Quatre bandes relatives (Faible / Modérée / Élevée / Très élevée)
831 métiers détaillés du tableau des projections d'emploi du BLS. La valeur est attribuée par code de la National Employment Matrix (NEM), si bien que les métiers partageant un code NEM reçoivent la même bande
Indice d'exposition à l'IA générative, 0–1 tel que publié
Groupe de base CITP-08 — tous les métiers partageant le code reçoivent cette valeur
Calculé par ce site, non publié par l'OIT : sur les 1 012 professions que ce site relie au jeu de données de l'OIT, 61% atteignent ou dépassent cette valeur.
Quelle est la nature de la valeur publiée par cette source
La catégorie BLS est un rang relatif et non un niveau absolu, et ce n'est pas une mesure de première main : elle regroupe en quatre bandes les rangs centiles du métier dans plusieurs études publiées. Ce n'est ni une prévision d'emploi ou de salaire, ni une probabilité d'adoption, et elle ne distingue pas automatisation et augmentation.
Prepare reports outlining past and future programs, including content.Details
27-4012
0.007281.2
0.004967.6
Edit broadcast material electronically, using computers.Details
27-4012
0.001718.8
0.002332.4
Not observed on any surface — 27 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states.
Control audio equipment to regulate the volume and sound quality during radio and television broadcasts.Details
—0
—0
Monitor strength, clarity, and reliability of incoming and outgoing signals and adjust equipment as necessary to maintain quality broadcasts.Details
—0
—0
Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.Details
—0
—0
Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.Details
—0
—0
Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.Details
—0
—0
Monitor and log transmitter readings.Details
—0
—0
Play and record broadcast programs using automation systems.Details
—0
—0
Maintain programming logs as required by station management and the Federal Communications Commission.Details
—0
—0
Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.Details
—0
—0
Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.Details
—0
—0
Select sources from which programming will be received or through which programming will be transmitted.Details
—0
—0
Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.Details
—0
—0
Substitute programs in cases where signals fail.Details
—0
—0
Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.Details
—0
—0
Instruct trainees in how to use television production equipment, how to film events, and how to copy and edit graphics or sound onto videotape.Details
—0
—0
Schedule programming or read television programming logs to determine which programs are to be recorded or aired.Details
—0
—0
Give technical directions to other personnel during filming.Details
—0
—0
Set up and operate portable field transmission equipment outside the studio.Details
—0
—0
Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality and position them appropriately.Details
—0
—0
Design and modify equipment to employer specifications.Details
—0
—0
Discuss production requirements with clients.Details
—0
—0
Produce educational and training films and videotapes by performing activities, such as selecting equipment and preparing scripts.Details
—0
—0
Set up, operate, and maintain broadcast station computers and networks.Details
—0
—0
Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.Details
—0
—0
Make commercial dubs.Details
—0
—0
Develop employee work schedules.Details
—0
—0
Produce graphics for broadcasts.Details
—0
—0
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
Task
βE1 + 0.5 × E2
Maintain programming logs as required by station management and the Federal Communications Commission.Details
O*NET Task ID 4007
1.0
Substitute programs in cases where signals fail.Details
O*NET Task ID 4017
1.0
Schedule programming or read television programming logs to determine which programs are to be recorded or aired.Details
O*NET Task ID 4021
1.0
Edit broadcast material electronically, using computers.Details
O*NET Task ID 4022
1.0
Design and modify equipment to employer specifications.Details
O*NET Task ID 4026
1.0
Prepare reports outlining past and future programs, including content.Details
O*NET Task ID 4027
1.0
Set up, operate, and maintain broadcast station computers and networks.Details
O*NET Task ID 18655
1.0
Develop employee work schedules.Details
O*NET Task ID 18658
1.0
Control audio equipment to regulate volume and sound quality during radio and television broadcasts.Details
O*NET Task ID 4008
0.5
Monitor strength, clarity, and reliability of incoming and outgoing signals, and adjust equipment as necessary to maintain quality broadcasts.Details
O*NET Task ID 4009
0.5
Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.Details
O*NET Task ID 4010
0.5
Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.Details
O*NET Task ID 4011
0.5
Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.Details
O*NET Task ID 4012
0.5
Select sources from which programming will be received or through which programming will be transmitted.Details
O*NET Task ID 4013
0.5
Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.Details
O*NET Task ID 4015
0.5
Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality, and position them appropriately.Details
O*NET Task ID 4025
0.5
Produce educational and training films and videotapes by performing activities, such as selecting equipment and preparing scripts.Details
O*NET Task ID 4029
0.5
Monitor and log transmitter readings.Details
O*NET Task ID 18653
0.5
Play and record broadcast programs, using automation systems.Details
O*NET Task ID 18654
0.5
Make commercial dubs.Details
O*NET Task ID 18657
0.5
Produce graphics for broadcasts.Details
O*NET Task ID 18659
0.5
Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.Details
O*NET Task ID 4014
0.0
Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.Details
O*NET Task ID 4016
0.0
Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.Details
O*NET Task ID 4018
0.0
Instruct trainees in use of television production equipment, filming of events, and copying and editing graphics or sound onto videotape.Details
O*NET Task ID 4020
0.0
Give technical directions to other personnel during filming.Details
O*NET Task ID 4023
0.0
Set up and operate portable field transmission equipment outside the studio.Details
O*NET Task ID 4024
0.0
Discuss production requirements with clients.Details
O*NET Task ID 4028
0.0
Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.Details
O*NET Task ID 18656
0.0
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
Informations professionnelles
Description professionnelle de l’OIT
Broadcasting and Audio-visual Technicians
Techniciens de radio-télévision et d'enregistrement audio-visuel
Broadcasting and audio-visual technicians control technical functioning of equipment to record and edit images and sound and for transmitting radio and television broadcasts of images and sounds, as well as other types of telecommunication signals on land, sea or in aircraft.
