Film and Video Editors

Arts, Design, Entertainment, Sports, and Media Occupations

O*NET-SOC コード: 27-4032.00

Edit moving images on film, video, or other media. May work with a producer or director to organize images for final production. May edit or synchronize soundtracks with images.

データ出典: BLS公表時点: 2026-08
高い· 相対
低い4段階の相対区分非常に高い
職業群単位の値
尺度・母数・出典
4段階の相対区分（低い / 中程度 / 高い / 非常に高い）
BLS雇用見通し表の詳細職業831件が母数。値は NEM(全国雇用マトリクス)コード単位で付与されるため、同じ NEM コードの職業は同じバンドになります
出典データセット（XLSX ファイルのダウンロード）
データ出典: Anthropic公表時点: 2026-03
0.223
0.000ここに掲載された値の範囲0.745
尺度・母数・出典
観測エクスポージャー指数、公開されたまま0–1
O*NETタスクへの対応づけが基準
SOC 2018の職業単位で公表された値で、同じSOC 2018コードを持つO*NET職業はすべてこの値になります
出典データセット（CSV ファイルのダウンロード）
データ出典: ILO公表時点: 2025
0.37
0.09ここに掲載された値の範囲0.70
職業群単位の値
尺度・母数・出典
生成AI露出度指数、公開されたまま0–1
ISCO-08の細分類（4桁）単位で公表された値です。米国労働統計局（BLS）の公式対応表（ISCO-08→2010 SOC、2010 SOC→2018 SOC）を公表どおり適用してこの職業に結び付けており、対応は全部または一部です
出典データセット（PDF ファイルのダウンロード）

この出典がどのような性格の値か

BLSの区分は絶対水準ではなく相対順位であり、一次測定でもありません。複数の既存研究が付けた職業別パーセンタイル順位を4段階にまとめた値です。雇用や賃金の予測でもなく、導入確率でもなく、自動化と増強を区別しません。

Task-level exposure

露出のある作業のみ

評価済みタスク 23 件 · β ≥ 0.5 のタスク 21 件（91.3%）

β = 直接的な露出（E1）+ 0.5 × ツール利用時の露出（E2）。原典リポジトリの定義に従います。

原典の単位：O*NET 27.2 のタスク → O*NET 31.0 の職業コード
評価済みタスクのうち 1 件は O*NET 31.0 のタスク一覧になく、O*NET 27.2 基準で公表されたスコアをそのまま残しています。

出典: OpenAI "GPTs are GPTs" exposure rubric
版: gh-main-0471612
ライセンス: MIT License, Copyright (c) 2024 OpenAI

Task (O*NET 20.1)	Claude.aiRaw / share %
Study scripts to become familiar with production concepts and requirements. 27-4032.00	0.053341.9
Program computerized graphic effects. 27-4032.00	0.032425.5
Confer with producers and directors concerning layout or editing approaches needed to increase dramatic or entertainment value of productions. 27-4032.00	0.00826.5
Edit films and videotapes to insert music, dialogue, and sound effects, to arrange films into sequences, and to correct errors, using editing equipment. 27-4032.00	0.00745.8
Review footage sequence by sequence to become familiar with it before assembling it into a final product. 27-4032.00	0.00614.8
Select and combine the most effective shots of each scene to form a logical and smoothly running story. 27-4032.00	0.00574.5
Review assembled films or edited videotapes on screens or monitors to determine if corrections are necessary. 27-4032.00	0.00534.2
Organize and string together raw footage into a continuous whole according to scripts or the instructions of directors and producers. 27-4032.00	0.00443.5
Set up and operate computer editing systems, electronic titling systems, video switching equipment, and digital video effects units to produce a final product. 27-4032.00	0.00423.3
Not observed on any surface — 14 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states.
Cut shot sequences to different angles at specific points in scenes, making each individual cut as fluid and seamless as possible.	—0
Mark frames where a particular shot or piece of sound is to begin or end.	—0
Determine the specific audio and visual effects and music necessary to complete films.	—0
Verify key numbers and time codes on materials.	—0
Record needed sounds or obtain them from sound effects libraries.	—0
Trim film segments to specified lengths and reassemble segments in sequences that present stories with maximum effect.	—0
Manipulate plot, score, sound, and graphics to make the parts into a continuous whole, working closely with people in audio, visual, music, optical, or special effects departments.	—0
Supervise and coordinate activities of workers engaged in film editing, assembling, and recording activities.	—0
Develop post-production models for films.	—0
Piece sounds together to develop film soundtracks.	—0
Conduct film screenings for directors and members of production staffs.	—0
Collaborate with music editors to select appropriate passages of music and develop production scores.	—0
Discuss the sound requirements of pictures with sound effects editors.	—0
Estimate how long audiences watching comedies will laugh at each gag line or situation to space scenes appropriately.	—0

Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.

Task (O*NET 27.2)	βE1 + 0.5 × E2
Study scripts to become familiar with production concepts and requirements. O*NET Task ID 4051	1.0
Program computerized graphic effects. O*NET Task ID 4059	1.0
Cut shot sequences to different angles at specific points in scenes, making each individual cut as fluid and seamless as possible. O*NET Task ID 4050	0.5
Edit films and videotapes to insert music, dialogue, and sound effects, to arrange films into sequences, and to correct errors, using editing equipment. O*NET Task ID 4052	0.5
Select and combine the most effective shots of each scene to form a logical and smoothly running story. O*NET Task ID 4053	0.5
Mark frames where a particular shot or piece of sound is to begin or end. O*NET Task ID 4054	0.5
Determine the specific audio and visual effects and music necessary to complete films. O*NET Task ID 4055	0.5
Verify key numbers and time codes on materials. O*NET Task ID 4056	0.5
Organize and string together raw footage into a continuous whole according to scripts or the instructions of directors and producers. O*NET Task ID 4057	0.5
Review assembled films or edited videotapes on screens or monitors to determine if corrections are necessary. O*NET Task ID 4058	0.5
Review footage sequence by sequence to become familiar with it before assembling it into a final product. O*NET Task ID 4060	0.5
Set up and operate computer editing systems, electronic titling systems, video switching equipment, and digital video effects units to produce a final product. O*NET Task ID 4061	0.5
Record needed sounds or obtain them from sound effects libraries. O*NET Task ID 4062	0.5
Confer with producers and directors concerning layout or editing approaches needed to increase dramatic or entertainment value of productions. O*NET Task ID 4063	0.5
Manipulate plot, score, sound, and graphics to make the parts into a continuous whole, working closely with people in audio, visual, music, optical, or special effects departments. O*NET Task ID 4064	0.5
Supervise and coordinate activities of workers engaged in film editing, assembling, and recording activities. O*NET Task ID 4065	0.5
Trim film segments to specified lengths and reassemble segments in sequences that present stories with maximum effect. O*NET Task ID 4066	0.5
Develop post-production models for films. O*NET Task ID 4067	0.5
Piece sounds together to develop film soundtracks. O*NET Task ID 4068	0.5
Collaborate with music editors to select appropriate passages of music and develop production scores. O*NET Task ID 4070	0.5
Estimate how long audiences watching comedies will laugh at each gag line or situation to space scenes appropriately. O*NET Task ID 4072	0.5
他 11 件の作業を表示 ▾折りたたむ ▴
Conduct film screenings for directors and members of production staffs. O*NET Task ID 4069	0.0
Discuss the sound requirements of pictures with sound effects editors. O*NET Task ID 4071	0.0

β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.

Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page

O*NET 31.0 のタスク全件（22件）

この職業の O*NET 31.0 のタスク全件（英語原文、種別はコア・補足）。露出値はこの一覧には載せず、上の表で各出典が用いた O*NET 版の文言の横にあります。

