Media Technical Directors/Managers
Arts, Design, Entertainment, Sports, and Media Occupations- O*NET-SOC コード
- 27-2012.05
Coordinate activities of technical departments, such as taping, editing, engineering, and maintenance, to produce radio or television programs.
- データ出典: BLS公表時点: 2026-08
高い· 相対
低い4段階の相対区分非常に高い職業群単位の値
尺度・母数・出典
4段階の相対区分（低い / 中程度 / 高い / 非常に高い）
BLS雇用見通し表の詳細職業831件が母数。値は NEM(全国雇用マトリクス)コード単位で付与されるため、同じ NEM コードの職業は同じバンドになります
- データ出典: Anthropic公表時点: 2026-03
0.092
0.000ここに掲載された値の範囲0.745職業群単位の値
尺度・母数・出典
観測エクスポージャー指数、公開されたまま0–1
O*NETタスクへの対応づけが基準
SOC 2018の職業単位で公表された値で、同じSOC 2018コードを持つO*NET職業はすべてこの値になります
- データ出典: ILO公表時点: 2025
0.37
0.09ここに掲載された値の範囲0.70職業群単位の値
尺度・母数・出典
生成AI露出度指数、公開されたまま0–1
ISCO-08の細分類（4桁）単位で公表された値です。米国労働統計局（BLS）の公式対応表（ISCO-08→2010 SOC、2010 SOC→2018 SOC）を公表どおり適用してこの職業に結び付けており、対応は全部または一部です
この出典がどのような性格の値か
BLSの区分は絶対水準ではなく相対順位であり、一次測定でもありません。複数の既存研究が付けた職業別パーセンタイル順位を4段階にまとめた値です。雇用や賃金の予測でもなく、導入確率でもなく、自動化と増強を区別しません。
Task-level exposure
露出のある作業のみ評価済みタスク 15 件 · β ≥ 0.5 のタスク 13 件（86.7%）
β = 直接的な露出（E1）+ 0.5 × ツール利用時の露出（E2）。原典リポジトリの定義に従います。
- 原典の単位：O*NET 27.2 のタスク → O*NET 31.0 の職業コード
- 評価済みタスクはすべて O*NET 31.0 のタスク一覧にあります。
- 出典
- OpenAI "GPTs are GPTs" exposure rubric
- 版
- gh-main-0471612
- ライセンス
- MIT License, Copyright (c) 2024 OpenAI
O*NET-SOC 2010 の職業 27-2012.05 Technical Directors/Managers の作業です。当サイトが O*NET-SOC 2010→2019 公式クロスウォークによりこの職業に結び付けました
| Task (O*NET 20.1) | Claude.aiRaw / share % | APIRaw / share % |
|---|---|---|
Discuss filter options, lens choices, and the visual effects of objects being filmed with photography directors and video operators.27-2012.05 | 0.0036100.0 | —0 |
Monitor broadcasts to ensure that programs conform to station or network policies and regulations. | —0 | 0.0224100.0 |
| Not observed on any surface — 13 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states. | ||
Test equipment to ensure proper operation. | —0 | —0 |
Observe pictures through monitors and direct camera and video staff concerning shading and composition. | —0 | —0 |
Act as liaisons between engineering and production departments. | —0 | —0 |
Supervise and assign duties to workers engaged in technical control and production of radio and television programs. | —0 | —0 |
Schedule use of studio and editing facilities for producers and engineering and maintenance staff. | —0 | —0 |
Confer with operations directors to formulate and maintain fair and attainable technical policies for programs. | —0 | —0 |
Train workers in use of equipment, such as switchers, cameras, monitors, microphones, and lights. | —0 | —0 |
Direct technical aspects of newscasts and other productions, checking and switching between video sources and taking responsibility for the on-air product, including camera shots and graphics. | —0 | —0 |
Operate equipment to produce programs or broadcast live programs from remote locations. | —0 | —0 |
Switch between video sources in a studio or on multi-camera remotes, using equipment such as switchers, video slide projectors, and video effects generators. | —0 | —0 |
Set up and execute video transitions and special effects, such as fades, dissolves, cuts, keys, and supers, using computers to manipulate pictures as necessary. | —0 | —0 |
Collaborate with promotions directors to produce on-air station promotions. | —0 | —0 |
Follow instructions from production managers and directors during productions, such as commands for camera cuts, effects, graphics, and takes. | —0 | —0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task (O*NET 27.2) | βE1 + 0.5 × E2 |
|---|---|
Direct technical aspects of newscasts and other productions, checking and switching between video sources and taking responsibility for the on-air product, including camera shots and graphics.O*NET Task ID 3894 | 0.5 |
Monitor broadcasts to ensure that programs conform to station or network policies and regulations.O*NET Task ID 3896 | 0.5 |
Observe pictures through monitors and direct camera and video staff concerning shading and composition.O*NET Task ID 3897 | 0.5 |
Act as liaisons between engineering and production departments.O*NET Task ID 3898 | 0.5 |
Supervise and assign duties to workers engaged in technical control and production of radio and television programs.O*NET Task ID 3899 | 0.5 |
