Code O*NET-SOC
27-2012.00

Produce or direct stage, television, radio, video, or film productions for entertainment, information, or instruction. Responsible for creative decisions, such as interpretation of script, choice of actors or guests, set design, sound, special effects, and choreography.

Les intitulés des métiers et les énoncés de tâches sont affichés en anglais, tels que publiés. Les libellés, y compris les types de tâches, sont traduits.

Exposition à l'IA

  • Source des données: BLSPublié: 2026-08

    Élevée· relative

    FaibleQuatre bandes relativesTrès élevée

    Valeur par groupe professionnel

    Échelle, base et source

    Quatre bandes relatives (Faible / Modérée / Élevée / Très élevée)

    831 métiers détaillés du tableau des projections d'emploi du BLS. La valeur est attribuée par code de la National Employment Matrix (NEM), si bien que les métiers partageant un code NEM reçoivent la même bande

    Jeu de données source (téléchargement XLSX)

  • Source des données: AnthropicPublié: 2026-03

    0.092

    0.000Étendue des valeurs présentées ici0.745

    Valeur par groupe professionnel

    Échelle, base et source

    Indice d'exposition observée, 0–1 tel que publié

    Rapporté aux tâches O*NET

    Publié par profession SOC 2018 ; chaque profession O*NET ayant le même code SOC 2018 reçoit cette valeur

    Jeu de données source (téléchargement CSV)

  • Source des données: ILOPublié: 2025

    0.37

    0.09Étendue des valeurs présentées ici0.70

    Valeur par groupe professionnel

    Échelle, base et source

    Indice d'exposition à l'IA générative, 0–1 tel que publié

    Publié par groupe de base ISCO-08. Relié à ce métier, en tout ou en partie, en appliquant tels que publiés les tableaux de correspondance du U.S. Bureau of Labor Statistics (ISCO-08 vers SOC 2010, SOC 2010 vers SOC 2018)

    Jeu de données source (téléchargement PDF)

Quelle est la nature de la valeur publiée par cette source

La catégorie BLS est un rang relatif et non un niveau absolu, et ce n'est pas une mesure de première main : elle regroupe en quatre bandes les rangs centiles du métier dans plusieurs études publiées. Ce n'est ni une prévision d'emploi ou de salaire, ni une probabilité d'adoption, et elle ne distingue pas automatisation et augmentation.

Exposition à l’IA (grille d’OpenAI)

30 tâches évaluées · 24 tâches avec β ≥ 0,5 (80.0%)

β = exposition directe (E1) + 0,5 × exposition lorsque des outils sont disponibles (E2), selon la définition du dépôt source.

  • Unité source : tâches O*NET 27.2 → code de métier O*NET 31.0
  • Toutes les tâches notées figurent dans la liste des tâches O*NET 31.0.
Source
OpenAI "GPTs are GPTs" exposure rubric
Version
gh-main-0471612
Licence
MIT License, Copyright (c) 2024 OpenAI

Tâches

Énoncés de tâches de l’O*NET® 31.0 Database, les tâches principales d’abord.

