BLS रोज़गार पूर्वानुमान तालिका के 831 विस्तृत व्यवसायों के आधार पर। मान NEM (नेशनल एम्प्लॉयमेंट मैट्रिक्स) कोड के स्तर पर दिया जाता है, इसलिए एक ही NEM कोड वाले व्यवसायों को वही बैंड मिलता है
जेनरेटिव AI एक्सपोजर सूचकांक, प्रकाशित रूप में 0–1
ISCO-08 यूनिट समूह — समान कोड वाले सभी व्यवसायों को यही मान मिलता है
यह इस साइट की गणना है, ILO द्वारा प्रकाशित आँकड़ा नहीं: इस साइट द्वारा ILO डेटासेट से जोड़े गए 1,012 व्यवसायों में से 61% इस मान के बराबर या उससे अधिक हैं।
BLS की श्रेणी सापेक्ष रैंक है, निरपेक्ष स्तर नहीं, और यह प्रथम-हस्त माप भी नहीं है: यह कई प्रकाशित अध्ययनों में व्यवसाय की पर्सेंटाइल रैंकों को चार बैंडों में बांटती है। यह रोज़गार या वेतन का पूर्वानुमान नहीं है, न अपनाए जाने की संभावना, और यह स्वचालन और संवर्धन में अंतर नहीं करती।
Compose and frame each shot, applying the technical aspects of light, lenses, film, filters, and camera settings to achieve the effects sought by directors.Details
27-4031
0.006936.7
0.021854.1
Edit video for broadcast productions, including non-linear editing.Details
27-4031
0.004926.1
0.009222.7
Design graphics for studio productions.Details
27-4031
0.003920.7
—0
Write new scripts for broadcasts.Details
27-4031
0.003116.5
—0
Direct studio productions.Details
—0
0.007719.1
Label and record contents of exposed film and note details on report forms.Details
—0
0.00164.1
Not observed on any surface — 20 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states.
Operate television or motion picture cameras to record scenes for television broadcasts, advertising, or motion pictures.Details
—0
—0
Use cameras in any of several different camera mounts, such as stationary, track-mounted, or crane-mounted.Details
—0
—0
Adjust positions and controls of cameras, printers, and related equipment to change focus, exposure, and lighting.Details
—0
—0
Confer with directors, sound and lighting technicians, electricians, and other crew members to discuss assignments and determine filming sequences, desired effects, camera movements, and lighting requirements.Details
—0
—0
Observe sets or locations for potential problems and to determine filming and lighting requirements.Details
—0
—0
Set up cameras, optical printers, and related equipment to produce photographs and special effects.Details
—0
—0
View films to resolve problems of exposure control, subject and camera movement, changes in subject distance, and related variables.Details
—0
—0
Set up and perform live shots for broadcast.Details
—0
—0
Assemble studio sets and select and arrange cameras, film stock, audio, or lighting equipment to be used during filming.Details
—0
—0
Test, clean, maintain, and repair broadcast equipment, including testing microphones, to ensure proper working condition.Details
—0
—0
Stay current with new technologies in the field by reading trade magazines.Details
—0
—0
Operate zoom lenses, changing images according to specifications and rehearsal instructions.Details
—0
—0
Instruct camera operators regarding camera setups, angles, distances, movement, and variables and cues for starting and stopping filming.Details
—0
—0
Read charts and compute ratios to determine variables such as lighting, shutter angles, filter factors, and camera distances.Details
—0
—0
Reload camera magazines with fresh raw film stock.Details
—0
—0
Read and analyze work orders and specifications to determine locations of subject material, work procedures, sequences of operations, and machine setups.Details
—0
—0
Receive raw film stock and maintain film inventories.Details
—0
—0
Prepare slates that describe the scenes being filmed.Details
—0
—0
Download exposed film for shipment to processing labs.Details
—0
—0
Set up and operate electric news gathering (ENG) microwave vehicles to gather and edit raw footage on location to send to television affiliates for broadcast.Details
—0
—0
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
Task
βE1 + 0.5 × E2
Prepare slates that describe the scenes being filmed.Details
O*NET Task ID 4048
1.0
Write new scripts for broadcasts.Details
O*NET Task ID 18671
1.0
Operate television or motion picture cameras to record scenes for television broadcasts, advertising, or motion pictures.Details
O*NET Task ID 4030
0.5
Compose and frame each shot, applying the technical aspects of light, lenses, film, filters, and camera settings to achieve the effects sought by directors.Details
O*NET Task ID 4031
0.5
Operate zoom lenses, changing images according to specifications and rehearsal instructions.Details
O*NET Task ID 4032
0.5
Adjust positions and controls of cameras, printers, and related equipment to change focus, exposure, and lighting.Details
O*NET Task ID 4035
0.5
Confer with directors, sound and lighting technicians, electricians, and other crew members to discuss assignments and determine filming sequences, desired effects, camera movements, and lighting requirements.Details