Schedule use of studio and editing facilities for producers and engineering and maintenance staff.O*NET Task ID 3900 | 0.5 |
Confer with operations directors to formulate and maintain fair and attainable technical policies for programs.O*NET Task ID 3901 | 0.5 |
Operate equipment to produce programs or broadcast live programs from remote locations.O*NET Task ID 3902 | 0.5 |
Switch between video sources in a studio or on multi-camera remotes, using equipment such as switchers, video slide projectors, and video effects generators.O*NET Task ID 3904 | 0.5 |
Set up and execute video transitions and special effects, such as fades, dissolves, cuts, keys, and supers, using computers to manipulate pictures as necessary.O*NET Task ID 3905 | 0.5 |
Collaborate with promotions directors to produce on-air station promotions.O*NET Task ID 3906 | 0.5 |
Discuss filter options, lens choices, and the visual effects of objects being filmed with photography directors and video operators.O*NET Task ID 3907 | 0.5 |
Follow instructions from production managers and directors during productions, such as commands for camera cuts, effects, graphics, and takes.O*NET Task ID 3908 | 0.5 |
Test equipment to ensure proper operation.O*NET Task ID 3895 | 0.0 |
Train workers in use of equipment, such as switchers, cameras, monitors, microphones, and lights.O*NET Task ID 3903 | 0.0 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
O*NET 31.0 のタスク全件（15件）
この職業の O*NET 31.0 のタスク全件（英語原文、種別はコア・補足）。露出値はこの一覧には載せず、上の表で各出典が用いた O*NET 版の文言の横にあります。
| タスク（O*NET 31.0） | 種類 |
|---|---|
| Test equipment to ensure proper operation. | コア |
| Monitor broadcasts to ensure that programs conform to station or network policies and regulations. | コア |
| Observe pictures through monitors and direct camera and video staff concerning shading and composition. | コア |
| Act as liaisons between engineering and production departments. | コア |
| Supervise and assign duties to workers engaged in technical control and production of radio and television programs. | コア |
| Schedule use of studio and editing facilities for producers and engineering and maintenance staff. | コア |
| Confer with operations directors to formulate and maintain fair and attainable technical policies for programs. | コア |
| Operate equipment to produce programs or broadcast live programs from remote locations. | コア |
| Train workers in use of equipment, such as switchers, cameras, monitors, microphones, and lights. | コア |
| Switch between video sources in a studio or on multi-camera remotes, using equipment such as switchers, video slide projectors, and video effects generators. | コア |
| Collaborate with promotions directors to produce on-air station promotions. | コア |
| Direct technical aspects of newscasts and other productions, checking and switching between video sources and taking responsibility for the on-air product, including camera shots and graphics. | 補足 |
| Set up and execute video transitions and special effects, such as fades, dissolves, cuts, keys, and supers, using computers to manipulate pictures as necessary. | 補足 |
| Discuss filter options, lens choices, and the visual effects of objects being filmed with photography directors and video operators. | 補足 |
| Follow instructions from production managers and directors during productions, such as commands for camera cuts, effects, graphics, and takes. | 補足 |
0.13/ 3· ロボット露出指数
尺度・母数・出典
身体的なタスクそれぞれに、実際に導入・販売・実演されたロボットがこなせる環境に応じて 0–3 の等級を付け（0 不可 · 1 フェンスで囲われた機械セルや瓶詰めラインのようなロボット専用設備 · 2 病院の薬剤部やコンテナ港のような管理された施設 · 3 一般家庭や建設現場のような非定型の環境）、勤務時間に占める割合で平均した値
この職業の O*NET 29.3 タスクのうち身体的なタスクが対象
等級と時間の割合は Anthropic が Claude Opus 5（ウェブ検索）で推定しました（2026年時点）。
ロボット露出指数は、このサイトの AI 露出度とは別の指標であり、足し合わせたり比べたりすることはできません。実際の導入やコスト競争力を示すものではなく、0 には身体的なタスクのない職業も含まれます。
身体的なタスクごとの等級
ロボット環境等級（E0–E3）
E0 ロボット不可詳細
実際に導入・販売・実演されたロボットでは、ロボット専用設備でもこなせないと評価
E1 ロボット専用設備詳細
フェンスで囲われた機械セルや瓶詰めラインのように、機械を中心に作られた設備でこなせると評価
E2 管理された施設詳細
病院の薬剤部やコンテナ港のように、機関が作業基準を保っている人の作業施設でこなせると評価
E3 非定型の環境詳細
一般家庭や建設現場のように、作業基準を保つ機関がない環境でこなせると評価
身体的なタスクに分類されたタスクのみを掲載しています。その他のタスクには出典で等級がないため載せていません。
| タスク（O*NET 29.3） | ロボット環境等級 |
|---|---|
| Test equipment to ensure proper operation. | E0 ロボット不可 |
| Operate equipment to produce programs or broadcast live programs from remote locations. | E2 管理された施設 |
職業情報
雇用見通し（BLS）
