- O*NET-SOC コード
- 27-2011.00
Play parts in stage, television, radio, video, or film productions, or other settings for entertainment, information, or instruction. Interpret serious or comic role by speech, gesture, and body movement to entertain or inform audience. May dance and sing.
- データ出典: BLS公表時点: 2026-08
中程度· 相対
低い4段階の相対区分非常に高い職業群単位の値
尺度・母数・出典
4段階の相対区分(低い / 中程度 / 高い / 非常に高い)
BLS雇用見通し表の詳細職業831件が母数。値は NEM(全国雇用マトリクス)コード単位で付与されるため、同じ NEM コードの職業は同じバンドになります
- データ出典: Anthropic公表時点: 2026-03
0.101
0.000ここに掲載された値の範囲0.745尺度・母数・出典
観測エクスポージャー指数、公開されたまま0–1
O*NETタスクへの対応づけが基準
SOC 2018の職業単位で公表された値で、同じSOC 2018コードを持つO*NET職業はすべてこの値になります
- データ出典: ILO公表時点: 2025
0.31
0.09ここに掲載された値の範囲0.70職業群単位の値
尺度・母数・出典
生成AI露出度指数、公開されたまま0–1
ISCO-08の細分類(4桁)単位で公表された値です。米国労働統計局(BLS)の公式対応表(ISCO-08→2010 SOC、2010 SOC→2018 SOC)を公表どおり適用してこの職業に結び付けており、対応は全部または一部です
この出典がどのような性格の値か
BLSの区分は絶対水準ではなく相対順位であり、一次測定でもありません。複数の既存研究が付けた職業別パーセンタイル順位を4段階にまとめた値です。雇用や賃金の予測でもなく、導入確率でもなく、自動化と増強を区別しません。
Task-level exposure
露出のある作業のみ評価済みタスク 19 件 · β ≥ 0.5 のタスク 4 件(21.1%)
β = 直接的な露出(E1)+ 0.5 × ツール利用時の露出(E2)。原典リポジトリの定義に従います。
- 原典の単位:O*NET 27.2 のタスク → O*NET 31.0 の職業コード
- 評価済みタスクのうち 1 件は O*NET 31.0 のタスク一覧になく、O*NET 27.2 基準で公表されたスコアをそのまま残しています。
- 出典
- OpenAI "GPTs are GPTs" exposure rubric
- 版
- gh-main-0471612
- ライセンス
- MIT License, Copyright (c) 2024 OpenAI
| Task (O*NET 20.1) | Claude.aiRaw / share % |
|---|---|
Write original or adapted material for dramas, comedies, puppet shows, narration, or other performances.27-2011.00 | 0.501064.2 |
Portray and interpret roles, using speech, gestures, and body movements, to entertain, inform, or instruct radio, film, television, or live audiences.27-2011.00 | 0.125516.1 |
Perform humorous and serious interpretations of emotions, actions, and situations, using body movements, facial expressions, and gestures.27-2011.00 | 0.06328.1 |
Learn about characters in scripts and their relationships to each other to develop role interpretations.27-2011.00 | 0.02483.2 |
Read from scripts or books to narrate action or to inform or entertain audiences, utilizing few or no stage props.27-2011.00 | 0.02162.8 |
Study and rehearse roles from scripts to interpret, learn and memorize lines, stunts, and cues as directed.27-2011.00 | 0.01982.5 |
Work closely with directors, other actors, and playwrights to find the interpretation most suited to the role.27-2011.00 | 0.01321.7 |
Tell jokes, perform comic dances, songs and skits, impersonate mannerisms and voices of others, contort face, and use other devices to amuse audiences.27-2011.00 | 0.00891.1 |
Introduce performances and performers to stimulate excitement and coordinate smooth transition of acts during events.27-2011.00 | 0.00260.3 |
| Not observed on any surface — 10 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states. | |
Collaborate with other actors as part of an ensemble. | —0 |
Attend auditions and casting calls to audition for roles. | —0 |
Work with other crew members responsible for lighting, costumes, make-up, and props. | —0 |
Sing or dance during dramatic or comedic performances. | —0 |
Promote productions using means such as interviews about plays or movies. | —0 |
Prepare and perform action stunts for motion picture, television, or stage productions. | —0 |
Manipulate strings, wires, rods, or fingers to animate puppets or dummies in synchronization with talking, singing, or recorded programs. | —0 |
Dress in comical clown costumes and makeup, and perform comedy routines to entertain audiences. | —0 |
Perform original and stock tricks of illusion to entertain and mystify audiences, occasionally including audience members as participants. | —0 |
