Set and Exhibit Designers
Arts, Design, Entertainment, Sports, and Media Occupations- O*NET-SOC 代码
- 27-1027.00
Design special exhibits and sets for film, video, television, and theater productions. May study scripts, confer with directors, and conduct research to determine appropriate architectural styles.
- 数据来源: BLS发布时间: 2026-08
高· 相对
低四级相对区间很高职业群单位数值
尺度 · 母数 · 来源
四级相对类别（低 / 中等 / 高 / 很高）
以BLS就业预测表中831个细分职业为基数。取值按 NEM（全国就业矩阵）代码给定，因此共用同一 NEM 代码的职业得到相同分档
- 数据来源: Anthropic发布时间: 2026-03
0.000
0.000此处所载数值的范围0.745尺度 · 母数 · 来源
- 数据来源: ILO发布时间: 2025
0.37
0.09此处所载数值的范围0.70职业群单位数值
尺度 · 母数 · 来源
生成式AI暴露度指数，按发布原值0–1
按 ISCO-08 细类（4 位）发布的数值。按原样应用美国劳工统计局（BLS）的官方对照表（ISCO-08→2010 SOC、2010 SOC→2018 SOC）关联到本职业，对应关系为全部或部分对应
该来源发布的是什么性质的数值
BLS的类别是相对排位而非绝对水平，也不是一手测量：它把多项已发表研究给出的职业百分位排名归并为四个等级。它不是就业或工资预测，不是采用概率，也不区分自动化与增强。
Task-level exposure
仅显示有暴露的工作已评分任务 27 项 · β ≥ 0.5 的任务 20 项（74.1%）
β = 直接暴露（E1）+ 0.5 × 借助工具时的暴露（E2），依据原始代码库的定义。
- 原始单位：O*NET 27.2 任务 → O*NET 31.0 职业代码
- 所有已评分任务均在 O*NET 31.0 任务列表中。
- 来源
- OpenAI "GPTs are GPTs" exposure rubric
- 版本
- gh-main-0471612
- 许可
- MIT License, Copyright (c) 2024 OpenAI
| Task (O*NET 20.1) | Claude.aiRaw / share % |
|---|---|
Examine objects to be included in exhibits in order to plan where and how to display them.27-1027.00 | 0.018024.9 |
Develop set designs based on evaluation of scripts, budgets, research information, and available locations.27-1027.00 | 0.017624.4 |
Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations such as streets and fairgrounds.27-1027.00 | 0.014419.9 |
Read scripts in order to determine location, set, and design requirements.27-1027.00 | 0.012116.8 |
Direct and coordinate construction, erection, or decoration activities in order to ensure that sets or exhibits meet design, budget, and schedule requirements.27-1027.00 | 0.010114.0 |
| Not observed on any surface — 22 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states. | |
Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits. | —0 |
Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed. | —0 |
Confer with clients and staff in order to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, and/or promotion requirements. | —0 |
Estimate set- or exhibit-related costs including materials, construction, and rental of props or locations. | —0 |
Inspect installed exhibits for conformance to specifications, and satisfactory operation of special effects components. | —0 |
Plan for location-specific issues such as space limitations, traffic flow patterns, and safety concerns. | —0 |
Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions. | —0 |
Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects and/or lighting. | —0 |
Select and purchase lumber and hardware necessary for set construction. | —0 |
Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts. | —0 |
Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information as necessary. | —0 |
Coordinate the removal of sets, props, and exhibits after productions or events are complete. | —0 |
Select set props such as furniture, pictures, lamps, and rugs. | —0 |
Confer with conservators in order to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced. | —0 |
Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation. | —0 |
Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles. | —0 |
Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects. | —0 |
Attend rehearsals and production meetings in order to obtain and share information related to sets. | —0 |
Arrange for outside contractors to construct exhibit structures. | —0 |
Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use. | —0 |
Provide supportive materials for exhibits and displays, such as press kits and advertising, posters, brochures, catalogues, and invitations and publicity notices. | —0 |
Incorporate security systems into exhibit layouts. | —0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task (O*NET 27.2) | βE1 + 0.5 × E2 |
|---|---|
Examine objects to be included in exhibits to plan where and how to display them.O*NET Task ID 9284 | 0.5 |
Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits.O*NET Task ID 9285 | 0.5 |
Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed.O*NET Task ID 9286 | 0.5 |
Estimate set- or exhibit-related costs, including materials, construction, and rental of props or locations.O*NET Task ID 9288 | 0.5 |
Develop set designs, based on evaluation of scripts, budgets, research information, and available locations.O*NET Task ID 9289 | 0.5 |