この O*NET 職業だけの値ではなく、SOC 27-2012 グループ（Producers and directors）全体の値です。
- 雇用者数、2025
- 181K
- 雇用者数見通し、2035
- 188K
- 変化率 (2025–35)
- +4%
- 年間賃金の中央値、2025
- $90,360
- 入職時に通常必要な学歴
- Bachelor's degree
韓国職業分類との対応（KSCO）
AI Changing Work が作成した Korea Occupation Direct Crosswalk v1.1 現行版の対応です。関係の値は O*NET-SOC 職業の側から読みます。
| KSCO コード | KSCO 名称 | 関係 | 状態 |
|---|---|---|---|
| 29312 | 기술 감독 | この職業のほうが狭い | 確定 |
関係と状態の定義(kr-direct v1.1)
ILO（国際労働機関）の職業説明
以下のISCO-08職業群は、AI Changing Workが米国労働統計局（BLS）の発行するクロスウォーク（2018 SOC→2010 SOC、2010 SOC→ISCO-08）を個別の選択なしにそのまま適用して、この職業に結び付けたものです。結び付きは全体的な対応の場合も部分的な対応の場合もあります。
- ISCO-08 2654Film, Stage and Related Directors and Producers
映画・舞台等の監督、プロデューサー
出典: 総務省「国際標準職業分類（ISCO）2008年改定版（仮訳）分類項目名一覧（和英対照）」— 原著：ILO ISCO-08 © International Labour Organization（日本語訳は総務省がILOの許可を得て作成）
以下の定義・作業・職業例は、この職業ではなく、当該ISCO-08職業群についてのILOによる説明です。
Film, stage and related directors and producers oversee and control the technical and artistic aspects of motion pictures, television or radio productions and stage shows.
作業
- (a) choosing writers, studying scripts to determine artistic interpretation, and instructing actors on acting methods;
- (b) directing all aspects of dramatic productions on stage, television, radio or in motion pictures, including choice of actors, and final decisions concerning costumes, set designs, sound or lighting effects;
- (c) planning, organizing and controlling the various stages and scheduling involved in the production of presentations, motion pictures, television shows and radio programmes;
- (d) engaging and supervising all technical personnel, and determining the treatment, scope and scheduling of production;
- (e) maintaining production archives and negotiating royalties;
- (f) creating, planning, writing scripts for recording, videotaping and editing programmes;
- (g) supervising the positioning of scenery, props and lighting and sound equipment.
職業例
Documentary director · Film editor · Motion picture director · Photography director · Stage director · Technical director · Technical television or radio director · Theatre producer
Sources: ILO ISCO-08 — details: Credits
ESCO 職業語彙
以下の各項目は、公開されているESCO-O*NET Crosswalk（バージョン1、2022年）で、この職業と一つずつ対応付けられたものです。対応の種類はそのクロスウォークによるもので、表現はAI Changing Workによるものです。
- broadcasting programme directorESCO 3435.5この職業のほうが広い
Broadcasting programme directors make the programme schedule. They decide how much broadcast time a programme gets and when it is aired, based on a few factors like, ratings, viewer demographics, etc.
- post-production supervisorESCO 2654.1この職業のほうが広い
Post-production supervisors oversee the whole post-production process. They work together with the music editor and video and motion picture editor. Post production supervisors help plan the production workflow to make sure the post production phase is included and budgeted for. They ensure that the final product is delivered and distributed.
- producerESCO 2654.2この職業のほうが広い
Producers are responsible for managing the production of music, motion pictures or series. They plan and coordinate all aspects of the production such as the direction, publication and financing. Producers oversee the production and manage all technical and logistic aspects of recording and editing.
- radio producerESCO 2654.3この職業のほうが広い
Radio producers are responsible for organising the making of radio shows. They oversee aspects of radio shows such as content, audio production, resource planning and personnel supervision.
- script supervisorESCO 3435.19この職業のほうが広い
Script supervisors are responsible for the continuity of the movie or television program. They watch every shot to make sure that it's according to the script. Script supervisors ensure that during editing the story makes visual and verbal sense and does not contain any continuity errors.
- video and motion picture directorESCO 2166.4.8この職業のほうが広い
Video and motion picture directors are responsible for the overall production of a movie or television program. They edit and translate the script into audiovisual images. Video and motion picture directors supervise and manage the film crew. They convey their creative vision on the actors, audio and video equipment operators, lighting technicians, etc and direct them. Video and motion picture directors also supervise the editing of the footage.
