BLS रोज़गार पूर्वानुमान तालिका के 831 विस्तृत व्यवसायों के आधार पर। मान NEM (नेशनल एम्प्लॉयमेंट मैट्रिक्स) कोड के स्तर पर दिया जाता है, इसलिए एक ही NEM कोड वाले व्यवसायों को वही बैंड मिलता है
जेनरेटिव AI एक्सपोजर सूचकांक, प्रकाशित रूप में 0–1
ISCO-08 यूनिट समूह — समान कोड वाले सभी व्यवसायों को यही मान मिलता है
यह इस साइट की गणना है, ILO द्वारा प्रकाशित आँकड़ा नहीं: इस साइट द्वारा ILO डेटासेट से जोड़े गए 1,012 व्यवसायों में से 61% इस मान के बराबर या उससे अधिक हैं।
BLS की श्रेणी सापेक्ष रैंक है, निरपेक्ष स्तर नहीं, और यह प्रथम-हस्त माप भी नहीं है: यह कई प्रकाशित अध्ययनों में व्यवसाय की पर्सेंटाइल रैंकों को चार बैंडों में बांटती है। यह रोज़गार या वेतन का पूर्वानुमान नहीं है, न अपनाए जाने की संभावना, और यह स्वचालन और संवर्धन में अंतर नहीं करती।
Prepare reports outlining past and future programs, including content.Details
27-4012
0.045784.2
Edit broadcast material electronically, using computers.Details
27-4012
0.00407.4
Instruct trainees in how to use television production equipment, how to film events, and how to copy and edit graphics or sound onto videotape.Details
27-4012
0.00254.6
Control audio equipment to regulate the volume and sound quality during radio and television broadcasts.Details
27-4012
0.00213.8
Not observed on any surface — 25 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states.
Monitor strength, clarity, and reliability of incoming and outgoing signals and adjust equipment as necessary to maintain quality broadcasts.Details
—0
Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.Details
—0
Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.Details
—0
Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.Details
—0
Monitor and log transmitter readings.Details
—0
Play and record broadcast programs using automation systems.Details
—0
Maintain programming logs as required by station management and the Federal Communications Commission.Details
—0
Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.Details
—0
Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.Details
—0
Select sources from which programming will be received or through which programming will be transmitted.Details
—0
Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.Details
—0
Substitute programs in cases where signals fail.Details
—0
Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.Details
—0
Schedule programming or read television programming logs to determine which programs are to be recorded or aired.Details
—0
Give technical directions to other personnel during filming.Details
—0
Set up and operate portable field transmission equipment outside the studio.Details
—0
Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality and position them appropriately.Details
—0
Design and modify equipment to employer specifications.Details
—0
Discuss production requirements with clients.Details
—0
Produce educational and training films and videotapes by performing activities, such as selecting equipment and preparing scripts.Details
—0
Set up, operate, and maintain broadcast station computers and networks.Details
—0
Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.Details
—0
Make commercial dubs.Details
—0
Develop employee work schedules.Details
—0
Produce graphics for broadcasts.Details
—0
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
Task
βE1 + 0.5 × E2
Maintain programming logs as required by station management and the Federal Communications Commission.Details
O*NET Task ID 4007
1.0
Substitute programs in cases where signals fail.Details
O*NET Task ID 4017
1.0
Schedule programming or read television programming logs to determine which programs are to be recorded or aired.Details
O*NET Task ID 4021
1.0
Edit broadcast material electronically, using computers.Details
O*NET Task ID 4022
1.0
Design and modify equipment to employer specifications.Details
O*NET Task ID 4026
1.0
Prepare reports outlining past and future programs, including content.Details
O*NET Task ID 4027
1.0
Set up, operate, and maintain broadcast station computers and networks.Details
O*NET Task ID 18655
1.0
Develop employee work schedules.Details
O*NET Task ID 18658
1.0
Control audio equipment to regulate volume and sound quality during radio and television broadcasts.Details
O*NET Task ID 4008
0.5
Monitor strength, clarity, and reliability of incoming and outgoing signals, and adjust equipment as necessary to maintain quality broadcasts.Details
O*NET Task ID 4009
0.5
Regulate the fidelity, brightness, and contrast of video transmissions, using video console control panels.Details
O*NET Task ID 4010
0.5
Observe monitors and converse with station personnel to determine audio and video levels and to ascertain that programs are airing.Details
O*NET Task ID 4011
0.5