Direct and coordinate construction, erection, or decoration activities to ensure that sets or exhibits meet design, budget, and schedule requirements.O*NET Task ID 9290 | 0.5 |
Plan for location-specific issues, such as space limitations, traffic flow patterns, and safety concerns.O*NET Task ID 9292 | 0.5 |
Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions.O*NET Task ID 9293 | 0.5 |
Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects or lighting.O*NET Task ID 9294 | 0.5 |
Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts.O*NET Task ID 9296 | 0.5 |
Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information, as necessary.O*NET Task ID 9297 | 0.5 |
Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations, such as streets and fairgrounds.O*NET Task ID 9298 | 0.5 |
Select set props, such as furniture, pictures, lamps, and rugs.O*NET Task ID 9300 | 0.5 |
Confer with conservators to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced.O*NET Task ID 9301 | 0.5 |
Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation.O*NET Task ID 9302 | 0.5 |
Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles.O*NET Task ID 9303 | 0.5 |
Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects.O*NET Task ID 9304 | 0.5 |
Read scripts to determine location, set, and design requirements.O*NET Task ID 9305 | 0.5 |
Provide supportive materials for exhibits and displays, such as press kits, advertising, publicity notices, posters, brochures, catalogues, and invitations.O*NET Task ID 9308 | 0.5 |
Incorporate security systems into exhibit layouts.O*NET Task ID 9309 | 0.5 |
Confer with clients and staff to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, or promotion requirements.O*NET Task ID 9287 | 0.0 |
Inspect installed exhibits for conformance to specifications and satisfactory operation of special-effects components.O*NET Task ID 9291 | 0.0 |
Select and purchase lumber and hardware necessary for set construction.O*NET Task ID 9295 | 0.0 |
Coordinate the removal of sets, props, and exhibits after productions or events are complete.O*NET Task ID 9299 | 0.0 |
Attend rehearsals and production meetings to obtain and share information related to sets.O*NET Task ID 9306 | 0.0 |
Arrange for outside contractors to construct exhibit structures.O*NET Task ID 9307 | 0.0 |
Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use.O*NET Task ID 9310 | 0.0 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
O*NET 31.0 全部任务（27 项）
本职业在 O*NET 31.0 中的全部任务（英文原文；任务类型为核心或补充）。暴露值不列在此清单中，而在上方表格里，位于各来源所用 O*NET 版本的任务表述旁。
| 任务（O*NET 31.0） | 类型 |
|---|---|
| Examine objects to be included in exhibits to plan where and how to display them. | 核心 |
| Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits. | 核心 |
| Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed. | 核心 |
| Confer with clients and staff to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, or promotion requirements. | 核心 |
| Estimate set- or exhibit-related costs, including materials, construction, and rental of props or locations. | 核心 |
| Develop set designs, based on evaluation of scripts, budgets, research information, and available locations. | 核心 |
| Inspect installed exhibits for conformance to specifications and satisfactory operation of special-effects components. | 核心 |
| Plan for location-specific issues, such as space limitations, traffic flow patterns, and safety concerns. | 核心 |
| Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions. | 核心 |
| Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects or lighting. | 核心 |
| Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts. | 核心 |
| Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information, as necessary. | 核心 |
| Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations, such as streets and fairgrounds. | 核心 |
| Select set props, such as furniture, pictures, lamps, and rugs. | 核心 |
| Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation. | 核心 |
| Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles. | 核心 |
| Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects. | 核心 |
| Read scripts to determine location, set, and design requirements. | 核心 |
| Attend rehearsals and production meetings to obtain and share information related to sets. | 核心 |
| Direct and coordinate construction, erection, or decoration activities to ensure that sets or exhibits meet design, budget, and schedule requirements. | 补充 |