O*NET Task ID 4037
0.5
Observe sets or locations for potential problems and to determine filming and lighting requirements.Details
O*NET Task ID 4038
0.5
Instruct camera operators regarding camera setups, angles, distances, movement, and variables and cues for starting and stopping filming.Details
O*NET Task ID 4039
0.5
Label and record contents of exposed film and note details on report forms.Details
O*NET Task ID 4041
0.5
Read charts and compute ratios to determine variables such as lighting, shutter angles, filter factors, and camera distances.Details
O*NET Task ID 4042
0.5
Set up cameras, optical printers, and related equipment to produce photographs and special effects.Details
O*NET Task ID 4043
0.5
View films to resolve problems of exposure control, subject and camera movement, changes in subject distance, and related variables.Details
O*NET Task ID 4044
0.5
Read and analyze work orders and specifications to determine locations of subject material, work procedures, sequences of operations, and machine setups.Details
O*NET Task ID 4046
0.5
Edit video for broadcast productions, including non-linear editing.Details
O*NET Task ID 18663
0.5
Set up and perform live shots for broadcast.Details
O*NET Task ID 18664
0.5
Stay current with new technologies in the field by reading trade magazines.Details
O*NET Task ID 18667
0.5
Set up and operate electric news gathering (ENG) microwave vehicles to gather and edit raw footage on location to send to television affiliates for broadcast.Details
O*NET Task ID 18668
0.5
Design graphics for studio productions.Details
O*NET Task ID 18670
0.5
Use cameras in any of several different camera mounts, such as stationary, track-mounted, or crane-mounted.Details
O*NET Task ID 4033
0.0
Reload camera magazines with fresh raw film stock.Details
O*NET Task ID 4045
0.0
Assemble studio sets and select and arrange cameras, film stock, audio, or lighting equipment to be used during filming.Details
O*NET Task ID 18665
0.0
Test, clean, maintain, and repair broadcast equipment, including testing microphones, to ensure proper working condition.Details
O*NET Task ID 18666
0.0
Direct studio productions.Details
O*NET Task ID 18669
0.0
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
व्यावसायिक जानकारी
आईएलओ व्यावसायिक विवरण
Broadcasting and Audio-visual Technicians
प्रसारण और दृश्य-श्रव्य तकनीशियन
स्वयं अनूदित
स्वयं अनूदित — यह आधिकारिक ISCO शब्दावली नहीं है (ILO द्वारा समीक्षित नहीं)।
Broadcasting and audio-visual technicians control technical functioning of equipment to record and edit images and sound and for transmitting radio and television broadcasts of images and sounds, as well as other types of telecommunication signals on land, sea or in aircraft.
कार्य
(a) controlling equipment to record sound;
(b) controlling equipment to edit and mix image and sound recordings to ensure satisfactory quality and to create special image and sound effects;
(c) applying knowledge of principles and practices of image and sound recording and editing in order to identify and solve problems;
(d) controlling transmitting and broadcast systems and satellite systems for radio and television programmes;
(e) controlling radio communications systems, satellite services and multiplex systems on land, sea or in aircraft;
(f) applying knowledge of principles and practices of broadcasting, telecommunications terminals and transmissions systems, in order to identify and solve problems;
(g) making emergency repairs to equipment.
उदाहरण व्यवसाय
Audio-visual operator · Broadcasting equipment operator · Broadcast technician · Camera operator (motion picture) · Camera operator (video) · Production assistant (media)
Video operators control the (projected) images of a performance based on the artistic or creative concept, in interaction with the performers. Their work is influenced by and influences the results of other operators. Therefore, the operators work closely together with the designers, operators and performers. Video operators prepare media fragments, supervise the setup, steer the technical crew, program the equipment and operate the video system. Their work is based on plans, instructions and other documentation.
sound operatorESCO 3521.1.11
Sound operators control the sound of a performance based on the artistic or creative concept, in interaction with the performers. Their work is influenced by and influences the results of other operators. Therefore, the operators work closely together with the designers and performers. They prepare audio fragments, supervise the setup, steer the technical crew, program the equipment and operate the sound system. Their work is based on plans, instructions and other documentation.