Preview scheduled programs to ensure that signals are functioning and programs are ready for transmission.Details
O*NET Task ID 4012
0.5
Select sources from which programming will be received or through which programming will be transmitted.Details
O*NET Task ID 4013
0.5
Record sound onto tape or film for radio or television, checking its quality and making adjustments where necessary.Details
O*NET Task ID 4015
0.5
Determine the number, type, and approximate location of microphones needed for best sound recording or transmission quality, and position them appropriately.Details
O*NET Task ID 4025
0.5
Produce educational and training films and videotapes by performing activities, such as selecting equipment and preparing scripts.Details
O*NET Task ID 4029
0.5
Monitor and log transmitter readings.Details
O*NET Task ID 18653
0.5
Play and record broadcast programs, using automation systems.Details
O*NET Task ID 18654
0.5
Make commercial dubs.Details
O*NET Task ID 18657
0.5
Produce graphics for broadcasts.Details
O*NET Task ID 18659
0.5
Report equipment problems, ensure that repairs are made, and make emergency repairs to equipment when necessary and possible.Details
O*NET Task ID 4014
0.0
Align antennae with receiving dishes to obtain the clearest signal for transmission of broadcasts from field locations.Details
O*NET Task ID 4016
0.0
Organize recording sessions and prepare areas, such as radio booths and television stations, for recording.Details
O*NET Task ID 4018
0.0
Instruct trainees in use of television production equipment, filming of events, and copying and editing graphics or sound onto videotape.Details
O*NET Task ID 4020
0.0
Give technical directions to other personnel during filming.Details
O*NET Task ID 4023
0.0
Set up and operate portable field transmission equipment outside the studio.Details
O*NET Task ID 4024
0.0
Discuss production requirements with clients.Details
O*NET Task ID 4028
0.0
Install broadcast equipment, troubleshoot equipment problems, and perform maintenance or minor repairs, using hand tools.Details
O*NET Task ID 18656
0.0
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
व्यावसायिक जानकारी
आईएलओ व्यावसायिक विवरण
Broadcasting and Audio-visual Technicians
प्रसारण और दृश्य-श्रव्य तकनीशियन
स्वयं अनूदित
स्वयं अनूदित — यह आधिकारिक ISCO शब्दावली नहीं है (ILO द्वारा समीक्षित नहीं)।
Broadcasting and audio-visual technicians control technical functioning of equipment to record and edit images and sound and for transmitting radio and television broadcasts of images and sounds, as well as other types of telecommunication signals on land, sea or in aircraft.
कार्य
(a) controlling equipment to record sound;
(b) controlling equipment to edit and mix image and sound recordings to ensure satisfactory quality and to create special image and sound effects;
(c) applying knowledge of principles and practices of image and sound recording and editing in order to identify and solve problems;
(d) controlling transmitting and broadcast systems and satellite systems for radio and television programmes;
(e) controlling radio communications systems, satellite services and multiplex systems on land, sea or in aircraft;
(f) applying knowledge of principles and practices of broadcasting, telecommunications terminals and transmissions systems, in order to identify and solve problems;
(g) making emergency repairs to equipment.
उदाहरण व्यवसाय
Audio-visual operator · Broadcasting equipment operator · Broadcast technician · Camera operator (motion picture) · Camera operator (video) · Production assistant (media)
Video operators control the (projected) images of a performance based on the artistic or creative concept, in interaction with the performers. Their work is influenced by and influences the results of other operators. Therefore, the operators work closely together with the designers, operators and performers. Video operators prepare media fragments, supervise the setup, steer the technical crew, program the equipment and operate the video system. Their work is based on plans, instructions and other documentation.
sound operatorESCO 3521.1.11
Sound operators control the sound of a performance based on the artistic or creative concept, in interaction with the performers. Their work is influenced by and influences the results of other operators. Therefore, the operators work closely together with the designers and performers. They prepare audio fragments, supervise the setup, steer the technical crew, program the equipment and operate the sound system. Their work is based on plans, instructions and other documentation.
mastering engineerESCO 3521.1.4
Mastering engineers convert finished recordings to the desired format such as CD, vinyl and digital. They ensure the quality of the sound on all formats.
