Media Programming Directors
Arts, Design, Entertainment, Sports, and Media Occupations- O*NET-SOC 代码
- 27-2012.03
Direct and coordinate activities of personnel engaged in preparation of radio or television station program schedules and programs, such as sports or news.
- 数据来源: BLS发布时间: 2026-08
高· 相对
低四级相对区间很高职业群单位数值
尺度 · 母数 · 来源
四级相对类别(低 / 中等 / 高 / 很高)
以BLS就业预测表中831个细分职业为基数。取值按 NEM(全国就业矩阵)代码给定,因此共用同一 NEM 代码的职业得到相同分档
- 数据来源: Anthropic发布时间: 2026-03
0.092
0.000此处所载数值的范围0.745职业群单位数值
尺度 · 母数 · 来源
- 数据来源: ILO发布时间: 2025
0.37
0.09此处所载数值的范围0.70职业群单位数值
尺度 · 母数 · 来源
生成式AI暴露度指数,按发布原值0–1
按 ISCO-08 细类(4 位)发布的数值。按原样应用美国劳工统计局(BLS)的官方对照表(ISCO-08→2010 SOC、2010 SOC→2018 SOC)关联到本职业,对应关系为全部或部分对应
该来源发布的是什么性质的数值
BLS的类别是相对排位而非绝对水平,也不是一手测量:它把多项已发表研究给出的职业百分位排名归并为四个等级。它不是就业或工资预测,不是采用概率,也不区分自动化与增强。
Task-level exposure
仅显示有暴露的工作已评分任务 23 项 · β ≥ 0.5 的任务 18 项(78.3%)
β = 直接暴露(E1)+ 0.5 × 借助工具时的暴露(E2),依据原始代码库的定义。
- 原始单位:O*NET 27.2 任务 → O*NET 31.0 职业代码
- 所有已评分任务均在 O*NET 31.0 任务列表中。
- 来源
- OpenAI "GPTs are GPTs" exposure rubric
- 版本
- gh-main-0471612
- 许可
- MIT License, Copyright (c) 2024 OpenAI
以下为 O*NET-SOC 2010 职业 27-2012.03 Program Directors 的工作任务,由本站依据 O*NET-SOC 2010→2019 官方对照表关联到此职业
| Task (O*NET 20.1) | Claude.aiRaw / share % |
|---|---|
Plan and schedule programming and event coverage, based on broadcast length, time availability, and other factors, such as community needs, ratings data, and viewer demographics.27-2012.03 | 0.006042.2 |
Review information about programs and schedules to ensure accuracy and provide such information to local media outlets.27-2012.03 | 0.005337.6 |
Prepare copy and edit tape so that material is ready for broadcasting.27-2012.03 | 0.002920.2 |
| Not observed on any surface — 20 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states. | |
Monitor and review programming to ensure that schedules are met, guidelines are adhered to, and performances are of adequate quality. | —0 |
Direct and coordinate activities of personnel engaged in broadcast news, sports, or programming. | —0 |
Check completed program logs for accuracy and conformance with Federal Communications Commission (FCC) rules and regulations and resolve program log inaccuracies. | —0 |
Establish work schedules and assign work to staff members. | —0 |
Coordinate activities between departments, such as news and programming. | —0 |
Perform personnel duties, such as hiring staff and evaluating work performance. | —0 |
Evaluate new and existing programming to assess suitability and the need for changes, using information such as audience surveys and feedback. | —0 |
Confer with directors and production staff to discuss issues such as production and casting problems, budgets, policies, and news coverage. | —0 |
Select, acquire, and maintain programs, music, films, and other needed materials and obtain legal clearances for their use as necessary. | —0 |
Monitor network transmissions for advisories concerning daily program schedules, program content, special feeds, or program changes. | —0 |
Develop promotions for current programs and specials. | —0 |
Develop ideas for programs and features that a station could produce. | —0 |
Act as a liaison between talent and directors, providing information that performers or guests need to prepare for appearances and communicating relevant information from guests, performers, or staff to directors. | —0 |
Develop budgets for programming and broadcasting activities and monitor expenditures to ensure that they remain within budgetary limits. | —0 |
Participate in the planning and execution of fundraising activities. | —0 |
Read news, read or record public service and promotional announcements, or perform other on-air duties. | —0 |
Operate and maintain on-air and production audio equipment. | —0 |
Direct setup of remote facilities and install or cancel programs at remote stations. | —0 |
Cue announcers, actors, performers, and guests. | —0 |
Conduct interviews for broadcasts. | —0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task (O*NET 27.2) | βE1 + 0.5 × E2 |
|---|---|