Tâches
(a) controlling equipment to record sound;
(b) controlling equipment to edit and mix image and sound recordings to ensure satisfactory quality and to create special image and sound effects;
(c) applying knowledge of principles and practices of image and sound recording and editing in order to identify and solve problems;
(d) controlling transmitting and broadcast systems and satellite systems for radio and television programmes;
(e) controlling radio communications systems, satellite services and multiplex systems on land, sea or in aircraft;
(f) applying knowledge of principles and practices of broadcasting, telecommunications terminals and transmissions systems, in order to identify and solve problems;
(g) making emergency repairs to equipment.
Exemples de métiers
Audio-visual operator · Broadcasting equipment operator · Broadcast technician · Camera operator (motion picture) · Camera operator (video) · Production assistant (media)
Les opérateurs/opératrices vidéo contrôlent les images (projetées) d’un spectacle en fonction du concept artistique ou créatif, en collaboration avec les interprètes. Leur travail et celui des autres opérateurs s’influencent mutuellement. Par conséquent, ils/elles travaillent en étroite collaboration avec les concepteurs, les opérateurs et les artistes interprètes. Ils/Elles élaborent des séquences media, supervisent la mise en place, dirigent l’équipe technique, programment l’équipement et assurent le fonctionnement du système vidéo. Leurs travaux sont réalisés sur la base de plans, d’instructions et d’autres documents.
opérateur du son/opératrice du sonESCO 3521.1.11
Les opérateurs/opératrices du son contrôlent la sonorisation d’une performance en fonction du concept artistique ou créatif, en collaboration avec les artistes interprètes ou exécutants. Leur travail et celui des autres opérateurs s’influencent mutuellement. Par conséquent, les opérateurs du son collaborent étroitement avec les créateurs et les artistes interprètes. Ils/Elles préparent des séquences audio, supervisent la mise en place, dirigent l’équipe technique, programment l’équipement et assurent le fonctionnement du système sonore. Leurs travaux sont réalisés sur la base de plans, d’instructions et d’autres documents.
ingénieur son mastering/ingénieure son masteringESCO 3521.1.4
Les ingénieurs/ingénieures son mastering convertissent les enregistrements dans le format souhaité, comme le CD, le vinyle ou le numérique. Ils/Elles garantissent la qualité du son sur tous les formats.
mixeur/mixeuseESCO 3521.1.10
Les mixeurs/mixeuses créent des bandes et des effets sonores pour des films cinématographiques, des séries télévisées ou d’autres productions multimédia. Ils/Elles sont responsables de toute la musique et du son dans les films, les séries ou les jeux vidéo. Ils/Elles utilisent des équipements pour monter et mélanger des images et des enregistrements sonores et s’assurer que la musique, le son et le dialogue sont synchronisés et adaptés à la scène. Ils/Elles travaillent en étroite collaboration avec le monteur dans le cadre de la production de vidéos et de films.
technicien matériel de location/technicienne matériel de locationESCO 3521.1.5
Les techniciens/techniciennes matériel de location gèrent des équipements techniques lors de concerts et d’autres grands événements.