sound editorESCO 3521.1.10
Sound editors create the soundtrack and sound effects for motion pictures, television series or other multimedia productions. They are responsible for all the music and sound featured in the movie, series or videogames. Sound editors use equipment to edit and mix image and sound recordings and make sure that the music, sound and dialogue is synchronised with and fits in the scene. They work closely together with the video and motion picture editor.
performance rental technicianESCO 3521.1.5
Performance rental technicians manage technical equipment at concerts and other big events.
boom operatorESCO 3521.1.2
Boom operators set up and operate the boom microphone, either by hand, on an arm or on a moving platform. They make sure that every microphone is correctly stationed on set and in the best position to capture the dialogues. Boom operators are also responsible for the microphones on the actors clothing.
camera operatorESCO 3521.1.3
Camera operators setup and operate digital film cameras to shoot domestic motion pictures or television programs. They work together with the video and motion picture director, the director of photography, or the private client. Camera operators give advice on how to shoot scenes to actors, the video and motion picture director and other camera operators.
audio-visual technicianESCO 3521.1
Audio-visual technicians set up, operate and maintain equipment to record and edit images and sound for radio and television broadcasts, at live events and for telecommunication signals.
sound designerESCO 3521.1.9
Sound designers develop a sound design concept for a performance and supervise the execution of it. Their work is based on research and artistic vision. Their design is influenced by and influences other designs and must be conform with these designs and the overall artistic vision. Therefore, the designers work closely with artistic directors, operators and the artistic team. Sound designers prepare audio fragments to be used in a performance, which can involve recording, composing, manipulating and editing. During rehearsals and performance they coach the operators to obtain optimal timing and manipulation. Sound designers develop plans, cue lists and other documentation to support the operators and production crew. Sound designers sometimes also work as autonomous artists, creating sound art outside a performance context.
video technicianESCO 3521.1.13
Video technicians set up, prepare, check and maintain equipment in order to provide optimal projected image quality for a live performance. They cooperate with road crew to unload, set up and operate video equipment and instruments.
recording studio technicianESCO 3521.1.7
Recording studio technicians operate and maintain microphones and headsets in recording booths in recording studios. They operate mixing panels. Recording studio technicians manage all sound production requirements. They advise singers on the use of their voice. Recording studio technicians edit recordings into a finished product.
projectionistESCO 3521.1.6
Projectionists operate and maintain projection equipment in cinema theatres. They inspect the movie films before loading them into the projector. Projectionist make sure that everything runs smoothly during the projection of the movie. They also are responsible for the proper storage of movie films.
स्रोत:European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
ESCO reuse terms and the modification notice are in Credits.
Shown in the original Korean. This dataset is published under KOGL Type 4, which prohibits derivative works including translation, so the text is reproduced unaltered.
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
규칙적인 근무(99) · 다른 사람과의 상호작용(97) · 의사결정 권한(97) · 극단적으로 밝거나 부적절한 조명(96) · 결과에 대한 책임(92)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
극단적으로 밝거나 부적절한 조명(99) · 고지대 작업(95) · 장비 속도에 보조 맞추기(94) · 사물, 도구, 조종 장치를 다루기 위해 손사용(89) · 걷거나 뛰기(84)
Related occupations
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 성우 · 연극연출가 · 촬영기사
치열한 경쟁(95) · 비좁은 업무 공간(85) · 연설, 발표, 회의하기(80) · 극단적으로 밝거나 부적절한 조명(74) · 자동화 정도(69)
Related occupations
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 연극연출가 · 촬영기사
예술(98) · 영업과 마케팅(84) · 철학과 신학(80) · 사회와 인류(78) · 인사(77)
Work environment
극단적으로 밝거나 부적절한 조명(100) · 주말 및 공휴일 근무(97) · 연설, 발표, 회의하기(95) · 사람들과 직접 접촉(92) · 다른 사람들을 조율하거나 이끌기(85)
Related occupations
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 촬영기사
The KNOW occupations and KECO codes listed here were linked to this page's occupation by this site; this is not a correspondence defined by the Korea Employment Information Service or the Ministry of Employment and Labor.
Projected change: -3.1%
Median wage: $60K
lowest $31Kmedian wage across 825 detailed occupations, BLS EP 2025–35highest $559K