Construct puppets and ventriloquist dummies, and sew accessory clothing, using hand tools and machines. | —0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task (O*NET 27.2) | βE1 + 0.5 × E2 |
|---|---|
Learn about characters in scripts and their relationships to each other to develop role interpretations.O*NET Task ID 7645 | 1.0 |
Read from scripts or books to narrate action or to inform or entertain audiences, utilizing few or no stage props.O*NET Task ID 7652 | 1.0 |
Write original or adapted material for dramas, comedies, puppet shows, narration, or other performances.O*NET Task ID 7654 | 1.0 |
Promote productions using means such as interviews about plays or movies.O*NET Task ID 7653 | 0.5 |
Study and rehearse roles from scripts to interpret, learn and memorize lines, stunts, and cues as directed.O*NET Task ID 7643 | 0.0 |
Work closely with directors, other actors, and playwrights to find the interpretation most suited to the role.O*NET Task ID 7644 | 0.0 |
Collaborate with other actors as part of an ensemble.O*NET Task ID 7646 | 0.0 |
Perform humorous and serious interpretations of emotions, actions, and situations, using body movements, facial expressions, and gestures.O*NET Task ID 7647 | 0.0 |
Attend auditions and casting calls to audition for roles.O*NET Task ID 7648 | 0.0 |
Portray and interpret roles, using speech, gestures, and body movements, to entertain, inform, or instruct radio, film, television, or live audiences.O*NET Task ID 7649 | 0.0 |
Work with other crew members responsible for lighting, costumes, make-up, and props.O*NET Task ID 7650 | 0.0 |
Sing or dance during dramatic or comedic performances.O*NET Task ID 7651 | 0.0 |
Prepare and perform action stunts for motion picture, television, or stage productions.O*NET Task ID 7655 | 0.0 |
Tell jokes, perform comic dances, songs and skits, impersonate mannerisms and voices of others, contort face, and use other devices to amuse audiences.O*NET Task ID 7656 | 0.0 |
Introduce performances and performers to stimulate excitement and coordinate smooth transition of acts during events.O*NET Task ID 7657 | 0.0 |
Manipulate strings, wires, rods, or fingers to animate puppets or dummies in synchronization with talking, singing, or recorded programs.O*NET Task ID 7658 | 0.0 |
Dress in comical clown costumes and makeup, and perform comedy routines to entertain audiences.O*NET Task ID 7659 | 0.0 |
Perform original and stock tricks of illusion to entertain and mystify audiences, occasionally including audience members as participants.O*NET Task ID 7660 | 0.0 |
Construct puppets and ventriloquist dummies, and sew accessory clothing, using hand tools and machines.O*NET Task ID 7661 | 0.0 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
O*NET 31.0 のタスク全件(18件)
この職業の O*NET 31.0 のタスク全件(英語原文、種別はコア・補足)。露出値はこの一覧には載せず、上の表で各出典が用いた O*NET 版の文言の横にあります。
| タスク(O*NET 31.0) | 種類 |
|---|---|
| Study and rehearse roles from scripts to interpret, learn and memorize lines, stunts, and cues as directed. | コア |
| Work closely with directors, other actors, and playwrights to find the interpretation most suited to the role. | コア |
| Learn about characters in scripts and their relationships to each other to develop role interpretations. | コア |
| Collaborate with other actors as part of an ensemble. | コア |
| Perform humorous and serious interpretations of emotions, actions, and situations, using body movements, facial expressions, and gestures. | コア |
| Attend auditions and casting calls to audition for roles. | コア |
| Portray and interpret roles, using speech, gestures, and body movements, to entertain, inform, or instruct radio, film, television, or live audiences. | コア |