- video and motion picture producerESCO 2654.2.2この職業のほうが広い
Video and motion picture producers supervise the entire production of a movie or television programme. They select the scripts that will be turned into motion pictures or series. Video and motion picture producers find the financial means to make a movie or television series. They have the final decision on the whole project, from development and editing to distribution. During large-scale productions, video and motion picture producers can be part of a team of producers and may be responsible for some of these tasks.
- assistant video and motion picture directorESCO 3435.2重なるが同じではない
Assistant video and motion picture directors are responsible for the organisation, scheduling and planning of the cast, crew and activities on a set. They assist the video and motion picture directors, maintain budgets and ensure that all production activities go according to schedule.
- technical directorESCO 2166.4.7重なるが同じではない
Technical directors realise the artistic visions of the creators within technical constraints. They coordinate the operations of various production units, such as scene, wardrobe, sound and lighting, and make-up. They adapt the prototype and study the feasibility, implementation, operation and technical monitoring of the artistic project. They are also responsible for the stage equipment and technical equipment.
出典: European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
ライセンス: CC BY 4.0 (EU Reuse Notice)
ESCO reuse terms and the modification notice are in Credits.
フランス職業分類との対応（ROME）
この職業と ROME 4.0 の職業票（fiche）との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。「暫定」と表示した対応は、同じモデル系列（Claude）の二人の判定者による判定のみ、またはその判定に運営者の規則を適用して採用したものであり、確定した対応より根拠が弱くなります。
| ROME コード | ROME 名称（フランス語） | 関係 |
|---|---|---|
| L1509 | Régisseur / Régisseuse de production | 重なるが同じではない |
| L1306 | Réalisateur / Réalisatrice audiovisuel | 関連（対応ではない） |
| L1316 | Conducteur / Conductrice d'antenne | 関連（対応ではない） |
| L1512 | Régisseur / Régisseuse de spectacles | 関連（対応ではない） |
| L1318 | Scripte de programmes audiovisuels | 関連（対応ではない）暫定 |
Source: France Travail — Répertoire Opérationnel des Métiers et des Emplois (ROME 4.0), version 61, last updated 15 June 2026 (https://www.data.gouv.fr/datasets/repertoire-operationnel-des-metiers-et-des-emplois-rome). Licence Ouverte 2.0.
ROME codes and titles are reproduced unchanged; the links to O*NET-SOC occupations are AI Changing Work's own judgment and are not a France Travail correspondence.
(AI Changing Work link release: fr-direct v1)
スペイン職業分類との対応（CNO-11）
この職業と CNO-11 の職業との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。
| CNO-11 コード | CNO-11 名称（スペイン語） | 関係 |
|---|---|---|
| 2934 | Directores de cine, de teatro y afines | この職業のほうが狭い暫定 |
| 3832 | Técnicos de radiodifusión | 関連（対応ではない）暫定 |
Source: Instituto Nacional de Estadística (INE), National Classification of Occupations 2011 (CNO-11, Royal Decree 1591/2010) — www.ine.es · Licensed CC BY 4.0. CNO-11 codes and Spanish titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not an INE correspondence.
(AI Changing Work link release: es-direct v1)
ドイツ職業分類との対応（KldB）
この職業と KldB の職業との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。
| KldB コード | KldB 名称（ドイツ語） | 関係 |
|---|---|---|
| 94593 | Aufsichtskräfte - Veranstaltungs-, Kamera- und Tontechnik | この職業のほうが狭い |
| 94514 | Berufe in der Veranstaltungs- und Bühnentechnik - hoch komplexe Tätigkeiten | 関連（対応ではない）暫定 |
Source: © Statistik der Bundesagentur für Arbeit — Klassifikation der Berufe 2010 – überarbeitete Fassung 2020, https://statistik.arbeitsagentur.de. KldB codes and titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own mapping (eigene Zuordnung) and are not a Bundesagentur für Arbeit correspondence.
(AI Changing Work link release: de-direct v1)
日本職業分類との対応（JSCO）
この職業と JSCO の職業との対応で、AI Changing Work が AI モデルを用いて判定したものです。関係はこの職業の側から読みます。
| JSCO コード | JSCO 名称（日本語） | 関係 |
|---|---|---|
| 246 | 通信機器操作従事者 | 関連（対応ではない） |
Source: Ministry of Internal Affairs and Communications (MIC), Japan Standard Occupational Classification (Dec. 2009, MIC Notification No. 555). JSCO codes and Japanese titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not a MIC correspondence.
(AI Changing Work link release: jp-direct v1)
このページのデータの出典・ライセンスと AI Changing Work による改変・翻訳の告知：クレジットと出典