Four relative bands (Low / Moderate / High / Very high)
831 detailed occupations in the BLS Employment Projections table. Assigned per National Employment Matrix (NEM) code, so occupations sharing a NEM code carry the same band
The BLS category is a relative rank, not an absolute level, and it is not a first-hand measurement: it groups an occupation's percentile ranks across several published studies into four bands. It is not an employment or wage forecast, not a probability of adoption, and it does not separate automation from augmentation.
Produce rough and finished graphics and graphic designs.Details
27-4011
0.032056.1
0.017575.7
Develop manuals, texts, workbooks, or related materials for use in conjunction with production materials or for training.Details
27-4011
0.016027.9
0.00229.6
Determine formats, approaches, content, levels, and mediums to effectively meet objectives within budgetary constraints, using research, knowledge, and training.Details
27-4011
0.00346.0
—0
Edit videotapes by erasing and removing portions of programs and adding video or sound as required.Details
27-4011
0.00203.4
—0
Plan and develop pre-production ideas into outlines, scripts, story boards, and graphics, using own ideas or specifications of assignments.Details
27-4011
0.00193.3
—0
Diagnose and resolve media system problems.Details
27-4011
0.00193.3
—0
Perform narration of productions or present announcements.Details
—0
0.00187.8
Install, adjust, and operate electronic equipment to record, edit, and transmit radio and television programs, motion pictures, video conferencing, or multimedia presentations.Details
—0
0.00166.9
Not observed on any surface — 21 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states.
Notify supervisors when major equipment repairs are needed.Details
—0
—0
Mix and regulate sound inputs and feeds or coordinate audio feeds with television pictures.Details
—0
—0
Design layouts of audio and video equipment and perform upgrades and maintenance.Details
—0
—0
Perform minor repairs and routine cleaning of audio and video equipment.Details
—0
—0
Switch sources of video input from one camera or studio to another, from film to live programming, or from network to local programming.Details
—0
—0
Compress, digitize, duplicate, and store audio and video data.Details
—0
—0
Conduct training sessions on selection, use, and design of audio-visual materials and on operation of presentation equipment.Details
—0
—0
Monitor incoming and outgoing pictures and sound feeds to ensure quality and notify directors of any possible problems.Details
—0
—0
Meet with directors and senior members of camera crews to discuss assignments and determine filming sequences, camera movements, and picture composition.Details
—0
—0
Construct and position properties, sets, lighting equipment, and other equipment.Details
—0
—0
Obtain, set up, and load videotapes for scheduled productions or broadcasts.Details
—0
—0
Direct and coordinate activities of assistants and other personnel during production.Details
—0
—0
Maintain inventories of audio and videotapes and related supplies.Details
—0
—0
Record and edit audio material, such as movie soundtracks, using audio recording and editing equipment.Details
—0
—0
Inform users of audio and videotaping service policies and procedures.Details
—0
—0
Obtain and preview musical performance programs prior to events to become familiar with the order and approximate times of pieces.Details
—0
—0
Locate and secure settings, properties, effects, and other production necessities.Details
—0
—0
Control the lights and sound of events, such as live concerts, before and after performances, and during intermissions.Details
—0
—0
Organize and maintain compliance, license, and warranty information related to audio and video facilities.Details
—0
—0
Reserve audio-visual equipment and facilities, such as meeting rooms.Details
—0
—0
Analyze and maintain data logs for audio-visual activities.Details
—0
—0
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
Task
βE1 + 0.5 × E2
Maintain inventories of audio and videotapes and related supplies.Details
O*NET Task ID 3995
1.0
Inform users of audio and videotaping service policies and procedures.Details
O*NET Task ID 3998
1.0
Develop manuals, texts, workbooks, or related materials for use in conjunction with production materials or for training.Details
O*NET Task ID 4005
1.0
Perform narration of productions or present announcements.Details
O*NET Task ID 4006
1.0
Analyze and maintain data logs for audio-visual activities.Details
O*NET Task ID 18652
1.0
Monitor incoming and outgoing pictures and sound feeds to ensure quality and notify directors of any possible problems.Details
O*NET Task ID 3981
0.5
Mix and regulate sound inputs and feeds or coordinate audio feeds with television pictures.Details
O*NET Task ID 3982
0.5
Design layouts of audio and video equipment and perform upgrades and maintenance.Details
O*NET Task ID 3984
0.5
Switch sources of video input from one camera or studio to another, from film to live programming, or from network to local programming.Details
O*NET Task ID 3987
0.5
Compress, digitize, duplicate, and store audio and video data.Details
O*NET Task ID 3990
0.5
Obtain, set up, and load videotapes for scheduled productions or broadcasts.Details
O*NET Task ID 3991
0.5
Edit videotapes by erasing and removing portions of programs and adding video or sound as required.Details
