O*NET-SOC code
27-2031.00

Perform dances. May perform on stage, for broadcasting, or for video recording.

  • Data source: BLSPublished: 2026-08

    Low· relative

    LowFour relative bandsVery high

    Group-level value

    Scale, basis and source

    Four relative bands (Low / Moderate / High / Very high)

    831 detailed occupations in the BLS Employment Projections table. Assigned per National Employment Matrix (NEM) code, so occupations sharing a NEM code carry the same band

    Source dataset (XLSX download)

  • Data source: AnthropicPublished: 2026-03

    0.000

    0.000Range of values carried here0.745
    Scale, basis and source

    Observed exposure index, 0–1 as published

    Mapped onto O*NET tasks

    Published per SOC 2018 occupation; every O*NET occupation with the same SOC 2018 code carries this value

    Source dataset (CSV download)

  • Data source: ILOPublished: 2025

    0.19

    0.09Range of values carried here0.70

    Group-level value

    Scale, basis and source

    Generative AI exposure index, 0–1 as published

    Published per ISCO-08 unit group. Linked to this occupation, wholly or in part, by applying U.S. Bureau of Labor Statistics crosswalks (ISCO-08 to 2010 SOC, 2010 SOC to 2018 SOC) as published

    Source dataset (PDF download)

What kind of figure this source publishes

The BLS category is a relative rank, not an absolute level, and it is not a first-hand measurement: it groups an occupation's percentile ranks across several published studies into four bands. It is not an employment or wage forecast, not a probability of adoption, and it does not separate automation from augmentation.

Task-level exposure

Exposed tasks only

14 rated tasks · 1 tasks with β ≥ 0.5 (7.1%)

β = direct exposure (E1) + 0.5 × exposure when tools are available (E2), per the source repository's definition.

  • Source unit: O*NET 27.2 tasks → O*NET 31.0 occupation code
  • All rated tasks are in the O*NET 31.0 task list.
Source
OpenAI "GPTs are GPTs" exposure rubric
Release
gh-main-0471612
License
MIT License, Copyright (c) 2024 OpenAI

Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.

Task (O*NET 27.2)βE1 + 0.5 × E2
Devise and choreograph dance for self or others.

O*NET Task ID 7696

0.5
Train, exercise, and attend dance classes to maintain high levels of technical proficiency, physical ability, and physical fitness.

O*NET Task ID 7685

0.0
Study and practice dance moves required in roles.

O*NET Task ID 7686

0.0
Harmonize body movements to rhythm of musical accompaniment.

O*NET Task ID 7687

0.0
Perform classical, modern, or acrobatic dances in productions, expressing stories, rhythm, and sound with their bodies.

O*NET Task ID 7688

0.0
Collaborate with choreographers to refine or modify dance steps.

O*NET Task ID 7689

0.0
Coordinate dancing with that of partners or dance ensembles.

O*NET Task ID 7690

0.0
Attend costume fittings, photography sessions, and makeup calls associated with dance performances.

O*NET Task ID 7691

0.0
Audition for dance roles or for membership in dance companies.

O*NET Task ID 7692

0.0
Develop self-understanding of physical capabilities and limitations, and choose dance styles accordingly.

O*NET Task ID 7693

0.0
Monitor the field of dance to remain aware of current trends and innovations.

O*NET Task ID 7694

0.0
Teach dance students.

O*NET Task ID 7695

0.0
Perform in productions, singing or acting in addition to dancing, if required.

O*NET Task ID 7697

0.0
Prepare pointe shoes, by sewing or other means, for use in rehearsals and performance.

O*NET Task ID 21141

0.0

β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.

Data sources & licenses — O*NET®, Eloundou et al. (2023): see full notices on the Credits page

All O*NET 31.0 task statements (14)

All O*NET 31.0 task statements for this occupation (English, as published; task type core or supplemental). Exposure values are not listed here; they are in the table above, next to each task statement as worded in the O*NET version each source used.