mastering engineerESCO 3521.1.4
Mastering engineers convert finished recordings to the desired format such as CD, vinyl and digital. They ensure the quality of the sound on all formats.
sound editorESCO 3521.1.10
Sound editors create the soundtrack and sound effects for motion pictures, television series or other multimedia productions. They are responsible for all the music and sound featured in the movie, series or videogames. Sound editors use equipment to edit and mix image and sound recordings and make sure that the music, sound and dialogue is synchronised with and fits in the scene. They work closely together with the video and motion picture editor.
performance rental technicianESCO 3521.1.5
Performance rental technicians manage technical equipment at concerts and other big events.
boom operatorESCO 3521.1.2
Boom operators set up and operate the boom microphone, either by hand, on an arm or on a moving platform. They make sure that every microphone is correctly stationed on set and in the best position to capture the dialogues. Boom operators are also responsible for the microphones on the actors clothing.
camera operatorESCO 3521.1.3
Camera operators setup and operate digital film cameras to shoot domestic motion pictures or television programs. They work together with the video and motion picture director, the director of photography, or the private client. Camera operators give advice on how to shoot scenes to actors, the video and motion picture director and other camera operators.
audio-visual technicianESCO 3521.1
Audio-visual technicians set up, operate and maintain equipment to record and edit images and sound for radio and television broadcasts, at live events and for telecommunication signals.
sound designerESCO 3521.1.9
Sound designers develop a sound design concept for a performance and supervise the execution of it. Their work is based on research and artistic vision. Their design is influenced by and influences other designs and must be conform with these designs and the overall artistic vision. Therefore, the designers work closely with artistic directors, operators and the artistic team. Sound designers prepare audio fragments to be used in a performance, which can involve recording, composing, manipulating and editing. During rehearsals and performance they coach the operators to obtain optimal timing and manipulation. Sound designers develop plans, cue lists and other documentation to support the operators and production crew. Sound designers sometimes also work as autonomous artists, creating sound art outside a performance context.
video technicianESCO 3521.1.13
Video technicians set up, prepare, check and maintain equipment in order to provide optimal projected image quality for a live performance. They cooperate with road crew to unload, set up and operate video equipment and instruments.
recording studio technicianESCO 3521.1.7
Recording studio technicians operate and maintain microphones and headsets in recording booths in recording studios. They operate mixing panels. Recording studio technicians manage all sound production requirements. They advise singers on the use of their voice. Recording studio technicians edit recordings into a finished product.
projectionistESCO 3521.1.6
Projectionists operate and maintain projection equipment in cinema theatres. They inspect the movie films before loading them into the projector. Projectionist make sure that everything runs smoothly during the projection of the movie. They also are responsible for the proper storage of movie films.
स्रोत:European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
ESCO reuse terms and the modification notice are in Credits.
Shown in the original Korean. This dataset is published under KOGL Type 4, which prohibits derivative works including translation, so the text is reproduced unaltered.
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
규칙적인 근무(99) · 다른 사람과의 상호작용(97) · 의사결정 권한(97) · 극단적으로 밝거나 부적절한 조명(96) · 결과에 대한 책임(92)
Related occupations
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
극단적으로 밝거나 부적절한 조명(99) · 고지대 작업(95) · 장비 속도에 보조 맞추기(94) · 사물, 도구, 조종 장치를 다루기 위해 손사용(89) · 걷거나 뛰기(84)
Related occupations
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 성우 · 연극연출가 · 촬영기사
치열한 경쟁(95) · 비좁은 업무 공간(85) · 연설, 발표, 회의하기(80) · 극단적으로 밝거나 부적절한 조명(74) · 자동화 정도(69)
Related occupations
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 연극연출가 · 촬영기사
예술(98) · 영업과 마케팅(84) · 철학과 신학(80) · 사회와 인류(78) · 인사(77)
Work environment
극단적으로 밝거나 부적절한 조명(100) · 주말 및 공휴일 근무(97) · 연설, 발표, 회의하기(95) · 사람들과 직접 접촉(92) · 다른 사람들을 조율하거나 이끌기(85)
Related occupations
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 촬영기사
The KNOW occupations and KECO codes listed here were linked to this page's occupation by this site; this is not a correspondence defined by the Korea Employment Information Service or the Ministry of Employment and Labor.
Projected change: +1.3%
Median wage: $75K
lowest $31Kmedian wage across 825 detailed occupations, BLS EP 2025–35highest $559K