O*NET Task ID 3992
0.5
Plan and develop pre-production ideas into outlines, scripts, story boards, and graphics, using own ideas or specifications of assignments.Details
O*NET Task ID 3994
0.5
Determine formats, approaches, content, levels, and mediums to effectively meet objectives within budgetary constraints, using research, knowledge, and training.Details
O*NET Task ID 3996
0.5
Record and edit audio material, such as movie soundtracks, using audio recording and editing equipment.Details
O*NET Task ID 3997
0.5
Obtain and preview musical performance programs prior to events to become familiar with the order and approximate times of pieces.Details
O*NET Task ID 3999
0.5
Produce rough and finished graphics and graphic designs.Details
O*NET Task ID 4000
0.5
Locate and secure settings, properties, effects, and other production necessities.Details
O*NET Task ID 4001
0.5
Control the lights and sound of events, such as live concerts, before and after performances, and during intermissions.Details
O*NET Task ID 4002
0.5
Organize and maintain compliance, license, and warranty information related to audio and video facilities.Details
O*NET Task ID 4004
0.5
Install, adjust, and operate electronic equipment to record, edit, and transmit radio and television programs, motion pictures, video conferencing, or multimedia presentations.Details
O*NET Task ID 18649
0.5
Diagnose and resolve media system problems.Details
O*NET Task ID 18650
0.5
Reserve audio-visual equipment and facilities, such as meeting rooms.Details
O*NET Task ID 18651
0.5
Notify supervisors when major equipment repairs are needed.Details
O*NET Task ID 3980
0.0
Perform minor repairs and routine cleaning of audio and video equipment.Details
O*NET Task ID 3985
0.0
Meet with directors and senior members of camera crews to discuss assignments and determine filming sequences, camera movements, and picture composition.Details
O*NET Task ID 3988
0.0
Construct and position properties, sets, lighting equipment, and other equipment.Details
O*NET Task ID 3989
0.0
Direct and coordinate activities of assistants and other personnel during production.Details
O*NET Task ID 3993
0.0
Conduct training sessions on selection, use, and design of audio-visual materials and on operation of presentation equipment.Details
O*NET Task ID 4003
0.0
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
Occupation information
ILO occupational description
Broadcasting and Audio-visual Technicians
Broadcasting and audio-visual technicians control technical functioning of equipment to record and edit images and sound and for transmitting radio and television broadcasts of images and sounds, as well as other types of telecommunication signals on land, sea or in aircraft.
Tasks
(a) controlling equipment to record sound;
(b) controlling equipment to edit and mix image and sound recordings to ensure satisfactory quality and to create special image and sound effects;
(c) applying knowledge of principles and practices of image and sound recording and editing in order to identify and solve problems;
(d) controlling transmitting and broadcast systems and satellite systems for radio and television programmes;
(e) controlling radio communications systems, satellite services and multiplex systems on land, sea or in aircraft;
(f) applying knowledge of principles and practices of broadcasting, telecommunications terminals and transmissions systems, in order to identify and solve problems;
(g) making emergency repairs to equipment.
Example occupations
Audio-visual operator · Broadcasting equipment operator · Broadcast technician · Camera operator (motion picture) · Camera operator (video) · Production assistant (media)
Video operators control the (projected) images of a performance based on the artistic or creative concept, in interaction with the performers. Their work is influenced by and influences the results of other operators. Therefore, the operators work closely together with the designers, operators and performers. Video operators prepare media fragments, supervise the setup, steer the technical crew, program the equipment and operate the video system. Their work is based on plans, instructions and other documentation.
sound operatorESCO 3521.1.11
Sound operators control the sound of a performance based on the artistic or creative concept, in interaction with the performers. Their work is influenced by and influences the results of other operators. Therefore, the operators work closely together with the designers and performers. They prepare audio fragments, supervise the setup, steer the technical crew, program the equipment and operate the sound system. Their work is based on plans, instructions and other documentation.
mastering engineerESCO 3521.1.4
Mastering engineers convert finished recordings to the desired format such as CD, vinyl and digital. They ensure the quality of the sound on all formats.
sound editorESCO 3521.1.10
Sound editors create the soundtrack and sound effects for motion pictures, television series or other multimedia productions. They are responsible for all the music and sound featured in the movie, series or videogames. Sound editors use equipment to edit and mix image and sound recordings and make sure that the music, sound and dialogue is synchronised with and fits in the scene. They work closely together with the video and motion picture editor.
