Artistes Effets Spéciaux
Arts, Design, Divertissement et MédiasExposition à l'IA
- Source des données: BLSPublié: 2026-08
Élevée· relative
FaibleQuatre bandes relativesTrès élevéeValeur par groupe professionnel
Échelle, base et source
Quatre bandes relatives (Faible / Modérée / Élevée / Très élevée)
831 métiers détaillés du tableau des projections d'emploi du BLS. La valeur est attribuée par code de la National Employment Matrix (NEM), si bien que les métiers partageant un code NEM reçoivent la même bande
- Source des données: AnthropicPublié: 2026-03
0.357
0.000Étendue des valeurs présentées ici0.745Échelle, base et source
- Source des données: ILOPublié: 2025
0.49
0.09Étendue des valeurs présentées ici0.70Valeur par groupe professionnel
Échelle, base et source
Indice d'exposition à l'IA générative, 0–1 tel que publié
Groupe de base CITP-08 — tous les métiers partageant le code reçoivent cette valeur
Calculé par ce site, non publié par l'OIT : sur les 1 012 professions que ce site relie au jeu de données de l'OIT, 21% atteignent ou dépassent cette valeur.
Quelle est la nature de la valeur publiée par cette source
La catégorie BLS est un rang relatif et non un niveau absolu, et ce n'est pas une mesure de première main : elle regroupe en quatre bandes les rangs centiles du métier dans plusieurs études publiées. Ce n'est ni une prévision d'emploi ou de salaire, ni une probabilité d'adoption, et elle ne distingue pas automatisation et augmentation.
Task-level exposure
Tâches exposées uniquement| Task | Claude.aiRaw / share % | APIRaw / share % |
|---|---|---|
Develop briefings, brochures, multimedia presentations, web pages, promotional products, technical illustrations, and computer artwork for use in products, technical manuals, literature, newsletters, and slide shows.27-1014 | 0.546281.3 | 0.456863.8 |
Use models to simulate the behavior of animated objects in the finished sequence.27-1014 | 0.06539.7 | 0.227531.8 |
Design complex graphics and animation, using independent judgment, creativity, and computer equipment.27-1014 | 0.05648.4 | 0.02743.8 |
Apply story development, directing, cinematography, and editing to animation to create storyboards that show the flow of the animation and map out key scenes and characters.27-1014 | 0.00390.6 | 0.00310.4 |
Script, plan, and create animated narrative sequences under tight deadlines, using computer software and hand drawing techniques. | —0 | 0.00160.2 |
| Not observed on any surface — 9 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states. | ||
Create two-dimensional and three-dimensional images depicting objects in motion or illustrating a process, using computer animation or modeling programs. | —0 | —0 |
Make objects or characters appear lifelike by manipulating light, color, texture, shadow, and transparency, or manipulating static images to give the illusion of motion. | —0 | —0 |
Create basic designs, drawings, and illustrations for product labels, cartons, direct mail, or television. | —0 | —0 |
Participate in design and production of multimedia campaigns, handling budgeting and scheduling, and assisting with such responsibilities as production coordination, background design, and progress tracking. | —0 | —0 |
Assemble, typeset, scan and produce digital camera-ready art or film negatives and printer's proofs. | —0 | —0 |
Create pen-and-paper images to be scanned, edited, colored, textured, or animated by computer. | —0 | —0 |
Create and install special effects as required by the script, mixing chemicals and fabricating needed parts from wood, metal, plaster, and clay. | —0 | —0 |
Convert real objects to animated objects through modeling, using techniques such as optical scanning. | —0 | —0 |
Implement and maintain configuration control systems. | —0 | —0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task | βE1 + 0.5 × E2 |
|---|---|
Implement and maintain configuration control systems.O*NET Task ID 6895 | 1.0 |
Design complex graphics and animation, using independent judgment, creativity, and computer equipment.O*NET Task ID 6882 | 0.5 |
Create two-dimensional and three-dimensional images depicting objects in motion or illustrating a process, using computer animation or modeling programs.O*NET Task ID 6883 | 0.5 |
Make objects or characters appear lifelike by manipulating light, color, texture, shadow, and transparency, or manipulating static images to give the illusion of motion.O*NET Task ID 6884 | 0.5 |
Assemble, typeset, scan, and produce digital camera-ready art or film negatives and printer's proofs.O*NET Task ID 6885 | 0.5 |
Apply story development, directing, cinematography, and editing to animation to create storyboards that show the flow of the animation and map out key scenes and characters.O*NET Task ID 6886 | 0.5 |
Script, plan, and create animated narrative sequences under tight deadlines, using computer software and hand drawing techniques.O*NET Task ID 6887 | 0.5 |
Create basic designs, drawings, and illustrations for product labels, cartons, direct mail, or television.O*NET Task ID 6888 | 0.5 |
Create pen-and-paper images to be scanned, edited, colored, textured, or animated by computer.O*NET Task ID 6889 | 0.5 |
Develop briefings, brochures, multimedia presentations, web pages, promotional products, technical illustrations, and computer artwork for use in products, technical manuals, literature, newsletters, and slide shows.O*NET Task ID 6890 | 0.5 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page