Check completed program logs for accuracy and conformance with Federal Communications Commission (FCC) rules and regulations and resolve program log inaccuracies.O*NET Task ID 7665 | 1.0 |
Develop ideas for programs and features that a station could produce.O*NET Task ID 7676 | 1.0 |
Read news, read or record public service and promotional announcements, or perform other on-air duties.O*NET Task ID 7679 | 1.0 |
Plan and schedule programming and event coverage, based on broadcast length, time availability, and other factors, such as community needs, ratings data, and viewer demographics.O*NET Task ID 7662 | 0.5 |
Monitor and review programming to ensure that schedules are met, guidelines are adhered to, and performances are of adequate quality.O*NET Task ID 7663 | 0.5 |
Direct and coordinate activities of personnel engaged in broadcast news, sports, or programming.O*NET Task ID 7664 | 0.5 |
Establish work schedules and assign work to staff members.O*NET Task ID 7666 | 0.5 |
Coordinate activities between departments, such as news and programming.O*NET Task ID 7667 | 0.5 |
Perform personnel duties, such as hiring staff and evaluating work performance.O*NET Task ID 7668 | 0.5 |
Evaluate new and existing programming to assess suitability and the need for changes, using information such as audience surveys and feedback.O*NET Task ID 7669 | 0.5 |
Develop budgets for programming and broadcasting activities and monitor expenditures to ensure that they remain within budgetary limits.O*NET Task ID 7670 | 0.5 |
Select, acquire, and maintain programs, music, films, and other needed materials and obtain legal clearances for their use as necessary.O*NET Task ID 7672 | 0.5 |
Monitor network transmissions for advisories concerning daily program schedules, program content, special feeds, or program changes.O*NET Task ID 7673 | 0.5 |
Develop promotions for current programs and specials.O*NET Task ID 7674 | 0.5 |
Prepare copy and edit tape so that material is ready for broadcasting.O*NET Task ID 7675 | 0.5 |
Participate in the planning and execution of fundraising activities.O*NET Task ID 7677 | 0.5 |
Review information about programs and schedules to ensure accuracy and provide such information to local media outlets.O*NET Task ID 7678 | 0.5 |
Act as a liaison between talent and directors, providing information that performers or guests need to prepare for appearances and communicating relevant information from guests, performers, or staff to directors.O*NET Task ID 7684 | 0.5 |
Confer with directors and production staff to discuss issues, such as production and casting problems, budgets, policies, and news coverage.O*NET Task ID 7671 | 0.0 |
Operate and maintain on-air and production audio equipment.O*NET Task ID 7680 | 0.0 |
Direct setup of remote facilities and install or cancel programs at remote stations.O*NET Task ID 7681 | 0.0 |
Cue announcers, actors, performers, and guests.O*NET Task ID 7682 | 0.0 |
Conduct interviews for broadcasts.O*NET Task ID 7683 | 0.0 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
O*NET 31.0 全部任务(23 项)
本职业在 O*NET 31.0 中的全部任务(英文原文;任务类型为核心或补充)。暴露值不列在此清单中,而在上方表格里,位于各来源所用 O*NET 版本的任务表述旁。
| 任务(O*NET 31.0) | 类型 |
|---|---|
| Plan and schedule programming and event coverage, based on broadcast length, time availability, and other factors, such as community needs, ratings data, and viewer demographics. | 核心 |
| Monitor and review programming to ensure that schedules are met, guidelines are adhered to, and performances are of adequate quality. | 核心 |
| Direct and coordinate activities of personnel engaged in broadcast news, sports, or programming. | 核心 |
| Check completed program logs for accuracy and conformance with Federal Communications Commission (FCC) rules and regulations and resolve program log inaccuracies. | 核心 |
| Establish work schedules and assign work to staff members. | 核心 |
| Coordinate activities between departments, such as news and programming. | 核心 |
| Perform personnel duties, such as hiring staff and evaluating work performance. | 核心 |
| Evaluate new and existing programming to assess suitability and the need for changes, using information such as audience surveys and feedback. | 核心 |