performance rental technicianESCO 3521.1.5
Performance rental technicians manage technical equipment at concerts and other big events.
boom operatorESCO 3521.1.2
Boom operators set up and operate the boom microphone, either by hand, on an arm or on a moving platform. They make sure that every microphone is correctly stationed on set and in the best position to capture the dialogues. Boom operators are also responsible for the microphones on the actors clothing.
camera operatorESCO 3521.1.3
Camera operators setup and operate digital film cameras to shoot domestic motion pictures or television programs. They work together with the video and motion picture director, the director of photography, or the private client. Camera operators give advice on how to shoot scenes to actors, the video and motion picture director and other camera operators.
audio-visual technicianESCO 3521.1
Audio-visual technicians set up, operate and maintain equipment to record and edit images and sound for radio and television broadcasts, at live events and for telecommunication signals.
sound designerESCO 3521.1.9
Sound designers develop a sound design concept for a performance and supervise the execution of it. Their work is based on research and artistic vision. Their design is influenced by and influences other designs and must be conform with these designs and the overall artistic vision. Therefore, the designers work closely with artistic directors, operators and the artistic team. Sound designers prepare audio fragments to be used in a performance, which can involve recording, composing, manipulating and editing. During rehearsals and performance they coach the operators to obtain optimal timing and manipulation. Sound designers develop plans, cue lists and other documentation to support the operators and production crew. Sound designers sometimes also work as autonomous artists, creating sound art outside a performance context.
video technicianESCO 3521.1.13
Video technicians set up, prepare, check and maintain equipment in order to provide optimal projected image quality for a live performance. They cooperate with road crew to unload, set up and operate video equipment and instruments.
recording studio technicianESCO 3521.1.7
Recording studio technicians operate and maintain microphones and headsets in recording booths in recording studios. They operate mixing panels. Recording studio technicians manage all sound production requirements. They advise singers on the use of their voice. Recording studio technicians edit recordings into a finished product.
projectionistESCO 3521.1.6
Projectionists operate and maintain projection equipment in cinema theatres. They inspect the movie films before loading them into the projector. Projectionist make sure that everything runs smoothly during the projection of the movie. They also are responsible for the proper storage of movie films.
Source:European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
ESCO reuse terms and the modification notice are in Credits.
Shown in the original Korean. This dataset is published under KOGL Type 4, which prohibits derivative works including translation, so the text is reproduced unaltered.
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 광고영상감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
규칙적인 근무(99) · 다른 사람과의 상호작용(97) · 의사결정 권한(97) · 극단적으로 밝거나 부적절한 조명(96) · 결과에 대한 책임(92)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 조명기사 · 성우 · 연극연출가 · 촬영기사
극단적으로 밝거나 부적절한 조명(99) · 고지대 작업(95) · 장비 속도에 보조 맞추기(94) · 사물, 도구, 조종 장치를 다루기 위해 손사용(89) · 걷거나 뛰기(84)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 성우 · 연극연출가 · 촬영기사
치열한 경쟁(95) · 비좁은 업무 공간(85) · 연설, 발표, 회의하기(80) · 극단적으로 밝거나 부적절한 조명(74) · 자동화 정도(69)
Related occupations
음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 연극연출가 · 촬영기사
예술(98) · 영업과 마케팅(84) · 철학과 신학(80) · 사회와 인류(78) · 인사(77)
Work environment
극단적으로 밝거나 부적절한 조명(100) · 주말 및 공휴일 근무(97) · 연설, 발표, 회의하기(95) · 사람들과 직접 접촉(92) · 다른 사람들을 조율하거나 이끌기(85)
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음향 및 녹음 기사 · 영화배우 및 탤런트 · 연극 및 뮤지컬배우 · 모델 · 미디어 콘텐츠 창작자(웹방송전문가) · 영상·녹화 및 편집 기사 · 개그맨 및 코미디언 · 방송연출가 · 연극영화방송기술감독 · 아나운서 · 리포터 · 영화감독 · 광고영상감독 · 조명기사 · 성우 · 촬영기사
The KNOW occupations and KECO codes listed here were linked to this page's occupation by this site; this is not a correspondence defined by the Korea Employment Information Service or the Ministry of Employment and Labor.
Projected change: +3.9%
Median wage: $58K
lowest $31Kmedian wage across 825 detailed occupations, BLS EP 2025–35highest $559K
Employment: 88K
Typical entry-level education: Postsecondary nondegree award