TâcheTypeβ (OpenAI)
Plan details such as framing, composition, camera movement, sound, and actor movement for each shot or scene.Principale0,5
Communicate to actors the approach, characterization, and movement needed for each scene in such a way that rehearsals and takes are minimized.Principale0
Direct live broadcasts, films and recordings, or non-broadcast programming for public entertainment or education.Principale0
Coordinate the activities of writers, directors, managers, and other personnel throughout the production process.Principale0,5
Study and research scripts to determine how they should be directed.Principale0,5
Supervise and coordinate the work of camera, lighting, design, and sound crew members.Principale0
Confer with technical directors, managers, crew members, and writers to discuss details of production, such as photography, script, music, sets, and costumes.Principale0,5
Research production topics using the internet, video archives, and other informational sources.Principale0,5
Review film, recordings, or rehearsals to ensure conformance to production and broadcast standards.Principale0,5
Consult with writers, producers, or actors about script changes or "workshop" scripts, through rehearsal with writers and actors to create final drafts.Principale1
Identify and approve equipment and elements required for productions, such as scenery, lights, props, costumes, choreography, and music.Principale0,5
Establish pace of programs and sequences of scenes according to time requirements and cast and set accessibility.Principale0,5
Conduct meetings with staff to discuss production progress and to ensure production objectives are attained.Principale0
Compile scripts, program notes, and other material related to productions.Principale1
Resolve personnel problems that arise during the production process by acting as liaisons between dissenting parties when necessary.Principale0
Perform management activities, such as budgeting, scheduling, planning, and marketing.Principale0,5
Obtain rights to scripts or to such items as existing video footage.Principale0,5
Write and edit news stories from information collected by reporters and other sources.Complémentaire1
Perform administrative duties, such as preparing operational reports, distributing rehearsal call sheets and script copies, and arranging for rehearsal quarters.Complémentaire1
Arrange financing for productions.Complémentaire0,5
Compose and edit scripts or provide screenwriters with story outlines from which scripts can be written.Complémentaire1
Negotiate with parties, including independent producers and the distributors and broadcasters who will be handling completed productions.Complémentaire0,5
Cut and edit film or tape to integrate component parts into desired sequences.Complémentaire0,5
Choose settings and locations for films and determine how scenes will be shot in these settings.Complémentaire0,5
Review film daily to check on work in progress and to plan for future filming.Complémentaire0,5
Write and submit proposals to bid on contracts for projects.Complémentaire1
Develop marketing plans for finished products, collaborating with sales associates to supervise product distribution.Complémentaire0,5
Hire principal cast members and crew members, such as art directors, cinematographers, and costume designers.—0,5
Hold auditions for parts or negotiate contracts with actors determined suitable for specific roles.—0
Select plays, scripts, books, news content, or ideas to be produced.—0,5

Informations professionnelles

Sources et attribution

This page includes information from the O*NET® 31.0 Database (https://www.onetcenter.org/database.html) by the U.S. Department of Labor, Employment and Training Administration (USDOL/ETA). Used under the CC BY 4.0 license (https://creativecommons.org/licenses/by/4.0/). O*NET® is a trademark of USDOL/ETA. AI Changing Work has modified all or some of this information: the O*NET-SOC code, title and task statements are reproduced in English without change; task-type labels are shown in the page's language and tasks are listed core first; any Korean occupation title shown on the Korean-language page is AI Changing Work's translation; any KSCO-8 unit groups linked to this occupation were paired with it by AI Changing Work's judgment, and the relation labels and statuses are AI Changing Work's additions. USDOL/ETA has not approved, endorsed, or tested these modifications.

Any AI exposure figures on this page are published by third parties, not by AI Changing Work, and none is part of the O*NET information. OpenAI publishes task-level scores (MIT License) for O*NET 27.2 task statements; each is shown next to the O*NET 31.0 task statement with the same task ID, whose wording can differ from the 27.2 statement that was scored. OpenAI also publishes occupation-level scores for O*NET-SOC codes in the same release, and any such score is shown on the O*NET occupation with the same code. Anthropic publishes an observed exposure index in the Anthropic Economic Index (CC-BY), and the U.S. Bureau of Labor Statistics publishes relative AI exposure categories (public domain); both are published per SOC code, and each value is shown on every O*NET occupation with that code. The International Labour Organization publishes a generative AI exposure index in ILO Working Paper 140 (CC BY 4.0) for ISCO-08 unit groups; AI Changing Work links those groups to O*NET occupations by applying the U.S. Bureau of Labor Statistics ISCO-08 to 2010 SOC and 2010 SOC to 2018 SOC crosswalks as published, without case-by-case selection, and these crosswalks match many groups only in part. Where several unit groups are linked, each group's published value is listed, and any summary shows only the lowest and highest of those values with the number of groups; no exposure figure is averaged or recalculated. Any employment figures are published by the U.S. Bureau of Labor Statistics for the SOC group containing this occupation. Each source is credited where its figures are shown.

O*NET OnLine: 27-2012.00 Producers and Directors

KSCO 코드·명칭: 한국표준직업분류(제8차 개정) — 통계청 고시 제2024-328호 (2024-07-01 고시, 2025-01-01 시행). 저작권법 제7조 제2호의 고시 항목이다. 명칭 표기(가운뎃점·띄어쓰기)는 해설서 2차 정오 반영판의 표기를 따랐으며, 고시 항목표와는 18개 명칭에서 가운뎃점 글리프나 띄어쓰기만 다르다. 통계청은 2025년 10월 국가데이터처로 개편되었다. 이 페이지의 KSCO 연결은 통계청·국가데이터처의 공식 연계표가 아니다.

Attribution et licences complètes