Coloristas

Artes, Diseño, Entretenimiento y Medios

Exposición a la IA

  • Fuente de datos: BLSPublicado: 2026-08

    Alto· relativa

    BajoCuatro bandas relativasMuy alto

    Valor por grupo ocupacional

    Escala, base y fuente

    Cuatro bandas relativas (Bajo / Moderado / Alto / Muy alto)

    831 ocupaciones detalladas de la tabla de proyecciones de empleo de BLS. El valor se asigna por código de la National Employment Matrix (NEM), de modo que las ocupaciones que comparten un código NEM reciben la misma banda

    Conjunto de datos de origen (descarga XLSX)

  • Fuente de datos: AnthropicPublicado: 2026-03

    0.223

    0.000Rango de los valores aquí recogidos0.745
    Escala, base y fuente

    Índice de exposición observada, 0–1 tal como se publica

    Mapeado sobre tareas de O*NET

    Conjunto de datos de origen

  • Fuente de datos: ILOPublicado: 2025

    0.37

    0.09Rango de los valores aquí recogidos0.70

    Valor por grupo ocupacional

    Escala, base y fuente

    Índice de exposición a la IA generativa, 0–1 tal como se publica

    Grupo primario de la CIUO-08 — todas las ocupaciones con ese código reciben este valor

    Calculado por este sitio, no publicado por la OIT: de las 1012 ocupaciones que este sitio vincula al conjunto de datos de la OIT, un 53% alcanza o supera este valor.

    Conjunto de datos de origen

Qué tipo de cifra publica esta fuente

La categoría de BLS es un rango relativo, no un nivel absoluto, y tampoco es una medición de primera mano: agrupa en cuatro bandas los rangos percentiles de la ocupación en varios estudios publicados. No es una previsión de empleo ni de salarios, no es una probabilidad de adopción y no distingue entre automatización y aumento.

Task-level exposure

Solo tareas expuestas
TaskClaude.aiRaw / share %
Study scripts to become familiar with production concepts and requirements.

27-4032

0.030851.0
Program computerized graphic effects.

27-4032

0.011719.4
Confer with producers and directors concerning layout or editing approaches needed to increase dramatic or entertainment value of productions.

27-4032

0.007412.2
Organize and string together raw footage into a continuous whole according to scripts or the instructions of directors and producers.

27-4032

0.00406.6
Review footage sequence by sequence to become familiar with it before assembling it into a final product.

27-4032

0.00304.9
Review assembled films or edited videotapes on screens or monitors to determine if corrections are necessary.

27-4032

0.00172.9
Develop post-production models for films.

27-4032

0.00172.9
Not observed on any surface — 16 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states.
Cut shot sequences to different angles at specific points in scenes, making each individual cut as fluid and seamless as possible.
—0
Edit films and videotapes to insert music, dialogue, and sound effects, to arrange films into sequences, and to correct errors, using editing equipment.
—0
Select and combine the most effective shots of each scene to form a logical and smoothly running story.
—0
Mark frames where a particular shot or piece of sound is to begin or end.
—0
Determine the specific audio and visual effects and music necessary to complete films.
—0
Verify key numbers and time codes on materials.
—0
Set up and operate computer editing systems, electronic titling systems, video switching equipment, and digital video effects units to produce a final product.
—0
Record needed sounds or obtain them from sound effects libraries.
—0
Trim film segments to specified lengths and reassemble segments in sequences that present stories with maximum effect.
—0
Manipulate plot, score, sound, and graphics to make the parts into a continuous whole, working closely with people in audio, visual, music, optical, or special effects departments.
—0
Supervise and coordinate activities of workers engaged in film editing, assembling, and recording activities.
—0
Piece sounds together to develop film soundtracks.
—0
Conduct film screenings for directors and members of production staffs.
—0
Collaborate with music editors to select appropriate passages of music and develop production scores.
—0
Discuss the sound requirements of pictures with sound effects editors.
—0
Estimate how long audiences watching comedies will laugh at each gag line or situation to space scenes appropriately.
—0

Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page

Información ocupacional