| Work with other crew members responsible for lighting, costumes, make-up, and props. | コア |
| Read from scripts or books to narrate action or to inform or entertain audiences, utilizing few or no stage props. | コア |
| Sing or dance during dramatic or comedic performances. | 補足 |
| Promote productions using means such as interviews about plays or movies. | 補足 |
| Write original or adapted material for dramas, comedies, puppet shows, narration, or other performances. | 補足 |
| Prepare and perform action stunts for motion picture, television, or stage productions. | 補足 |
| Tell jokes, perform comic dances, songs and skits, impersonate mannerisms and voices of others, contort face, and use other devices to amuse audiences. | 補足 |
| Introduce performances and performers to stimulate excitement and coordinate smooth transition of acts during events. | 補足 |
| Dress in comical clown costumes and makeup, and perform comedy routines to entertain audiences. | 補足 |
| Perform original and stock tricks of illusion to entertain and mystify audiences, occasionally including audience members as participants. | 補足 |
| Construct puppets and ventriloquist dummies, and sew accessory clothing, using hand tools and machines. | 補足 |
0.05/ 3· ロボット露出指数
尺度・母数・出典
身体的なタスクそれぞれに、実際に導入・販売・実演されたロボットがこなせる環境に応じて 0–3 の等級を付け(0 不可 · 1 フェンスで囲われた機械セルや瓶詰めラインのようなロボット専用設備 · 2 病院の薬剤部やコンテナ港のような管理された施設 · 3 一般家庭や建設現場のような非定型の環境)、勤務時間に占める割合で平均した値
この職業の O*NET 29.3 タスクのうち身体的なタスクが対象
等級と時間の割合は Anthropic が Claude Opus 5(ウェブ検索)で推定しました(2026年時点)。
ロボット露出指数は、このサイトの AI 露出度とは別の指標であり、足し合わせたり比べたりすることはできません。実際の導入やコスト競争力を示すものではなく、0 には身体的なタスクのない職業も含まれます。
身体的なタスクごとの等級
ロボット環境等級(E0–E3)
E0 ロボット不可詳細
実際に導入・販売・実演されたロボットでは、ロボット専用設備でもこなせないと評価
E1 ロボット専用設備詳細
フェンスで囲われた機械セルや瓶詰めラインのように、機械を中心に作られた設備でこなせると評価
E2 管理された施設詳細
病院の薬剤部やコンテナ港のように、機関が作業基準を保っている人の作業施設でこなせると評価
E3 非定型の環境詳細
一般家庭や建設現場のように、作業基準を保つ機関がない環境でこなせると評価
身体的なタスクに分類されたタスクのみを掲載しています。その他のタスクには出典で等級がないため載せていません。
| タスク(O*NET 29.3) | ロボット環境等級 |
|---|---|
| Study and rehearse roles from scripts to interpret, learn and memorize lines, stunts, and cues as directed. | E0 ロボット不可 |
| Collaborate with other actors as part of an ensemble. | E0 ロボット不可 |
| Perform humorous and serious interpretations of emotions, actions, and situations, using body movements, facial expressions, and gestures. | E0 ロボット不可 |
| Attend auditions and casting calls to audition for roles. | E0 ロボット不可 |
| Portray and interpret roles, using speech, gestures, and body movements, to entertain, inform, or instruct radio, film, television, or live audiences. | E0 ロボット不可 |
| Work with other crew members responsible for lighting, costumes, make-up, and props. | E0 ロボット不可 |
| Sing or dance during dramatic or comedic performances. | E1 ロボット専用設備 |
| Prepare and perform action stunts for motion picture, television, or stage productions. | E0 ロボット不可 |
| Tell jokes, perform comic dances, songs and skits, impersonate mannerisms and voices of others, contort face, and use other devices to amuse audiences. | E1 ロボット専用設備 |
| Dress in comical clown costumes and makeup, and perform comedy routines to entertain audiences. | E0 ロボット不可 |
| Perform original and stock tricks of illusion to entertain and mystify audiences, occasionally including audience members as participants. | E0 ロボット不可 |
| Construct puppets and ventriloquist dummies, and sew accessory clothing, using hand tools and machines. | E0 ロボット不可 |
職業情報
雇用見通し(BLS)
- 雇用者数、2025
- 68K
- 雇用者数見通し、2035
- 68K
- 変化率 (2025–35)
- +0%
- 年間賃金の中央値、2025
- 未公表
- 入職時に通常必要な学歴
- Some college, no degree
韓国職業分類との対応(KSCO)