タスク（O*NET 31.0）	種類
Cut shot sequences to different angles at specific points in scenes, making each individual cut as fluid and seamless as possible.	コア
Study scripts to become familiar with production concepts and requirements.	コア
Edit films and videotapes to insert music, dialogue, and sound effects, to arrange films into sequences, and to correct errors, using editing equipment.	コア
Select and combine the most effective shots of each scene to form a logical and smoothly running story.	コア
Verify key numbers and time codes on materials.	コア
Organize and string together raw footage into a continuous whole according to scripts or the instructions of directors and producers.	コア
Review assembled films or edited videotapes on screens or monitors to determine if corrections are necessary.	コア
Program computerized graphic effects.	コア
Review footage sequence by sequence to become familiar with it before assembling it into a final product.	コア
Set up and operate computer editing systems, electronic titling systems, video switching equipment, and digital video effects units to produce a final product.	コア
Manipulate plot, score, sound, and graphics to make the parts into a continuous whole, working closely with people in audio, visual, music, optical, or special effects departments.	コア
Supervise and coordinate activities of workers engaged in film editing, assembling, and recording activities.	コア
Trim film segments to specified lengths and reassemble segments in sequences that present stories with maximum effect.	コア
Mark frames where a particular shot or piece of sound is to begin or end.	補足
Determine the specific audio and visual effects and music necessary to complete films.	補足
Record needed sounds or obtain them from sound effects libraries.	補足
Confer with producers and directors concerning layout or editing approaches needed to increase dramatic or entertainment value of productions.	補足
Develop post-production models for films.	補足
Piece sounds together to develop film soundtracks.	補足
Conduct film screenings for directors and members of production staffs.	補足
Collaborate with music editors to select appropriate passages of music and develop production scores.	補足
Discuss the sound requirements of pictures with sound effects editors.	補足

雇用見通し（BLS）

雇用者数、2025: 39K
雇用者数見通し、2035: 41K
変化率 (2025–35): +3.7%
年間賃金の中央値、2025: $75,420
入職時に通常必要な学歴: Bachelor's degree

最低 $30,890BLS EP 2025–35 の詳細職業825件の賃金中央値の範囲最高 $559,030

出典: U.S. Bureau of Labor Statistics, Employment Projections 2025–35 — Employment by detailed occupation, 2025 and projected 2035

韓国職業分類との対応（KSCO）

AI Changing Work が作成した Korea Occupation Direct Crosswalk v1.1 現行版の対応です。関係の値は O*NET-SOC 職業の側から読みます。

KSCO コード	KSCO 名称	関係	状態
29360	영상‧녹화 및 편집 기사	この職業のほうが狭い	確定
29380	미디어 콘텐츠 창작자	関連（対応ではない）	確定

関係と状態の定義(kr-direct v1.1)

ILO（国際労働機関）の職業説明

以下のISCO-08職業群は、AI Changing Workが米国労働統計局（BLS）の発行するクロスウォーク（2018 SOC→2010 SOC、2010 SOC→ISCO-08）を個別の選択なしにそのまま適用して、この職業に結び付けたものです。結び付きは全体的な対応の場合も部分的な対応の場合もあります。

ISCO-08 2654Film, Stage and Related Directors and Producers
映画・舞台等の監督、プロデューサー

出典: 総務省「国際標準職業分類（ISCO）2008年改定版（仮訳）分類項目名一覧（和英対照）」— 原著：ILO ISCO-08 © International Labour Organization（日本語訳は総務省がILOの許可を得て作成）

原文を見る

以下の定義・作業・職業例は、この職業ではなく、当該ISCO-08職業群についてのILOによる説明です。

Film, stage and related directors and producers oversee and control the technical and artistic aspects of motion pictures, television or radio productions and stage shows.

作業

(a) choosing writers, studying scripts to determine artistic interpretation, and instructing actors on acting methods;
(b) directing all aspects of dramatic productions on stage, television, radio or in motion pictures, including choice of actors, and final decisions concerning costumes, set designs, sound or lighting effects;
(c) planning, organizing and controlling the various stages and scheduling involved in the production of presentations, motion pictures, television shows and radio programmes;
(d) engaging and supervising all technical personnel, and determining the treatment, scope and scheduling of production;
(e) maintaining production archives and negotiating royalties;
(f) creating, planning, writing scripts for recording, videotaping and editing programmes;
(g) supervising the positioning of scenery, props and lighting and sound equipment.