| Confer with directors and production staff to discuss issues, such as production and casting problems, budgets, policies, and news coverage. | 核心 |
| Select, acquire, and maintain programs, music, films, and other needed materials and obtain legal clearances for their use as necessary. | 核心 |
| Monitor network transmissions for advisories concerning daily program schedules, program content, special feeds, or program changes. | 核心 |
| Develop promotions for current programs and specials. | 核心 |
| Prepare copy and edit tape so that material is ready for broadcasting. | 核心 |
| Develop ideas for programs and features that a station could produce. | 核心 |
| Review information about programs and schedules to ensure accuracy and provide such information to local media outlets. | 核心 |
| Read news, read or record public service and promotional announcements, or perform other on-air duties. | 核心 |
| Operate and maintain on-air and production audio equipment. | 核心 |
| Direct setup of remote facilities and install or cancel programs at remote stations. | 核心 |
| Conduct interviews for broadcasts. | 核心 |
| Develop budgets for programming and broadcasting activities and monitor expenditures to ensure that they remain within budgetary limits. | 补充 |
| Participate in the planning and execution of fundraising activities. | 补充 |
| Cue announcers, actors, performers, and guests. | 补充 |
| Act as a liaison between talent and directors, providing information that performers or guests need to prepare for appearances and communicating relevant information from guests, performers, or staff to directors. | 补充 |
0.00/ 3· 机器人暴露指数
尺度 · 母数 · 来源
对每项体力任务,按已实际部署、销售或演示的机器人能够完成它的环境评定 0–3 级(0 不可 · 1 围栏式机器单元、灌装线等机器人专用设施 · 2 医院药房、集装箱港口等受管理的设施 · 3 私人住宅、建筑工地等非结构化环境),再按工作时间占比求平均
以该职业 O*NET 29.3 任务中的体力任务为准
等级与时间占比由 Anthropic 使用 Claude Opus 5(网络搜索)估算(截至 2026 年)。
机器人暴露指数与本站的 AI 暴露度是不同的指标,不能相加或相互比较。该指数不代表实际采用情况或成本竞争力,0 也包括没有体力任务的职业。
每项体力任务的等级
机器人环境等级(E0–E3)
E0 机器人不可详情
评定为已实际部署、销售或演示的机器人即使在机器人专用设施中也无法完成
E1 机器人专用设施详情
评定为可在围绕机器搭建的设施中完成,例如围栏式机器单元或灌装线
E2 受管理的设施详情
评定为可在由机构按工作标准维护的人类工作设施中完成,例如医院药房或集装箱港口
E3 非结构化环境详情
评定为可在没有机构按工作标准维护的环境中完成,例如私人住宅或建筑工地
仅列出被归类为体力任务的任务;其他任务在来源中没有等级。
| 任务(O*NET 29.3) | 机器人环境等级 |
|---|---|
| Operate and maintain on-air and production audio equipment. | E0 机器人不可 |
职业信息
就业展望(BLS)
这些数值属于整个 SOC 27-2012 组(Producers and directors),并非仅属于该 O*NET 职业。
- 就业人数,2025
- 181K
- 预计就业人数,2035
- 188K
- 变化 (2025–35)
- +4%
- 年薪中位数,2025
- $90,360
- 入职通常所需学历
- Bachelor's degree
韩国职业分类关联(KSCO)
来自 AI Changing Work 制作的 Korea Occupation Direct Crosswalk v1.1 当前版本的关联。关系值从 O*NET-SOC 职业一侧解读。
| KSCO 代码 | KSCO 名称 | 关系 | 状态 |
|---|---|---|---|
| 13403 | 방송‧출판 및 영상 관련 관리자 | 本职业范围更窄 | 已确认 |
| 29311 | 감독 및 연출가 | 本职业范围更窄 | 已确认 |
关系与状态的定义(kr-direct v1.1)
国际劳工组织(ILO)职业说明
以下 ISCO-08 职业组由 AI Changing Work 原样套用美国劳工统计局(BLS)发布的对照表(2018 SOC→2010 SOC、2010 SOC→ISCO-08)、不逐案取舍,与本职业相关联;每项关联可能是完全对应,也可能是部分对应。
- ISCO-08 2654Film, Stage and Related Directors and Producers
影视、舞台及有关导演和制片人
自行翻译
自行翻译 · 非 ISCO 官方词汇 — 未经国际劳工组织审核。
以下定义、任务和职业示例是 ILO 对该 ISCO-08 职业组的描述,而不是对本职业的描述。
Film, stage and related directors and producers oversee and control the technical and artistic aspects of motion pictures, television or radio productions and stage shows.
任务
- (a) choosing writers, studying scripts to determine artistic interpretation, and instructing actors on acting methods;
- (b) directing all aspects of dramatic productions on stage, television, radio or in motion pictures, including choice of actors, and final decisions concerning costumes, set designs, sound or lighting effects;
- (c) planning, organizing and controlling the various stages and scheduling involved in the production of presentations, motion pictures, television shows and radio programmes;
- (d) engaging and supervising all technical personnel, and determining the treatment, scope and scheduling of production;
- (e) maintaining production archives and negotiating royalties;
- (f) creating, planning, writing scripts for recording, videotaping and editing programmes;
- (g) supervising the positioning of scenery, props and lighting and sound equipment.
