Techniciens Audio et Video

Arts, Design, Divertissement et Médias

Exposition à l'IA

  • Source des données: BLSPublié: 2026-08

    Élevée· relative

    FaibleQuatre bandes relativesTrès élevée

    Valeur par groupe professionnel

    Échelle, base et source

    Quatre bandes relatives (Faible / Modérée / Élevée / Très élevée)

    831 métiers détaillés du tableau des projections d'emploi du BLS. La valeur est attribuée par code de la National Employment Matrix (NEM), si bien que les métiers partageant un code NEM reçoivent la même bande

    Jeu de données source (téléchargement XLSX)

  • Source des données: AnthropicPublié: 2026-03

    0.017

    0.000Étendue des valeurs présentées ici0.745
    Échelle, base et source

    Indice d'exposition observée, 0–1 tel que publié

    Rapporté aux tâches O*NET

    Jeu de données source

  • Source des données: ILOPublié: 2025

    0.35

    0.09Étendue des valeurs présentées ici0.70

    Valeur par groupe professionnel

    Échelle, base et source

    Indice d'exposition à l'IA générative, 0–1 tel que publié

    Groupe de base CITP-08 — tous les métiers partageant le code reçoivent cette valeur

    Calculé par ce site, non publié par l'OIT : sur les 1 012 professions que ce site relie au jeu de données de l'OIT, 61% atteignent ou dépassent cette valeur.

    Jeu de données source

Quelle est la nature de la valeur publiée par cette source

La catégorie BLS est un rang relatif et non un niveau absolu, et ce n'est pas une mesure de première main : elle regroupe en quatre bandes les rangs centiles du métier dans plusieurs études publiées. Ce n'est ni une prévision d'emploi ou de salaire, ni une probabilité d'adoption, et elle ne distingue pas automatisation et augmentation.

Task-level exposure

Tâches exposées uniquement
TaskClaude.aiRaw / share %APIRaw / share %
Develop manuals, texts, workbooks, or related materials for use in conjunction with production materials or for training.

27-4011

0.230069.70.040030.8
Plan and develop pre-production ideas into outlines, scripts, story boards, and graphics, using own ideas or specifications of assignments.

27-4011

0.060018.20.030023.1
Determine formats, approaches, content, levels, and mediums to effectively meet objectives within budgetary constraints, using research, knowledge, and training.

27-4011

0.040012.10.060046.2
Compress, digitize, duplicate, and store audio and video data.

27-4011

0.00000.0—0
Edit videotapes by erasing and removing portions of programs and adding video or sound as required.

27-4011

0.00000.0—0
Record and edit audio material, such as movie soundtracks, using audio recording and editing equipment.

27-4011

0.00000.0—0
Direct and coordinate activities of assistants and other personnel during production.
—00.00000.0
Perform narration of productions or present announcements.
—00.00000.0
Not observed on any surface — 21 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states.
Notify supervisors when major equipment repairs are needed.
—0—0
Design layouts of audio and video equipment and perform upgrades and maintenance.
—0—0
Perform minor repairs and routine cleaning of audio and video equipment.
—0—0
Switch sources of video input from one camera or studio to another, from film to live programming, or from network to local programming.
—0—0
Control the lights and sound of events, such as live concerts, before and after performances, and during intermissions.
—0—0
Conduct training sessions on selection, use, and design of audio-visual materials and on operation of presentation equipment.
—0—0
Install, adjust, and operate electronic equipment to record, edit, and transmit radio and television programs, motion pictures, video conferencing, or multimedia presentations.
—0—0
Diagnose and resolve media system problems.
—0—0
Monitor incoming and outgoing pictures and sound feeds to ensure quality and notify directors of any possible problems.
—0—0
Mix and regulate sound inputs and feeds or coordinate audio feeds with television pictures.
—0—0
Meet with directors and senior members of camera crews to discuss assignments and determine filming sequences, camera movements, and picture composition.
—0—0
Construct and position properties, sets, lighting equipment, and other equipment.
—0—0
Obtain, set up, and load videotapes for scheduled productions or broadcasts.
—0—0
Maintain inventories of audio and videotapes and related supplies.
—0—0
Inform users of audio and videotaping service policies and procedures.
—0—0
Obtain and preview musical performance programs prior to events to become familiar with the order and approximate times of pieces.
—0—0
Produce rough and finished graphics and graphic designs.
—0—0
Locate and secure settings, properties, effects, and other production necessities.
—0—0
Organize and maintain compliance, license, and warranty information related to audio and video facilities.
—0—0
Reserve audio-visual equipment and facilities, such as meeting rooms.
—0—0
Analyze and maintain data logs for audio-visual activities.
—0—0

Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page

Informations professionnelles