen das Soundsystem. Ihre Arbeit beruht auf Plänen, Anweisungen und anderen Unterlagen.
Mastering-Ingenieure wandeln fertige Aufnahmen in das gewünschte Format um, z. B. in eine CD, eine Vinylschallplatte oder ein Digitalformat. Sie gewährleisten die Qualität des Tons in allen Formaten.
Toncutter/ToncutterinESCO 3521.1.10
Toncutter erzeugen den Soundtrack und Soundeffekte für Filme, Fernsehserien oder andere Multimedia-Produktionen. Sie sind zuständig für alle Musik- und Tonaufnahmen in Filmen, Serien oder Videospielen. Toncutter verwenden Geräte zum Bearbeiten und Mischen von Bild- und Tonaufzeichnungen und stellen sicher, dass Musik, Ton und Dialog synchronisiert sind und sich in die Szene einfügen. Sie arbeiten eng mit dem Film- und Videoeditor zusammen.
Veranstaltungstechniker (gemietetes Equipment) verwalten die technische Ausrüstung von Konzerten und anderen Großveranstaltungen.
Tonassistent/TonassistentinESCO 3521.1.2
Tonassistenten richten Mikrofone ein und bedienen sie per Hand, per Stange oder mithilfe einer beweglichen Plattform. Sie stellen sicher, dass sich jedes Mikrophon an der richtigen Stelle befindet und optimal platziert ist, um die Dialoge aufzunehmen. Tonassistenten kümmern sich auch um die an der Kleidung der Schauspieler befestigten Mikrofone.
Kameraschwenker/KameraschwenkerinESCO 3521.1.3
Kameraschwenker richten digitale Filmkameras ein und bedienen sie, um Aufnahmen für Film- oder Fernsehproduktionen zu erstellen. Sie arbeiten mit dem Film- und Fernsehregisseur, dem bildgestaltenden Kameramann oder dem privaten Auftraggeber zusammen. Kameraschwenker geben Schauspielern, dem Film- und Fernsehregisseur und anderen Kameraschwenkern Ratschläge zur Aufnahme von Szenen.
Fachkraft AV-MedientechnikESCO 3521.1
Fachkräfte AV-Medientechnik übernehmen die Installation, Bedienung und Wartung von Geräten zur Aufzeichnung und Bearbeitung von Bild und Ton für Radio- und Fernsehsendungen, bei Live-Veranstaltungen und für Telekommunikationssignale.
Sounddesigner/SounddesignerinESCO 3521.1.9
Sounddesigner entwickeln ein Soundkonzept für eine Aufführung und überwachen dessen Umsetzung. Ihre Arbeit stützt sich auf wissenschaftliche Erkenntnisse und künstlerische Vision. Ihr Konzept steht in Wechselwirkungen mit den übrigen Konzepten und muss mit diesen und der künstlerischen Gesamtvision harmonieren. Daher arbeiten Sounddesigner eng mit den künstlerischen Leitern, den Operatoren und dem künstlerischen Team zusammen. Sounddesigner erstellen Audiofragmente, die bei einer Ausführung verwendet werden. Hierzu gehören die Aufzeichnung, die Komposition und die Bearbeitung. Während der Proben und der Aufführung betreuen sie die Operatoren, damit der Klang zeitlich optimal einsetzt und gesteuert wird. Sounddesigner erstellen Pläne, Cue-Listen und andere Unterlagen zur Unterstützung der Operatoren und der Produktionscrew. Bisweilen arbeiten Sounddesigner auch als selbständige Künstler und schaffen Tonkunst außerhalb des Aufführungskontexts.
Videotechniker/VideotechnikerinESCO 3521.1.13
Videotechniker sind zuständig für die Einrichtung, Vorbereitung, Prüfung und Wartung der Geräte, um bei Live-Aufführungen eine optimale Bildprojektionsqualität zu gewährleisten. Sie arbeiten beim Entladen, Aufbauen und Bedienen der Videogeräte und -instrumente mit der Tourneecrew zusammen.
Studiotechniker/StudiotechnikerinESCO 3521.1.7
Studiotechniker bedienen und warten Mikrofone und Kopfhörer in Aufnahmekabinen von Aufnahmestudios. Sie bedienen Mischpulte. Studiotechniker sind für alle Anforderungen der Tonproduktion zuständig. Sie beraten Sänger im Hinblick auf den Einsatz ihrer Stimme. Studiotechniker bearbeiten Aufzeichnungen, um ein fertiges Produkt herzustellen.
Filmvorführer/FilmvorführerinESCO 3521.1.6
Filmvorführer bedienen und warten Projektoren in Filmtheatern. Sie überprüfen Filme, bevor sie diese in den Projektor einlegen. Filmvorführer sorgen für einen reibungslosen Ablauf während der Projektion des Films. Sie sind auch für die ordnungsgemäße Lagerung von Filmen verantwortlich.
Quelle:European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
ESCO reuse terms and the modification notice are in Credits.
Shown in the original Korean. This dataset is published under KOGL Type 4, which prohibits derivative works including translation, so the text is reproduced unaltered.
사물, 도구, 조종 장치를 다루기 위해 손사용(92) · 주말 및 공휴일 근무(90) · 극단적으로 밝거나 부적절한 조명(89) · 의사결정 가능성(85) · 이미지/평판/재정에 미치는 영향력(78)
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음향 및 녹음 기사 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
규칙적인 근무(99) · 다른 사람과의 상호작용(97) · 의사결정 권한(97) · 극단적으로 밝거나 부적절한 조명(96) · 결과에 대한 책임(92)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 촬영기사
The KNOW occupations and KECO codes listed here were linked to this page's occupation by this site; this is not a correspondence defined by the Korea Employment Information Service or the Ministry of Employment and Labor.
Projected change: -3.1%
Median wage: $60K
lowest $31Kmedian wage across 825 detailed occupations, BLS EP 2025–35highest $559K