职业示例
Documentary director · Film editor · Motion picture director · Photography director · Stage director · Technical director · Technical television or radio director · Theatre producer
Sources: ILO ISCO-08 — details: Credits
ESCO 职业词汇
以下每一项都是在已公开的ESCO-O*NET Crosswalk(第 1 版,2022 年)中与本职业逐项对应的。对应类型出自该对照表;表述出自 AI Changing Work。
- broadcasting programme directorESCO 3435.5本职业范围更宽
Broadcasting programme directors make the programme schedule. They decide how much broadcast time a programme gets and when it is aired, based on a few factors like, ratings, viewer demographics, etc.
- radio producerESCO 2654.3本职业范围更宽
Radio producers are responsible for organising the making of radio shows. They oversee aspects of radio shows such as content, audio production, resource planning and personnel supervision.
- video and motion picture directorESCO 2166.4.8有重叠,但不相同
Video and motion picture directors are responsible for the overall production of a movie or television program. They edit and translate the script into audiovisual images. Video and motion picture directors supervise and manage the film crew. They convey their creative vision on the actors, audio and video equipment operators, lighting technicians, etc and direct them. Video and motion picture directors also supervise the editing of the footage.
来源: European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
许可: CC BY 4.0 (EU Reuse Notice)
ESCO reuse terms and the modification notice are in Credits.
法国职业分类关联(ROME)
本职业与 ROME 4.0 职业条目(fiche)之间的关联,由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。标为「暂定」的关联仅凭同一模型系列(Claude)两位判定者的判定采纳,或对其判定适用运营方规则后采纳,因此其依据弱于已确认的关联。
| ROME 代码 | ROME 名称(法语) | 关系 |
|---|---|---|
| L1314 | Chargé / Chargée de programme | 有重叠,但不相同 |
| L1316 | Conducteur / Conductrice d'antenne | 有重叠,但不相同 |
| L1313 | Programmateur / Programmatrice salle de cinéma | 相关,但不对应 |
Source: France Travail — Répertoire Opérationnel des Métiers et des Emplois (ROME 4.0), version 61, last updated 15 June 2026 (https://www.data.gouv.fr/datasets/repertoire-operationnel-des-metiers-et-des-emplois-rome). Licence Ouverte 2.0.
ROME codes and titles are reproduced unchanged; the links to O*NET-SOC occupations are AI Changing Work's own judgment and are not a France Travail correspondence.
(AI Changing Work link release: fr-direct v1)
西班牙职业分类关联(CNO-11)
本职业与 CNO-11 职业之间的关联,由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| CNO-11 代码 | CNO-11 名称(西班牙语) | 关系 |
|---|---|---|
| 2934 | Directores de cine, de teatro y afines | 本职业范围更窄暂定 |
| 3739 | Otros técnicos y profesionales de apoyo de actividades culturales y artísticas | 相关,但不对应暂定 |
Source: Instituto Nacional de Estadística (INE), National Classification of Occupations 2011 (CNO-11, Royal Decree 1591/2010) — www.ine.es · Licensed CC BY 4.0. CNO-11 codes and Spanish titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not an INE correspondence.
(AI Changing Work link release: es-direct v1)
德国职业分类关联(KldB)
本职业与 KldB 职业之间的关联,由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| KldB 代码 | KldB 名称(德语) | 关系 |
|---|---|---|
| 94484 | Berufe in der Theater-, Film- und Fernsehproduktion (sonstige spezifische Tätigkeitsangabe) - hoch komplexe Tätigkeiten | 本职业范围更宽 |
| 92494 | Führungskräfte - Redaktion und Journalismus | 相关,但不对应 |
| 94482 | Berufe in der Theater-, Film- und Fernsehproduktion (sonstige spezifische Tätigkeitsangabe) - fachlich ausgerichtete Tätigkeiten | 相关,但不对应暂定 |
Source: © Statistik der Bundesagentur für Arbeit — Klassifikation der Berufe 2010 – überarbeitete Fassung 2020, https://statistik.arbeitsagentur.de. KldB codes and titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own mapping (eigene Zuordnung) and are not a Bundesagentur für Arbeit correspondence.
(AI Changing Work link release: de-direct v1)
日本职业分类关联(JSCO)
本职业与 JSCO 职业之间的关联,由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| JSCO 代码 | JSCO 名称(日语) | 关系 |
|---|---|---|
| 234 | 演出家 | 本职业范围更窄 |
Source: Ministry of Internal Affairs and Communications (MIC), Japan Standard Occupational Classification (Dec. 2009, MIC Notification No. 555). JSCO codes and Japanese titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not a MIC correspondence.
(AI Changing Work link release: jp-direct v1)
本页数据的来源与许可,以及 AI Changing Work 的修改与翻译说明:致谢与来源