| Select and purchase lumber and hardware necessary for set construction. | 补充 |
| Coordinate the removal of sets, props, and exhibits after productions or events are complete. | 补充 |
| Confer with conservators to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced. | 补充 |
| Arrange for outside contractors to construct exhibit structures. | 补充 |
| Provide supportive materials for exhibits and displays, such as press kits, advertising, publicity notices, posters, brochures, catalogues, and invitations. | 补充 |
| Incorporate security systems into exhibit layouts. | 补充 |
| Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use. | 补充 |
0.04/ 3· 机器人暴露指数
尺度 · 母数 · 来源
对每项体力任务，按已实际部署、销售或演示的机器人能够完成它的环境评定 0–3 级（0 不可 · 1 围栏式机器单元、灌装线等机器人专用设施 · 2 医院药房、集装箱港口等受管理的设施 · 3 私人住宅、建筑工地等非结构化环境），再按工作时间占比求平均
以该职业 O*NET 29.3 任务中的体力任务为准
等级与时间占比由 Anthropic 使用 Claude Opus 5（网络搜索）估算（截至 2026 年）。
机器人暴露指数与本站的 AI 暴露度是不同的指标，不能相加或相互比较。该指数不代表实际采用情况或成本竞争力，0 也包括没有体力任务的职业。
每项体力任务的等级
机器人环境等级（E0–E3）
E0 机器人不可详情
评定为已实际部署、销售或演示的机器人即使在机器人专用设施中也无法完成
E1 机器人专用设施详情
评定为可在围绕机器搭建的设施中完成，例如围栏式机器单元或灌装线
E2 受管理的设施详情
评定为可在由机构按工作标准维护的人类工作设施中完成，例如医院药房或集装箱港口
E3 非结构化环境详情
评定为可在没有机构按工作标准维护的环境中完成，例如私人住宅或建筑工地
仅列出被归类为体力任务的任务；其他任务在来源中没有等级。
| 任务（O*NET 29.3） | 机器人环境等级 |
|---|---|
| Inspect installed exhibits for conformance to specifications and satisfactory operation of special-effects components. | E0 机器人不可 |
| Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations, such as streets and fairgrounds. | E0 机器人不可 |
| Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects. | E1 机器人专用设施 |
职业信息
就业展望（BLS）
- 就业人数，2025
- 32K
- 预计就业人数，2035
- 32K
- 变化 (2025–35)
- +1.4%
- 年薪中位数，2025
- $75,240
- 入职通常所需学历
- Bachelor's degree
韩国职业分类关联（KSCO）
来自 AI Changing Work 制作的 Korea Occupation Direct Crosswalk v1.1 当前版本的关联。关系值从 O*NET-SOC 职业一侧解读。
| KSCO 代码 | KSCO 名称 | 关系 | 状态 |
|---|---|---|---|
| 29532 | 디스플레이 디자이너 | 本职业范围更宽 | 已确认 |
| 29533 | 무대 및 세트 디자이너 | 本职业范围更宽 | 已确认 |
| 29393 | 소품 관리원 | 相关，但不对应 | 已确认 |
关系与状态的定义(kr-direct v1.1)
国际劳工组织（ILO）职业说明
以下 ISCO-08 职业组由 AI Changing Work 原样套用美国劳工统计局（BLS）发布的对照表（2018 SOC→2010 SOC、2010 SOC→ISCO-08）、不逐案取舍，与本职业相关联；每项关联可能是完全对应，也可能是部分对应。
- ISCO-08 3432Interior Designers and Decorators
室内设计师和装饰师
自行翻译
自行翻译 · 非 ISCO 官方词汇 — 未经国际劳工组织审核。
以下定义、任务和职业示例是 ILO 对该 ISCO-08 职业组的描述，而不是对本职业的描述。
Interior designers and decorators plan and design commercial, industrial, public, retail and residential building interiors to produce an environment tailored to a purpose, taking into consideration factors that enhance living and working environments and sales promotion. They coordinate and participate in their construction and decoration.
任务
- (a) determining the objectives and constraints of the design brief by consulting with clients and stakeholders;
- (b) researching and analysing spatial, functional, efficiency, safety and aesthetic requirements;
- (c) formulating design concepts for the interiors of buildings;
- (d) preparing sketches, diagrams, illustrations and plans to communicate design concepts;
- (e) negotiating design solutions with clients, management, suppliers and construction staff;
- (f) selecting, specifying and recommending functional and aesthetic materials, furniture and products for interiors;
- (g) detailing and documenting selected design for construction;
- (h) coordinating the construction and the decoration of interiors;
- (i) designing and painting stage scenery;
- (j) designing and decorating show windows and other display areas to promote products and services.
职业示例
Display decorator · Interior decorator · Set designer · Visual merchandiser · Window dresser
Sources: ILO ISCO-08 — details: Credits
ESCO 职业词汇
以下每一项都是在已公开的ESCO-O*NET Crosswalk（第 1 版，2022 年）中与本职业逐项对应的。对应类型出自该对照表；表述出自 AI Changing Work。
- set builderESCO 3432.4范围相同
Set builders construct, build, prepare, adapt and maintain scenic elements used on stage and for filming movies or television programs. They use a wide variety of materials like wood, steel, aluminium and plastics. Their work is based on artistic vision, scale models, sketches and plans. They work in close cooperation with the designers and may build exibition stands for fairs, carnavals and other events.
- miniature set designerESCO 3432.3本职业范围更宽
Miniature set designers design and build miniature props and sets of motion pictures. They build models used for visual effects that meet the look and requirements of the production Miniature set designers cut material using hand tools to construct three-dimensional props and sets.
