Operadores de Camara

Artes, Diseño, Entretenimiento y Medios

Exposición a la IA

  • Fuente de datos: BLSPublicado: 2026-08

    Alto· relativa

    BajoCuatro bandas relativasMuy alto

    Valor por grupo ocupacional

    Escala, base y fuente

    Cuatro bandas relativas (Bajo / Moderado / Alto / Muy alto)

    831 ocupaciones detalladas de la tabla de proyecciones de empleo de BLS. El valor se asigna por código de la National Employment Matrix (NEM), de modo que las ocupaciones que comparten un código NEM reciben la misma banda

    Conjunto de datos de origen (descarga XLSX)

  • Fuente de datos: AnthropicPublicado: 2026-03

    0.165

    0.000Rango de los valores aquí recogidos0.745
    Escala, base y fuente

    Índice de exposición observada, 0–1 tal como se publica

    Mapeado sobre tareas de O*NET

    Conjunto de datos de origen

  • Fuente de datos: ILOPublicado: 2025

    0.35

    0.09Rango de los valores aquí recogidos0.70

    Valor por grupo ocupacional

    Escala, base y fuente

    Índice de exposición a la IA generativa, 0–1 tal como se publica

    Grupo primario de la CIUO-08 — todas las ocupaciones con ese código reciben este valor

    Calculado por este sitio, no publicado por la OIT: de las 1012 ocupaciones que este sitio vincula al conjunto de datos de la OIT, un 61% alcanza o supera este valor.

    Conjunto de datos de origen

Qué tipo de cifra publica esta fuente

La categoría de BLS es un rango relativo, no un nivel absoluto, y tampoco es una medición de primera mano: agrupa en cuatro bandas los rangos percentiles de la ocupación en varios estudios publicados. No es una previsión de empleo ni de salarios, no es una probabilidad de adopción y no distingue entre automatización y aumento.

Task-level exposure

Solo tareas expuestas
TaskClaude.aiRaw / share %
Compose and frame each shot, applying the technical aspects of light, lenses, film, filters, and camera settings to achieve the effects sought by directors.

27-4031

0.0053100.0
Not observed on any surface — 25 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states.
Operate television or motion picture cameras to record scenes for television broadcasts, advertising, or motion pictures.
—0
Use cameras in any of several different camera mounts, such as stationary, track-mounted, or crane-mounted.
—0
Adjust positions and controls of cameras, printers, and related equipment to change focus, exposure, and lighting.
—0
Confer with directors, sound and lighting technicians, electricians, and other crew members to discuss assignments and determine filming sequences, desired effects, camera movements, and lighting requirements.
—0
Observe sets or locations for potential problems and to determine filming and lighting requirements.
—0
Set up cameras, optical printers, and related equipment to produce photographs and special effects.
—0
View films to resolve problems of exposure control, subject and camera movement, changes in subject distance, and related variables.
—0
Edit video for broadcast productions, including non-linear editing.
—0
Set up and perform live shots for broadcast.
—0
Assemble studio sets and select and arrange cameras, film stock, audio, or lighting equipment to be used during filming.
—0
Test, clean, maintain, and repair broadcast equipment, including testing microphones, to ensure proper working condition.
—0
Stay current with new technologies in the field by reading trade magazines.
—0
Operate zoom lenses, changing images according to specifications and rehearsal instructions.
—0
Instruct camera operators regarding camera setups, angles, distances, movement, and variables and cues for starting and stopping filming.
—0
Label and record contents of exposed film and note details on report forms.
—0
Read charts and compute ratios to determine variables such as lighting, shutter angles, filter factors, and camera distances.
—0
Reload camera magazines with fresh raw film stock.
—0
Read and analyze work orders and specifications to determine locations of subject material, work procedures, sequences of operations, and machine setups.
—0
Receive raw film stock and maintain film inventories.
—0
Prepare slates that describe the scenes being filmed.
—0
Download exposed film for shipment to processing labs.
—0
Set up and operate electric news gathering (ENG) microwave vehicles to gather and edit raw footage on location to send to television affiliates for broadcast.
—0
Direct studio productions.
—0
Design graphics for studio productions.
—0
Write new scripts for broadcasts.
—0

Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page

Información ocupacional