Set and Exhibit Designers
Arts, Design, Entertainment, Sports, and Media Occupations- O*NET-SOC コード
- 27-1027.00
Design special exhibits and sets for film, video, television, and theater productions. May study scripts, confer with directors, and conduct research to determine appropriate architectural styles.
- データ出典: BLS公表時点: 2026-08
高い· 相対
低い4段階の相対区分非常に高い職業群単位の値
尺度・母数・出典
4段階の相対区分（低い / 中程度 / 高い / 非常に高い）
BLS雇用見通し表の詳細職業831件が母数。値は NEM(全国雇用マトリクス)コード単位で付与されるため、同じ NEM コードの職業は同じバンドになります
- データ出典: Anthropic公表時点: 2026-03
0.000
0.000ここに掲載された値の範囲0.745尺度・母数・出典
観測エクスポージャー指数、公開されたまま0–1
O*NETタスクへの対応づけが基準
SOC 2018の職業単位で公表された値で、同じSOC 2018コードを持つO*NET職業はすべてこの値になります
- データ出典: ILO公表時点: 2025
0.37
0.09ここに掲載された値の範囲0.70職業群単位の値
尺度・母数・出典
生成AI露出度指数、公開されたまま0–1
ISCO-08の細分類（4桁）単位で公表された値です。米国労働統計局（BLS）の公式対応表（ISCO-08→2010 SOC、2010 SOC→2018 SOC）を公表どおり適用してこの職業に結び付けており、対応は全部または一部です
この出典がどのような性格の値か
BLSの区分は絶対水準ではなく相対順位であり、一次測定でもありません。複数の既存研究が付けた職業別パーセンタイル順位を4段階にまとめた値です。雇用や賃金の予測でもなく、導入確率でもなく、自動化と増強を区別しません。
Task-level exposure
露出のある作業のみ評価済みタスク 27 件 · β ≥ 0.5 のタスク 20 件（74.1%）
β = 直接的な露出（E1）+ 0.5 × ツール利用時の露出（E2）。原典リポジトリの定義に従います。
- 原典の単位：O*NET 27.2 のタスク → O*NET 31.0 の職業コード
- 評価済みタスクはすべて O*NET 31.0 のタスク一覧にあります。
- 出典
- OpenAI "GPTs are GPTs" exposure rubric
- 版
- gh-main-0471612
- ライセンス
- MIT License, Copyright (c) 2024 OpenAI
| Task (O*NET 20.1) | Claude.aiRaw / share % | APIRaw / share % |
|---|---|---|
Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations such as streets and fairgrounds.27-1027.00 | 0.014436.4 | 0.002211.6 |
Examine objects to be included in exhibits in order to plan where and how to display them.27-1027.00 | 0.008421.2 | 0.015078.9 |
Select and purchase lumber and hardware necessary for set construction.27-1027.00 | 0.006115.4 | —0 |
Direct and coordinate construction, erection, or decoration activities in order to ensure that sets or exhibits meet design, budget, and schedule requirements.27-1027.00 | 0.005313.4 | 0.00189.5 |
Read scripts in order to determine location, set, and design requirements.27-1027.00 | 0.00389.6 | —0 |
Provide supportive materials for exhibits and displays, such as press kits and advertising, posters, brochures, catalogues, and invitations and publicity notices.27-1027.00 | 0.00164.0 | —0 |
| Not observed on any surface — 21 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states. | ||
Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits. | —0 | —0 |
Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed. | —0 | —0 |
Confer with clients and staff in order to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, and/or promotion requirements. | —0 | —0 |
Estimate set- or exhibit-related costs including materials, construction, and rental of props or locations. | —0 | —0 |
Develop set designs based on evaluation of scripts, budgets, research information, and available locations. | —0 | —0 |
Inspect installed exhibits for conformance to specifications, and satisfactory operation of special effects components. | —0 | —0 |
Plan for location-specific issues such as space limitations, traffic flow patterns, and safety concerns. | —0 | —0 |
Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions. | —0 | —0 |
Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects and/or lighting. | —0 | —0 |
Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts. | —0 | —0 |
Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information as necessary. | —0 | —0 |
Coordinate the removal of sets, props, and exhibits after productions or events are complete. | —0 | —0 |
Select set props such as furniture, pictures, lamps, and rugs. | —0 | —0 |
Confer with conservators in order to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced. | —0 | —0 |
Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation. | —0 | —0 |
Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles. | —0 | —0 |
Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects. | —0 | —0 |
Attend rehearsals and production meetings in order to obtain and share information related to sets. | —0 | —0 |
Arrange for outside contractors to construct exhibit structures. | —0 | —0 |
Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use. | —0 | —0 |
Incorporate security systems into exhibit layouts. | —0 | —0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task (O*NET 27.2) | βE1 + 0.5 × E2 |
|---|---|
Examine objects to be included in exhibits to plan where and how to display them.O*NET Task ID 9284 | 0.5 |
Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits.O*NET Task ID 9285 | 0.5 |
Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed.O*NET Task ID 9286 | 0.5 |
Estimate set- or exhibit-related costs, including materials, construction, and rental of props or locations.O*NET Task ID 9288 | 0.5 |
Develop set designs, based on evaluation of scripts, budgets, research information, and available locations.O*NET Task ID 9289 | 0.5 |
Direct and coordinate construction, erection, or decoration activities to ensure that sets or exhibits meet design, budget, and schedule requirements.O*NET Task ID 9290 | 0.5 |
Plan for location-specific issues, such as space limitations, traffic flow patterns, and safety concerns.O*NET Task ID 9292 | 0.5 |
Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions.O*NET Task ID 9293 | 0.5 |
Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects or lighting.O*NET Task ID 9294 | 0.5 |
Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts.O*NET Task ID 9296 | 0.5 |
Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information, as necessary.O*NET Task ID 9297 | 0.5 |
Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations, such as streets and fairgrounds.O*NET Task ID 9298 | 0.5 |
Select set props, such as furniture, pictures, lamps, and rugs.O*NET Task ID 9300 | 0.5 |
Confer with conservators to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced.O*NET Task ID 9301 | 0.5 |
Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation.O*NET Task ID 9302 | 0.5 |
Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles.O*NET Task ID 9303 | 0.5 |
Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects.O*NET Task ID 9304 | 0.5 |
Read scripts to determine location, set, and design requirements.O*NET Task ID 9305 | 0.5 |
Provide supportive materials for exhibits and displays, such as press kits, advertising, publicity notices, posters, brochures, catalogues, and invitations.O*NET Task ID 9308 | 0.5 |
Incorporate security systems into exhibit layouts.O*NET Task ID 9309 | 0.5 |
Confer with clients and staff to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, or promotion requirements.O*NET Task ID 9287 | 0.0 |
Inspect installed exhibits for conformance to specifications and satisfactory operation of special-effects components.O*NET Task ID 9291 | 0.0 |
Select and purchase lumber and hardware necessary for set construction.O*NET Task ID 9295 | 0.0 |
Coordinate the removal of sets, props, and exhibits after productions or events are complete.O*NET Task ID 9299 | 0.0 |
Attend rehearsals and production meetings to obtain and share information related to sets.O*NET Task ID 9306 | 0.0 |
Arrange for outside contractors to construct exhibit structures.O*NET Task ID 9307 | 0.0 |
Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use.O*NET Task ID 9310 | 0.0 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
O*NET 31.0 のタスク全件（27件）
この職業の O*NET 31.0 のタスク全件（英語原文、種別はコア・補足）。露出値はこの一覧には載せず、上の表で各出典が用いた O*NET 版の文言の横にあります。
| タスク（O*NET 31.0） | 種類 |
|---|---|