- production designerESCO 2166.4.5本职业范围更宽
Production designers are responsible for the complete look (style, colouring and locations) of television programmes, series, motion pictures and commercials. They create the visual concept for the entire production such as set design, lighting, costumes and camera angles. Production designers work together with the director, designers and oversee the art department. They also create sketches, drawings, do colouring and location research and advise props and stage settings to the director.
- head of workshopESCO 3435.10有重叠，但不相同
Heads of workshop coordinate specialised workshops that construct, build, prepare, adapt and maintain elements used on stage. Their work is based on artistic vision, schedules and overall production documentation. They liaise with the designers involved in the production, the production team and other services of the organisation.
来源: European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
许可: CC BY 4.0 (EU Reuse Notice)
ESCO reuse terms and the modification notice are in Credits.
法国职业分类关联（ROME）
本职业与 ROME 4.0 职业条目（fiche）之间的关联，由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。标为「暂定」的关联仅凭同一模型系列（Claude）两位判定者的判定采纳，或对其判定适用运营方规则后采纳，因此其依据弱于已确认的关联。
| ROME 代码 | ROME 名称（法语） | 关系 |
|---|---|---|
| L1513 | Scénographe | 范围相同 |
| L1524 | Chef décorateur / Cheffe décoratrice spectacle | 本职业范围更宽 |
| L1527 | Chef constructeur / Cheffe constructrice en décors | 相关，但不对应 |
| L1503 | Accessoiriste | 相关，但不对应暂定 |
| L1521 | Chef / Cheffe accessoiriste | 相关，但不对应暂定 |
Source: France Travail — Répertoire Opérationnel des Métiers et des Emplois (ROME 4.0), version 61, last updated 15 June 2026 (https://www.data.gouv.fr/datasets/repertoire-operationnel-des-metiers-et-des-emplois-rome). Licence Ouverte 2.0.
ROME codes and titles are reproduced unchanged; the links to O*NET-SOC occupations are AI Changing Work's own judgment and are not a France Travail correspondence.
(AI Changing Work link release: fr-direct v1)
西班牙职业分类关联（CNO-11）
本职业与 CNO-11 职业之间的关联，由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| CNO-11 代码 | CNO-11 名称（西班牙语） | 关系 |
|---|---|---|
| 3732 | Diseñadores y decoradores de interior | 本职业范围更窄 |
Source: Instituto Nacional de Estadística (INE), National Classification of Occupations 2011 (CNO-11, Royal Decree 1591/2010) — www.ine.es · Licensed CC BY 4.0. CNO-11 codes and Spanish titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not an INE correspondence.
(AI Changing Work link release: es-direct v1)
德国职业分类关联（KldB）
本职业与 KldB 职业之间的关联，由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| KldB 代码 | KldB 名称（德语） | 关系 |
|---|---|---|
| 93223 | Berufe im visuellen Marketing - komplexe Spezialistentätigkeiten | 有重叠，但不相同 |
| 94614 | Berufe in der Bühnen- und Kostümbildnerei - hoch komplexe Tätigkeiten | 有重叠，但不相同 |
| 94612 | Berufe in der Bühnen- und Kostümbildnerei - fachlich ausgerichtete Tätigkeiten | 相关，但不对应暂定 |
| 94623 | Berufe in der Requisite - komplexe Spezialistentätigkeiten | 相关，但不对应暂定 |
| 94693 | Aufsichtskräfte - Bühnen- und Kostümbildnerei, Requisite | 相关，但不对应暂定 |
Source: © Statistik der Bundesagentur für Arbeit — Klassifikation der Berufe 2010 – überarbeitete Fassung 2020, https://statistik.arbeitsagentur.de. KldB codes and titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own mapping (eigene Zuordnung) and are not a Bundesagentur für Arbeit correspondence.
(AI Changing Work link release: de-direct v1)
日本职业分类关联（JSCO）
本职业与 JSCO 职业之间的关联，由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| JSCO 代码 | JSCO 名称（日语） | 关系 |
|---|---|---|
| 224 | デザイナー | 相关，但不对应暂定 |
| 234 | 演出家 | 相关，但不对应暂定 |
Source: Ministry of Internal Affairs and Communications (MIC), Japan Standard Occupational Classification (Dec. 2009, MIC Notification No. 555). JSCO codes and Japanese titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not a MIC correspondence.
(AI Changing Work link release: jp-direct v1)
本页数据的来源与许可，以及 AI Changing Work 的修改与翻译说明：致谢与来源