perchisteESCO 3521.1.2
Les perchistes mettent en place et manipulent la perche, soit à la main, soit au moyen d’un bras articulé ou d’une plateforme mobile. Ils/Elles veillent à ce que chaque micro soit correctement positionné sur le plateau et dans la meilleure position pour enregistrer les dialogues. Les perchistes sont également responsables des micros sur les vêtements des acteurs.
opérateur de prise de vues/opératrice de prise de vuesESCO 3521.1.3
Les opérateurs/opératrices de prise de vues mettent en place et assurent le fonctionnement des caméras numériques pour tourner des films ou des programmes de télévision. Ils/Elles collaborent avec le réalisateur vidéo, le directeur de la photographie ou le client privé. Ils/Elles donnent des conseils sur la manière de tourner les scènes aux acteurs, au réalisateur et aux autres opérateurs de prise de vues.
Les techniciens/techniciennes audiovisuel mettent en place, gèrent et entretiennent des équipements pour enregistrer et monter des images et du son pour des émissions de radio et de télévision, lors d’événements en direct et pour les signaux de télécommunications.
designer sonoreESCO 3521.1.9
Les designers sonores élaborent une conception sonore pour des spectacles et en supervisent la réalisation. Leurs travaux sont fondés sur des recherches et une vision artistique. Leurs travaux et les travaux des autres créateurs s’influencent mutuellement, et doivent ainsi s’inscrire dans une vision artistique d’ensemble. Par conséquent, les designers sonores travaillent en étroite collaboration avec les réalisateurs, les opérateurs et l’équipe artistique. Ils/Elles doivent préparer les séquences audio à utiliser lors de performances, ce qui implique notamment l’enregistrement, la composition, le traitement et le montage. Lors des répétitions et des performances, ils/elles encadrent les opérateurs pour assurer la synchronisation et la manipulation. Les designers sonores élaborent des plans, des listes de repères et d’autres documents destinés à aider les opérateurs et les membres de l’équipe de production. Les designers sonore travaillent parfois en tant qu’artistes autonomes, en créant des œuvres sonores ne s’inscrivant pas dans le cadre d’un spectacle.
technicien vidéo/technicienne vidéoESCO 3521.1.13
Les techniciens/techniciennes vidéo mettent en place, préparent, vérifient et entretiennent des équipements afin d’assurer une qualité de projection d’image optimale lors d’une représentation en direct. Ils/Elles coopèrent avec les équipes de transport lors du déchargement du matériel, mettent en place et assurent le fonctionnement des équipements et des appareils vidéo.
technicien en studio d’enregistrement/technicienne en studio d’enregistrementESCO 3521.1.7
Les techniciens/techniciennes en studio d’enregistrement assurent le fonctionnement et l’entretien des microphones et des casques dans les cabines en studios d’enregistrement. Ils/Elles manipulent les platines de mixage. Ils/Elles gèrent toutes les exigences en matière de production sonore. Ils/Elles conseillent les chanteurs sur l’utilisation de leur voix. Ils/Elles montent les enregistrements pour réaliser un produit fini.
projectionnisteESCO 3521.1.6
Les projectionnistes assurent le fonctionnement et l’entretien des équipements de projection dans les salles de cinéma. Ils/Elles inspectent les films cinématographiques avant leur chargement dans le projecteur. Les projectionnistes s’assurent du bon fonctionnement des équipements lors de la projection d’un film. Ils/Elles sont également responsables du stockage approprié des films cinématographiques.
Source:European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
ESCO reuse terms and the modification notice are in Credits.
Shown in the original Korean. This dataset is published under KOGL Type 4, which prohibits derivative works including translation, so the text is reproduced unaltered.
사물, 도구, 조종 장치를 다루기 위해 손사용(92) · 주말 및 공휴일 근무(90) · 극단적으로 밝거나 부적절한 조명(89) · 의사결정 가능성(85) · 이미지/평판/재정에 미치는 영향력(78)
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마감시간(90) · 다른 사람들을 조율하거나 이끌기(87) · 걷거나 뛰기(84) · 재택근무(84) · 실외 근무(80)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
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음향 및 녹음 기사 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
규칙적인 근무(99) · 다른 사람과의 상호작용(97) · 의사결정 권한(97) · 극단적으로 밝거나 부적절한 조명(96) · 결과에 대한 책임(92)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 촬영기사
The KNOW occupations and KECO codes listed here were linked to this page's occupation by this site; this is not a correspondence defined by the Korea Employment Information Service or the Ministry of Employment and Labor.
Projected change: -3.1%
Median wage: $60K
lowest $31Kmedian wage across 825 detailed occupations, BLS EP 2025–35highest $559K