| Examine objects to be included in exhibits to plan where and how to display them. | コア |
| Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits. | コア |
| Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed. | コア |
| Confer with clients and staff to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, or promotion requirements. | コア |
| Estimate set- or exhibit-related costs, including materials, construction, and rental of props or locations. | コア |
| Develop set designs, based on evaluation of scripts, budgets, research information, and available locations. | コア |
| Inspect installed exhibits for conformance to specifications and satisfactory operation of special-effects components. | コア |
| Plan for location-specific issues, such as space limitations, traffic flow patterns, and safety concerns. | コア |
| Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions. | コア |
| Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects or lighting. | コア |
| Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts. | コア |
| Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information, as necessary. | コア |
| Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations, such as streets and fairgrounds. | コア |
| Select set props, such as furniture, pictures, lamps, and rugs. | コア |
| Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation. | コア |
| Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles. | コア |
| Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects. | コア |
| Read scripts to determine location, set, and design requirements. | コア |
| Attend rehearsals and production meetings to obtain and share information related to sets. | コア |
| Direct and coordinate construction, erection, or decoration activities to ensure that sets or exhibits meet design, budget, and schedule requirements. | 補足 |
| Select and purchase lumber and hardware necessary for set construction. | 補足 |
| Coordinate the removal of sets, props, and exhibits after productions or events are complete. | 補足 |
| Confer with conservators to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced. | 補足 |
| Arrange for outside contractors to construct exhibit structures. | 補足 |
| Provide supportive materials for exhibits and displays, such as press kits, advertising, publicity notices, posters, brochures, catalogues, and invitations. | 補足 |
| Incorporate security systems into exhibit layouts. | 補足 |
| Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use. | 補足 |
0.04/ 3· ロボット露出指数
尺度・母数・出典
身体的なタスクそれぞれに、実際に導入・販売・実演されたロボットがこなせる環境に応じて 0–3 の等級を付け（0 不可 · 1 フェンスで囲われた機械セルや瓶詰めラインのようなロボット専用設備 · 2 病院の薬剤部やコンテナ港のような管理された施設 · 3 一般家庭や建設現場のような非定型の環境）、勤務時間に占める割合で平均した値
この職業の O*NET 29.3 タスクのうち身体的なタスクが対象
等級と時間の割合は Anthropic が Claude Opus 5（ウェブ検索）で推定しました（2026年時点）。
ロボット露出指数は、このサイトの AI 露出度とは別の指標であり、足し合わせたり比べたりすることはできません。実際の導入やコスト競争力を示すものではなく、0 には身体的なタスクのない職業も含まれます。
身体的なタスクごとの等級
ロボット環境等級（E0–E3）
E0 ロボット不可詳細
実際に導入・販売・実演されたロボットでは、ロボット専用設備でもこなせないと評価
E1 ロボット専用設備詳細
フェンスで囲われた機械セルや瓶詰めラインのように、機械を中心に作られた設備でこなせると評価
E2 管理された施設詳細
病院の薬剤部やコンテナ港のように、機関が作業基準を保っている人の作業施設でこなせると評価
E3 非定型の環境詳細
一般家庭や建設現場のように、作業基準を保つ機関がない環境でこなせると評価
身体的なタスクに分類されたタスクのみを掲載しています。その他のタスクには出典で等級がないため載せていません。
| タスク（O*NET 29.3） | ロボット環境等級 |
|---|---|
| Inspect installed exhibits for conformance to specifications and satisfactory operation of special-effects components. | E0 ロボット不可 |
| Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations, such as streets and fairgrounds. | E0 ロボット不可 |
| Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects. | E1 ロボット専用設備 |
職業情報
雇用見通し（BLS）
- 雇用者数、2025
- 32K
- 雇用者数見通し、2035
- 32K
- 変化率 (2025–35)
- +1.4%
- 年間賃金の中央値、2025
- $75,240
- 入職時に通常必要な学歴
- Bachelor's degree
韓国職業分類との対応（KSCO）
AI Changing Work が作成した Korea Occupation Direct Crosswalk v1.1 現行版の対応です。関係の値は O*NET-SOC 職業の側から読みます。
