Concepteurs Eclairagistes
Arts, Design, Divertissement et MédiasExposition à l'IA
- Source des données: BLSPublié: 2026-08
Élevée· relative
FaibleQuatre bandes relativesTrès élevéeValeur par groupe professionnel
Échelle, base et source
Quatre bandes relatives (Faible / Modérée / Élevée / Très élevée)
831 métiers détaillés du tableau des projections d'emploi du BLS. La valeur est attribuée par code de la National Employment Matrix (NEM), si bien que les métiers partageant un code NEM reçoivent la même bande
- Source des données: AnthropicPublié: 2026-03
0.000
0.000Étendue des valeurs présentées ici0.745Échelle, base et source
- Source des données: ILOPublié: 2025
0.37
0.09Étendue des valeurs présentées ici0.70Valeur par groupe professionnel
Échelle, base et source
Indice d'exposition à l'IA générative, 0–1 tel que publié
Groupe de base CITP-08 — tous les métiers partageant le code reçoivent cette valeur
Calculé par ce site, non publié par l'OIT : sur les 1 012 professions que ce site relie au jeu de données de l'OIT, 53% atteignent ou dépassent cette valeur.
Quelle est la nature de la valeur publiée par cette source
La catégorie BLS est un rang relatif et non un niveau absolu, et ce n'est pas une mesure de première main : elle regroupe en quatre bandes les rangs centiles du métier dans plusieurs études publiées. Ce n'est ni une prévision d'emploi ou de salaire, ni une probabilité d'adoption, et elle ne distingue pas automatisation et augmentation.
Task-level exposure
| Task | Claude.aiRaw / share % | APIRaw / share % |
|---|---|---|
Develop set designs, based on evaluation of scripts, budgets, research information, and available locations.27-1027 | 0.00000.0 | 0.00000.0 |
Examine objects to be included in exhibits to plan where and how to display them.27-1027 | 0.00000.0 | —0 |
Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations, such as streets and fairgrounds.27-1027 | 0.00000.0 | —0 |
Provide supportive materials for exhibits and displays, such as press kits, advertising, publicity notices, posters, brochures, catalogues, and invitations. | —0 | 0.00000.0 |
| Not observed on any surface — 23 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states. | ||
Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits. | —0 | —0 |
Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed. | —0 | —0 |
Confer with clients and staff to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, or promotion requirements. | —0 | —0 |
Estimate set- or exhibit-related costs, including materials, construction, and rental of props or locations. | —0 | —0 |
Inspect installed exhibits for conformance to specifications and satisfactory operation of special-effects components. | —0 | —0 |
Plan for location-specific issues, such as space limitations, traffic flow patterns, and safety concerns. | —0 | —0 |
Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions. | —0 | —0 |
Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects or lighting. | —0 | —0 |
Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts. | —0 | —0 |
Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information, as necessary. | —0 | —0 |
Select set props, such as furniture, pictures, lamps, and rugs. | —0 | —0 |
Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation. | —0 | —0 |
Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles. | —0 | —0 |
Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects. | —0 | —0 |
Read scripts to determine location, set, and design requirements. | —0 | —0 |
Attend rehearsals and production meetings to obtain and share information related to sets. | —0 | —0 |
Direct and coordinate construction, erection, or decoration activities to ensure that sets or exhibits meet design, budget, and schedule requirements. | —0 | —0 |
Select and purchase lumber and hardware necessary for set construction. | —0 | —0 |
Coordinate the removal of sets, props, and exhibits after productions or events are complete. | —0 | —0 |
Confer with conservators to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced. | —0 | —0 |
Arrange for outside contractors to construct exhibit structures. | —0 | —0 |
Incorporate security systems into exhibit layouts. | —0 | —0 |
Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use. | —0 | —0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task | βE1 + 0.5 × E2 |
|---|---|
Examine objects to be included in exhibits to plan where and how to display them.O*NET Task ID 9284 | 0.5 |
Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits.O*NET Task ID 9285 | 0.5 |
Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed.O*NET Task ID 9286 | 0.5 |
Estimate set- or exhibit-related costs, including materials, construction, and rental of props or locations.O*NET Task ID 9288 | 0.5 |
Develop set designs, based on evaluation of scripts, budgets, research information, and available locations.O*NET Task ID 9289 | 0.5 |
Direct and coordinate construction, erection, or decoration activities to ensure that sets or exhibits meet design, budget, and schedule requirements.O*NET Task ID 9290 | 0.5 |
Plan for location-specific issues, such as space limitations, traffic flow patterns, and safety concerns.O*NET Task ID 9292 | 0.5 |
Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions.O*NET Task ID 9293 | 0.5 |
Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects or lighting.O*NET Task ID 9294 | 0.5 |
Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts.O*NET Task ID 9296 | 0.5 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page