Task (O*NET 31.0)Type
Train, exercise, and attend dance classes to maintain high levels of technical proficiency, physical ability, and physical fitness.Core
Study and practice dance moves required in roles.Core
Harmonize body movements to rhythm of musical accompaniment.Core
Perform classical, modern, or acrobatic dances in productions, expressing stories, rhythm, and sound with their bodies.Core
Collaborate with choreographers to refine or modify dance steps.Core
Coordinate dancing with that of partners or dance ensembles.Core
Attend costume fittings, photography sessions, and makeup calls associated with dance performances.Core
Audition for dance roles or for membership in dance companies.Core
Develop self-understanding of physical capabilities and limitations, and choose dance styles accordingly.Core
Monitor the field of dance to remain aware of current trends and innovations.Core
Teach dance students.Supplemental
Devise and choreograph dance for self or others.Supplemental
Perform in productions, singing or acting in addition to dancing, if required.Supplemental
Prepare pointe shoes, by sewing or other means, for use in rehearsals and performance.Supplemental

Occupation information

Employment outlook (BLS)

Employment, 2025
14K
Projected employment, 2035
14K
Change (2025–35)
+2.2%
Median annual wage, 2025
not published
Typical education needed for entry
No formal educational credential

Source: U.S. Bureau of Labor Statistics, Employment Projections 2025–35 — Employment by detailed occupation, 2025 and projected 2035

Korea classification links (KSCO)

Links from the current release of the Korea Occupation Direct Crosswalk v1.1, made by AI Changing Work. Relation values are read from the O*NET-SOC occupation side.

KSCO codeKSCO titleRelationStatus
29471무용가Same scopeconfirmed
29444전통 예능인Overlapping, not the sameconfirmed
44293응원단원Related, not a matchconfirmed

Relation and status definitions(kr-direct v1.1)

ILO occupational description

AI Changing Work links the ISCO-08 unit groups below to this occupation by applying the U.S. Bureau of Labor Statistics crosswalks (2018 SOC to 2010 SOC, 2010 SOC to ISCO-08) as published, without case-by-case selection; each link may be whole or partial.

  • ISCO-08 2653Dancers and Choreographers

The definition, tasks and examples below are the ILO's description of that unit group, not of this occupation.

Dancers and choreographers conceive and create or perform dances.

Tasks

  • (a) conceiving and creating dances, which often convey a story, theme, idea or mood, by a pattern of steps, movements and gestures;
  • (b) performing dances as a soloist, with a partner or as a member of a dancing group before live audiences or for film, television or other visual media;
  • (c) training ,exercising and attending dance classes to maintain the required levels of ability and fitness;
  • (d) directing and participating in rehearsals to practice dance steps and techniques required for a performance;
  • (e) auditioning for dance roles or for memberships in dance companies;
  • (f) coordinating the production music with the music directors.

Example occupations

Choreographer · Ballet Dancer · Night-club dancer · Street dancer

Sources: ILO ISCO-08 — details: Credits

ESCO occupational vocabulary

Each entry below is matched to this occupation in the published ESCO-O*NET Crosswalk (version 1, 2022). The match types are that crosswalk's; the wording is AI Changing Work's.

  • dancerESCO 2653.2Same scope

    Dancers interpret ideas, feelings, stories or characters for audiences by using movement and body language mostly accompanied by music. This normally involves interpreting the work of a choreographer or a traditional repertory, although it may sometimes require improvisation.

  • circus artistESCO 2659.2.1Overlapping, not the same

    Circus artists develop original performance pieces showcasing great artistic and performing skills, emotive depth and artistic proposals for the general public. Alone, or collectively, they may perform one or more traditional or original circus disciplines, which are usually based on physical capabilities such as strength, balance, agility, flexibility, ability and coordination of body parts, and combined with performance disciplines such as dance, theatre, mime etc. The physical nature of the exercises performed often includes a certain level of risk for the performer.

  • dance teacherESCO 2355.2Overlapping, not the same

    Dance teachers instruct students in a recreational context in the various dance genres and forms, such as ballet, jazz, tap, ballroom, hip-hop, latin, folk dance etc. They provide students with a notion of dance history and repertoire, but mainly focus on a practice-based approach in their courses, in which they assist students in experimenting with and mastering different dance and dramatic expression styles and techniques and encourage them to develop their own style. They cast, choreograph and produce performances, and coordinate the technical production and the set, props and costume usage on stage.