| KSCO コード | KSCO 名称 | 関係 | 状態 |
|---|---|---|---|
| 29532 | 디스플레이 디자이너 | この職業のほうが広い | 確定 |
| 29533 | 무대 및 세트 디자이너 | この職業のほうが広い | 確定 |
| 29393 | 소품 관리원 | 関連（対応ではない） | 確定 |
関係と状態の定義(kr-direct v1.1)
ILO（国際労働機関）の職業説明
以下のISCO-08職業群は、AI Changing Workが米国労働統計局（BLS）の発行するクロスウォーク（2018 SOC→2010 SOC、2010 SOC→ISCO-08）を個別の選択なしにそのまま適用して、この職業に結び付けたものです。結び付きは全体的な対応の場合も部分的な対応の場合もあります。
- ISCO-08 3432Interior Designers and Decorators
インテリアデザイナー、インテリア装飾者
出典: 総務省「国際標準職業分類（ISCO）2008年改定版（仮訳）分類項目名一覧（和英対照）」— 原著：ILO ISCO-08 © International Labour Organization（日本語訳は総務省がILOの許可を得て作成）
以下の定義・作業・職業例は、この職業ではなく、当該ISCO-08職業群についてのILOによる説明です。
Interior designers and decorators plan and design commercial, industrial, public, retail and residential building interiors to produce an environment tailored to a purpose, taking into consideration factors that enhance living and working environments and sales promotion. They coordinate and participate in their construction and decoration.
作業
- (a) determining the objectives and constraints of the design brief by consulting with clients and stakeholders;
- (b) researching and analysing spatial, functional, efficiency, safety and aesthetic requirements;
- (c) formulating design concepts for the interiors of buildings;
- (d) preparing sketches, diagrams, illustrations and plans to communicate design concepts;
- (e) negotiating design solutions with clients, management, suppliers and construction staff;
- (f) selecting, specifying and recommending functional and aesthetic materials, furniture and products for interiors;
- (g) detailing and documenting selected design for construction;
- (h) coordinating the construction and the decoration of interiors;
- (i) designing and painting stage scenery;
- (j) designing and decorating show windows and other display areas to promote products and services.
職業例
Display decorator · Interior decorator · Set designer · Visual merchandiser · Window dresser
Sources: ILO ISCO-08 — details: Credits
ESCO 職業語彙
以下の各項目は、公開されているESCO-O*NET Crosswalk（バージョン1、2022年）で、この職業と一つずつ対応付けられたものです。対応の種類はそのクロスウォークによるもので、表現はAI Changing Workによるものです。
- set builderESCO 3432.4範囲が同じ
Set builders construct, build, prepare, adapt and maintain scenic elements used on stage and for filming movies or television programs. They use a wide variety of materials like wood, steel, aluminium and plastics. Their work is based on artistic vision, scale models, sketches and plans. They work in close cooperation with the designers and may build exibition stands for fairs, carnavals and other events.
- miniature set designerESCO 3432.3この職業のほうが広い
Miniature set designers design and build miniature props and sets of motion pictures. They build models used for visual effects that meet the look and requirements of the production Miniature set designers cut material using hand tools to construct three-dimensional props and sets.
- production designerESCO 2166.4.5この職業のほうが広い
Production designers are responsible for the complete look (style, colouring and locations) of television programmes, series, motion pictures and commercials. They create the visual concept for the entire production such as set design, lighting, costumes and camera angles. Production designers work together with the director, designers and oversee the art department. They also create sketches, drawings, do colouring and location research and advise props and stage settings to the director.
- head of workshopESCO 3435.10重なるが同じではない
Heads of workshop coordinate specialised workshops that construct, build, prepare, adapt and maintain elements used on stage. Their work is based on artistic vision, schedules and overall production documentation. They liaise with the designers involved in the production, the production team and other services of the organisation.