AI Changing Work が作成した Korea Occupation Direct Crosswalk v1.1 現行版の対応です。関係の値は O*NET-SOC 職業の側から読みます。
| KSCO コード | KSCO 名称 | 関係 | 状態 |
|---|---|---|---|
| 29321 | 배우 | 範囲が同じ | 確定 |
| 29322 | 개그맨 및 코미디언 | この職業のほうが広い | 確定 |
| 29323 | 성우 | この職業のほうが広い | 確定 |
| 29395 | 보조 연기자 | この職業のほうが広い | 確定 |
| 29444 | 전통 예능인 | 重なるが同じではない | 確定 |
| 29329 | 그 외 배우 및 모델 | 関連(対応ではない) | 確定 |
関係と状態の定義(kr-direct v1.1)
ILO(国際労働機関)の職業説明
以下のISCO-08職業群は、AI Changing Workが米国労働統計局(BLS)の発行するクロスウォーク(2018 SOC→2010 SOC、2010 SOC→ISCO-08)を個別の選択なしにそのまま適用して、この職業に結び付けたものです。結び付きは全体的な対応の場合も部分的な対応の場合もあります。
- ISCO-08 2655Actors
俳優
出典: 総務省「国際標準職業分類(ISCO)2008年改定版(仮訳)分類項目名一覧(和英対照)」— 原著:ILO ISCO-08 © International Labour Organization(日本語訳は総務省がILOの許可を得て作成)
以下の定義・作業・職業例は、この職業ではなく、当該ISCO-08職業群についてのILOによる説明です。
Actors portray roles in motion pictures, television or radio productions and stage shows.
作業
- (a) learning lines and cues and playing parts in dramatic productions on stage, commercials, television, radio or in motion pictures;
- (b) assuming characters created by a playwright or author and communicating this to an audience;
- (c) telling stories or reading literary works aloud to educate or entertain listeners;
- (d) attending auditions and casting calls in order to audition for roles;
- (e) preparing for performances through rehearsals under the instruction and guidance of production directors;
- (f) reading scripts and undertaking research to gain understanding of parts, themes and characteristics;
- (g) acting parts and portraying roles as developed in rehearsals in film, television, radio and stage productions.
職業例
Actor · Mime artist · Storyteller
Sources: ILO ISCO-08 — details: Credits
ESCO 職業語彙
以下の各項目は、公開されているESCO-O*NET Crosswalk(バージョン1、2022年)で、この職業と一つずつ対応付けられたものです。対応の種類はそのクロスウォークによるもので、表現はAI Changing Workによるものです。
- actor/actressESCO 2655.1範囲が同じ
Actors/actresses play roles and parts on live stage performances, TV, radio, video, motion picture productions, or other settings for entertainment or instruction. They use body language (gestures and dancing) and voice (speech and singing) in order to present the character or story according to the script, following the guidelines of a director.
- performance artistESCO 2659.2この職業のほうが広い
Performance artists create a performance which can be any situation that involves four basic elements: time, space, the performer's body, or presence in a medium, and a relationship between the performer and audience or onlookers. It can either be scripted or spontaneous, with or without audience participation. The performance can be live or via media. Performance art can happen anywhere, in any venue or setting and for any length of time.
- prompterESCO 3435.14この職業のほうが広い
Prompters prompt or cue performers when they forget their lines or neglect to move to the right position on the stage.
- puppeteerESCO 2659.2.3この職業のほうが広い
Puppeteers perform shows by manipulating puppets such as hand puppets or marionettes. Their performance is based on a script and the movements of the puppets have to be synchronised with the speech and music. Puppeteers may write their own scripts and design and create their own puppets.
- stand-up comedianESCO 2659.2.4この職業のほうが広い
Stand-up comedians tell humorist stories, jokes and one-liners typically described as a monologue, act or routine. They often perform in comedy clubs, bars, nightclubs and theatres. They may also use music, magic tricks or props to enhance their performance.
- voice-over artistESCO 2655.1.1この職業のほうが広い
Voice-over artists perform the dialogues of animated television or movie characters. They empathise with their characters and make them come alive with their voice.
