Designers de Cenografia e Exposições

Artes, Design, Entretenimento e Mídia

Exposição à IA

  • Fonte dos dados: BLSPublicado: 2026-08

    Alto· relativa

    BaixoQuatro faixas relativasMuito alto

    Valor por grupo ocupacional

    Escala, base e fonte

    Quatro faixas relativas (Baixo / Moderado / Alto / Muito alto)

    831 ocupações detalhadas da tabela de projeções de emprego do BLS. O valor é atribuído por código da National Employment Matrix (NEM), pelo que as ocupações que partilham um código NEM recebem a mesma banda

    Conjunto de dados de origem (transferência XLSX)

  • Fonte dos dados: AnthropicPublicado: 2026-03

    0.000

    0.000Intervalo dos valores aqui apresentados0.745
    Escala, base e fonte

    Índice de exposição observada, 0–1 tal como publicado

    Mapeado sobre tarefas O*NET

    Conjunto de dados de origem

  • Fonte dos dados: ILOPublicado: 2025

    0.37

    0.09Intervalo dos valores aqui apresentados0.70

    Valor por grupo ocupacional

    Escala, base e fonte

    Índice de exposição à IA generativa, 0–1 tal como publicado

    Grupo de base CITP-08 — todas as ocupações com o mesmo código recebem este valor

    Calculado por este site, não publicado pela OIT: das 1.012 ocupações que este site liga ao conjunto de dados da OIT, 53% atingem ou superam este valor.

    Conjunto de dados de origem

Que tipo de valor esta fonte publica

A categoria de BLS é uma posição relativa, não um nível absoluto, e também não é uma medição de primeira mão: agrupa em quatro faixas as posições percentis da ocupação em vários estudos publicados. Não é uma previsão de emprego ou de salários, não é uma probabilidade de adoção e não distingue automação de aumento.

Task-level exposure

Apenas tarefas expostas
TaskClaude.aiRaw / share %APIRaw / share %
Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations such as streets and fairgrounds.

27-1027

0.016341.1—0
Examine objects to be included in exhibits in order to plan where and how to display them.

27-1027

0.011128.00.007972.0
Select and purchase lumber and hardware necessary for set construction.

27-1027

0.005614.1—0
Direct and coordinate construction, erection, or decoration activities in order to ensure that sets or exhibits meet design, budget, and schedule requirements.

27-1027

0.00307.60.001514.0
Read scripts in order to determine location, set, and design requirements.

27-1027

0.00225.5—0
Provide supportive materials for exhibits and displays, such as press kits and advertising, posters, brochures, catalogues, and invitations and publicity notices.

27-1027

0.00153.8—0
Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects and/or lighting.
—00.001514.0
Not observed on any surface — 20 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states.
Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits.
—0—0
Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed.
—0—0
Confer with clients and staff in order to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, and/or promotion requirements.
—0—0
Estimate set- or exhibit-related costs including materials, construction, and rental of props or locations.
—0—0
Develop set designs based on evaluation of scripts, budgets, research information, and available locations.
—0—0
Inspect installed exhibits for conformance to specifications, and satisfactory operation of special effects components.
—0—0
Plan for location-specific issues such as space limitations, traffic flow patterns, and safety concerns.
—0—0
Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions.
—0—0
Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts.
—0—0
Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information as necessary.
—0—0
Coordinate the removal of sets, props, and exhibits after productions or events are complete.
—0—0
Select set props such as furniture, pictures, lamps, and rugs.
—0—0
Confer with conservators in order to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced.
—0—0
Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation.
—0—0
Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles.
—0—0
Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects.
—0—0
Attend rehearsals and production meetings in order to obtain and share information related to sets.
—0—0
Arrange for outside contractors to construct exhibit structures.
—0—0
Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use.
—0—0
Incorporate security systems into exhibit layouts.
—0—0

Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page

Informação ocupacional