職業例

Documentary director · Film editor · Motion picture director · Photography director · Stage director · Technical director · Technical television or radio director · Theatre producer

Sources: ILO ISCO-08 — details: Credits

ESCO 職業語彙

以下の各項目は、公開されているESCO-O*NET Crosswalk（バージョン1、2022年）で、この職業と一つずつ対応付けられたものです。対応の種類はそのクロスウォークによるもので、表現はAI Changing Workによるものです。

director of photographyESCO 2166.4.3この職業のほうが広い
Directors of photography are responsible for the visual interpretation of the script and all photography components of the film, including framing, colouring, lightning, style and locations. They create the visual look of the film or television programme and select the filming equipment, including the lens and filters. Directors of photography manage the visual equipment operators and lighting technicians. They work together with the video and motion picture director to achieve the desired effect.
motion picture film developerESCO 8132.1この職業のほうが広い
Motion picture film developers develop film material into visible videos and material. They develop the footage into different formats, such as 65-70mm and 8mm, and presentations, such as black and white and colour. They work small cine-films per request of clients.
video and motion picture editorESCO 2654.4この職業のほうが広い
Video and motion picture editors are responsible for the assembly and cutting of raw footage into a logically and aesthetically either for movies, television series, or domestic purposes. They reorganize scenes that have been shot and decide which special effects are needed. Video and motion picture editors work closely together with sound editors and music directors.
video artistESCO 2651.12この職業のほうが広い
Video artists create videos using analogue or digital techniques to obtain special effects, animation, or other animated visuals using films, videos, images, computer or other electronic tools.

出典: European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)

ライセンス: CC BY 4.0 (EU Reuse Notice)

原文を見る

ESCO reuse terms and the modification notice are in Credits.

フランス職業分類との対応（ROME）

この職業と ROME 4.0 の職業票（fiche）との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。「暫定」と表示した対応は、同じモデル系列（Claude）の二人の判定者による判定のみ、またはその判定に運営者の規則を適用して採用したものであり、確定した対応より根拠が弱くなります。

ROME コード	ROME 名称（フランス語）	関係
L1507	Monteur / Monteuse vidéo	範囲が同じ暫定
E1202	Opérateur / Opératrice de laboratoire cinématographique	関連（対応ではない）暫定

Source: France Travail — Répertoire Opérationnel des Métiers et des Emplois (ROME 4.0), version 61, last updated 15 June 2026 (https://www.data.gouv.fr/datasets/repertoire-operationnel-des-metiers-et-des-emplois-rome). Licence Ouverte 2.0.

ROME codes and titles are reproduced unchanged; the links to O*NET-SOC occupations are AI Changing Work's own judgment and are not a France Travail correspondence.

(AI Changing Work link release: fr-direct v1)

スペイン職業分類との対応（CNO-11）

この職業と CNO-11 の職業との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。

CNO-11 コード	CNO-11 名称（スペイン語）	関係
3831	Técnicos de grabación audiovisual	この職業のほうが狭い

Source: Instituto Nacional de Estadística (INE), National Classification of Occupations 2011 (CNO-11, Royal Decree 1591/2010) — www.ine.es · Licensed CC BY 4.0. CNO-11 codes and Spanish titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not an INE correspondence.

(AI Changing Work link release: es-direct v1)

ドイツ職業分類との対応（KldB）

この職業と KldB の職業との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。

KldB コード	KldB 名称（ドイツ語）	関係
94532	Berufe in der Bild- und Tontechnik - fachlich ausgerichtete Tätigkeiten	重なるが同じではない
94533	Berufe in der Bild- und Tontechnik - komplexe Spezialistentätigkeiten	重なるが同じではない

Source: © Statistik der Bundesagentur für Arbeit — Klassifikation der Berufe 2010 – überarbeitete Fassung 2020, https://statistik.arbeitsagentur.de. KldB codes and titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own mapping (eigene Zuordnung) and are not a Bundesagentur für Arbeit correspondence.

(AI Changing Work link release: de-direct v1)

日本職業分類との対応（JSCO）

この職業と JSCO の職業との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。

JSCO コード	JSCO 名称（日本語）	関係
249	他に分類されない専門的職業従事者	この職業のほうが狭い

Source: Ministry of Internal Affairs and Communications (MIC), Japan Standard Occupational Classification (Dec. 2009, MIC Notification No. 555). JSCO codes and Japanese titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not a MIC correspondence.

(AI Changing Work link release: jp-direct v1)

このページのデータの出典・ライセンスと AI Changing Work による改変・翻訳の告知：クレジットと出典