  • performing arts school dance instructorESCO 2310.1.29Overlapping, not the same

    Performing arts school dance instructors educate students in specific theory and, primarily, practice-based dance courses at a specialised dance school or conservatory at a higher education level. They provide theoretical instruction in service of the practical skills and techniques the students must subsequently master for dance. Performing arts school dance instructors monitor the students' progress, assist individually when necessary, and evaluate their knowledge and performance on the dance through, often practical, assignments, tests and examinations.

  • street performerESCO 2659.2.5Overlapping, not the same

    Street performers create street arts performances for outdoor spaces, using space and audience as a creative resource. They create their performance through playful exploration and experimentation with the purpose of entertaining and possibly also of sharing critical opinions concerning societal issues. They stimulate audience participation as a component of their performance whilst respecting the audience's safety and integrity.

  • variety artistESCO 2659.2.6Overlapping, not the same

    Variety artists are multi-disciplinary artists who master in at least two of the following disciplines: comedy, dance, singing, circus arts, object manipulation and illusionism. They perform solo or collectively, may appear in music variety shows, cabaret, musicals and other entertainment events. Their artistic performance is characterised by the blending of arts, styles and disciplines.

Source: European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)

License: CC BY 4.0 (EU Reuse Notice)

View original

ESCO reuse terms and the modification notice are in Credits.

France classification links (ROME)

AI Changing Work's links between this occupation and ROME 4.0 job profiles, judged with AI models. Relations are read from this occupation's side. Links marked “provisional” were adopted on the judgments of two judges from the same model family (Claude) alone, or by an operator rule applied to their judgments, so they rest on weaker evidence than confirmed links.

ROME codeROME title (French)Relation
L1201Danseur / DanseuseSame scopeprovisional
L1209Performeur / Performeuse de cabaretRelated, not a matchprovisional

Source: France Travail — Répertoire Opérationnel des Métiers et des Emplois (ROME 4.0), version 61, last updated 15 June 2026 (https://www.data.gouv.fr/datasets/repertoire-operationnel-des-metiers-et-des-emplois-rome). Licence Ouverte 2.0.

ROME codes and titles are reproduced unchanged; the links to O*NET-SOC occupations are AI Changing Work's own judgment and are not a France Travail correspondence.

(AI Changing Work link release: fr-direct v1)

Spain classification links (CNO-11)

AI Changing Work's links between this occupation and CNO-11 occupations, judged with AI models. Relations are read from this occupation's side.

CNO-11 codeCNO-11 title (Spanish)Relation
2933Coreógrafos y bailarinesThis occupation is narrower

Source: Instituto Nacional de Estadística (INE), National Classification of Occupations 2011 (CNO-11, Royal Decree 1591/2010) — www.ine.es · Licensed CC BY 4.0. CNO-11 codes and Spanish titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not an INE correspondence.

(AI Changing Work link release: es-direct v1)

Germany classification links (KldB)

AI Changing Work's links between this occupation and KldB occupations, judged with AI models. Relations are read from this occupation's side.

KldB codeKldB title (German)Relation
94224Tänzer/innen und Choreografen/Choreografinnen - hoch komplexe TätigkeitenThis occupation is narrower
94252Berufe für personenbezogene Dienstleistungen - fachlich ausgerichtete TätigkeitenRelated, not a match

Source: © Statistik der Bundesagentur für Arbeit — Klassifikation der Berufe 2010 – überarbeitete Fassung 2020, https://statistik.arbeitsagentur.de. KldB codes and titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own mapping (eigene Zuordnung) and are not a Bundesagentur für Arbeit correspondence.

(AI Changing Work link release: de-direct v1)

Japan classification links (JSCO)

AI Changing Work's links between this occupation and JSCO occupations, judged with AI models. Relations are read from this occupation's side.

JSCO codeJSCO title (Japanese)Relation
232舞踊家Same scopeprovisional
406芸者,ダンサーRelated, not a matchprovisional

Source: Ministry of Internal Affairs and Communications (MIC), Japan Standard Occupational Classification (Dec. 2009, MIC Notification No. 555). JSCO codes and Japanese titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not a MIC correspondence.

(AI Changing Work link release: jp-direct v1)

Sources, licenses and AI Changing Work's modification and translation notices for this page: Credits & sources