プロダクションデザイナー
芸術・デザイン・エンタメ・メディアAI露出度
- データ出典: BLS公表時点: 2026-08
高い· 相対
低い4段階の相対区分非常に高い職業群単位の値
尺度・母数・出典
4段階の相対区分（低い / 中程度 / 高い / 非常に高い）
BLS雇用見通し表の詳細職業831件が母数。値は NEM(全国雇用マトリクス)コード単位で付与されるため、同じ NEM コードの職業は同じバンドになります
- データ出典: Anthropic公表時点: 2026-03
0.000
0.000ここに掲載された値の範囲0.745尺度・母数・出典
- データ出典: ILO公表時点: 2025
0.37
0.09ここに掲載された値の範囲0.70職業群単位の値
尺度・母数・出典
生成AI露出度指数、公開されたまま0–1
ISCO-08の職業小分類単位 — 同じコードの職業はすべて同じ値
当サイトの算出であり、ILOが公表した数値ではありません。当サイトがILOデータセットに結び付けた職業1,012件のうち、この値以上のものは53%です。
この出典がどのような性格の値か
BLSの区分は絶対水準ではなく相対順位であり、一次測定でもありません。複数の既存研究が付けた職業別パーセンタイル順位を4段階にまとめた値です。雇用や賃金の予測でもなく、導入確率でもなく、自動化と増強を区別しません。
Task-level exposure
露出のある作業のみ| Task | Claude.aiRaw / share % |
|---|---|
Examine objects to be included in exhibits in order to plan where and how to display them.27-1027 | 0.024863.5 |
Direct and coordinate construction, erection, or decoration activities in order to ensure that sets or exhibits meet design, budget, and schedule requirements.27-1027 | 0.005213.4 |
Read scripts in order to determine location, set, and design requirements.27-1027 | 0.004611.7 |
Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations such as streets and fairgrounds.27-1027 | 0.004411.4 |
| Not observed on any surface — 23 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states. | |
Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits. | —0 |
Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed. | —0 |
Confer with clients and staff in order to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, and/or promotion requirements. | —0 |
Estimate set- or exhibit-related costs including materials, construction, and rental of props or locations. | —0 |
Develop set designs based on evaluation of scripts, budgets, research information, and available locations. | —0 |
Inspect installed exhibits for conformance to specifications, and satisfactory operation of special effects components. | —0 |
Plan for location-specific issues such as space limitations, traffic flow patterns, and safety concerns. | —0 |
Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions. | —0 |
Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects and/or lighting. | —0 |
Select and purchase lumber and hardware necessary for set construction. | —0 |
Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts. | —0 |
Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information as necessary. | —0 |
Coordinate the removal of sets, props, and exhibits after productions or events are complete. | —0 |
Select set props such as furniture, pictures, lamps, and rugs. | —0 |
Confer with conservators in order to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced. | —0 |
Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation. | —0 |
Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles. | —0 |
Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects. | —0 |
Attend rehearsals and production meetings in order to obtain and share information related to sets. | —0 |
Arrange for outside contractors to construct exhibit structures. | —0 |
Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use. | —0 |
Provide supportive materials for exhibits and displays, such as press kits and advertising, posters, brochures, catalogues, and invitations and publicity notices. | —0 |
Incorporate security systems into exhibit layouts. | —0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task | βE1 + 0.5 × E2 |
|---|---|
Examine objects to be included in exhibits to plan where and how to display them.O*NET Task ID 9284 | 0.5 |
Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits.O*NET Task ID 9285 | 0.5 |
Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed.O*NET Task ID 9286 | 0.5 |
Estimate set- or exhibit-related costs, including materials, construction, and rental of props or locations.O*NET Task ID 9288 | 0.5 |
Develop set designs, based on evaluation of scripts, budgets, research information, and available locations.O*NET Task ID 9289 | 0.5 |
Direct and coordinate construction, erection, or decoration activities to ensure that sets or exhibits meet design, budget, and schedule requirements.O*NET Task ID 9290 | 0.5 |
Plan for location-specific issues, such as space limitations, traffic flow patterns, and safety concerns.O*NET Task ID 9292 | 0.5 |
Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions.O*NET Task ID 9293 | 0.5 |
Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects or lighting.O*NET Task ID 9294 | 0.5 |
Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts.O*NET Task ID 9296 | 0.5 |
Confer with clients and staff to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, or promotion requirements.O*NET Task ID 9287 | 0.0 |
Inspect installed exhibits for conformance to specifications and satisfactory operation of special-effects components.O*NET Task ID 9291 | 0.0 |
Select and purchase lumber and hardware necessary for set construction.O*NET Task ID 9295 | 0.0 |
Coordinate the removal of sets, props, and exhibits after productions or events are complete.O*NET Task ID 9299 | 0.0 |
Attend rehearsals and production meetings to obtain and share information related to sets.O*NET Task ID 9306 | 0.0 |
Arrange for outside contractors to construct exhibit structures.O*NET Task ID 9307 | 0.0 |
Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use.O*NET Task ID 9310 | 0.0 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page