- variety artistESCO 2659.2.6重なるが同じではない
Variety artists are multi-disciplinary artists who master in at least two of the following disciplines: comedy, dance, singing, circus arts, object manipulation and illusionism. They perform solo or collectively, may appear in music variety shows, cabaret, musicals and other entertainment events. Their artistic performance is characterised by the blending of arts, styles and disciplines.
出典: European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
ライセンス: CC BY 4.0 (EU Reuse Notice)
ESCO reuse terms and the modification notice are in Credits.
フランス職業分類との対応(ROME)
この職業と ROME 4.0 の職業票(fiche)との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。「暫定」と表示した対応は、同じモデル系列(Claude)の二人の判定者による判定のみ、またはその判定に運営者の規則を適用して採用したものであり、確定した対応より根拠が弱くなります。
| ROME コード | ROME 名称(フランス語) | 関係 |
|---|---|---|
| L1203 | Comédien / Comédienne | 範囲が同じ暫定 |
| L1208 | Mascotte-personnage | この職業のほうが広い暫定 |
| L1216 | Acteur / Actrice de complément | この職業のほうが広い暫定 |
| L1204 | Artiste de cirque | 関連(対応ではない) |
| L1207 | Cascadeur / Cascadeuse | 関連(対応ではない)暫定 |
| L1215 | Humoriste | 関連(対応ではない)暫定 |
Source: France Travail — Répertoire Opérationnel des Métiers et des Emplois (ROME 4.0), version 61, last updated 15 June 2026 (https://www.data.gouv.fr/datasets/repertoire-operationnel-des-metiers-et-des-emplois-rome). Licence Ouverte 2.0.
ROME codes and titles are reproduced unchanged; the links to O*NET-SOC occupations are AI Changing Work's own judgment and are not a France Travail correspondence.
(AI Changing Work link release: fr-direct v1)
スペイン職業分類との対応(CNO-11)
この職業と CNO-11 の職業との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。
| CNO-11 コード | CNO-11 名称(スペイン語) | 関係 |
|---|---|---|
| 2935 | Actores | 範囲が同じ |
Source: Instituto Nacional de Estadística (INE), National Classification of Occupations 2011 (CNO-11, Royal Decree 1591/2010) — www.ine.es · Licensed CC BY 4.0. CNO-11 codes and Spanish titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not an INE correspondence.
(AI Changing Work link release: es-direct v1)
ドイツ職業分類との対応(KldB)
この職業と KldB の職業との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。
| KldB コード | KldB 名称(ドイツ語) | 関係 |
|---|---|---|
| 94214 | Schauspieler/innen - hoch komplexe Tätigkeiten | 範囲が同じ暫定 |
| 94283 | Berufe in Schauspiel, Tanz und Bewegungskunst (sonstige spezifische Tätigkeitsangabe) - komplexe Spezialistentätigkeiten | 関連(対応ではない)暫定 |
| 94313 | Komiker/innen und Kabarettisten/Kabarettistinnen - komplexe Spezialistentätigkeiten | 関連(対応ではない)暫定 |
| 94323 | Zauberer/Zauberinnen und Illusionisten/Illusionistinnen - komplexe Spezialistentätigkeiten | 関連(対応ではない)暫定 |
Source: © Statistik der Bundesagentur für Arbeit — Klassifikation der Berufe 2010 – überarbeitete Fassung 2020, https://statistik.arbeitsagentur.de. KldB codes and titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own mapping (eigene Zuordnung) and are not a Bundesagentur für Arbeit correspondence.
(AI Changing Work link release: de-direct v1)
日本職業分類との対応(JSCO)
この職業と JSCO の職業との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。
| JSCO コード | JSCO 名称(日本語) | 関係 |
|---|---|---|
| 233 | 俳優 | 範囲が同じ暫定 |
| 235 | 演芸家 | 関連(対応ではない)暫定 |
Source: Ministry of Internal Affairs and Communications (MIC), Japan Standard Occupational Classification (Dec. 2009, MIC Notification No. 555). JSCO codes and Japanese titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not a MIC correspondence.
(AI Changing Work link release: jp-direct v1)
このページのデータの出典・ライセンスと AI Changing Work による改変・翻訳の告知:クレジットと出典