出典: European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
ライセンス: CC BY 4.0 (EU Reuse Notice)
ESCO reuse terms and the modification notice are in Credits.
フランス職業分類との対応（ROME）
この職業と ROME 4.0 の職業票（fiche）との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。「暫定」と表示した対応は、同じモデル系列（Claude）の二人の判定者による判定のみ、またはその判定に運営者の規則を適用して採用したものであり、確定した対応より根拠が弱くなります。
| ROME コード | ROME 名称（フランス語） | 関係 |
|---|---|---|
| L1513 | Scénographe | 範囲が同じ |
| L1524 | Chef décorateur / Cheffe décoratrice spectacle | この職業のほうが広い |
| L1527 | Chef constructeur / Cheffe constructrice en décors | 関連（対応ではない） |
| L1503 | Accessoiriste | 関連（対応ではない）暫定 |
| L1521 | Chef / Cheffe accessoiriste | 関連（対応ではない）暫定 |
Source: France Travail — Répertoire Opérationnel des Métiers et des Emplois (ROME 4.0), version 61, last updated 15 June 2026 (https://www.data.gouv.fr/datasets/repertoire-operationnel-des-metiers-et-des-emplois-rome). Licence Ouverte 2.0.
ROME codes and titles are reproduced unchanged; the links to O*NET-SOC occupations are AI Changing Work's own judgment and are not a France Travail correspondence.
(AI Changing Work link release: fr-direct v1)
スペイン職業分類との対応（CNO-11）
この職業と CNO-11 の職業との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。
| CNO-11 コード | CNO-11 名称（スペイン語） | 関係 |
|---|---|---|
| 3732 | Diseñadores y decoradores de interior | この職業のほうが狭い |
Source: Instituto Nacional de Estadística (INE), National Classification of Occupations 2011 (CNO-11, Royal Decree 1591/2010) — www.ine.es · Licensed CC BY 4.0. CNO-11 codes and Spanish titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not an INE correspondence.
(AI Changing Work link release: es-direct v1)
ドイツ職業分類との対応（KldB）
この職業と KldB の職業との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。
| KldB コード | KldB 名称（ドイツ語） | 関係 |
|---|---|---|
| 93223 | Berufe im visuellen Marketing - komplexe Spezialistentätigkeiten | 重なるが同じではない |
| 94614 | Berufe in der Bühnen- und Kostümbildnerei - hoch komplexe Tätigkeiten | 重なるが同じではない |
| 94612 | Berufe in der Bühnen- und Kostümbildnerei - fachlich ausgerichtete Tätigkeiten | 関連（対応ではない）暫定 |
| 94623 | Berufe in der Requisite - komplexe Spezialistentätigkeiten | 関連（対応ではない）暫定 |
| 94693 | Aufsichtskräfte - Bühnen- und Kostümbildnerei, Requisite | 関連（対応ではない）暫定 |
Source: © Statistik der Bundesagentur für Arbeit — Klassifikation der Berufe 2010 – überarbeitete Fassung 2020, https://statistik.arbeitsagentur.de. KldB codes and titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own mapping (eigene Zuordnung) and are not a Bundesagentur für Arbeit correspondence.
(AI Changing Work link release: de-direct v1)
日本職業分類との対応（JSCO）
この職業と JSCO の職業との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。
| JSCO コード | JSCO 名称（日本語） | 関係 |
|---|---|---|
| 224 | デザイナー | 関連（対応ではない）暫定 |
| 234 | 演出家 | 関連（対応ではない）暫定 |
Source: Ministry of Internal Affairs and Communications (MIC), Japan Standard Occupational Classification (Dec. 2009, MIC Notification No. 555). JSCO codes and Japanese titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not a MIC correspondence.
(AI Changing Work link release: jp-direct v1)
このページのデータの出典・ライセンスと AI Changing Work による改変・翻訳の告知：クレジットと出典