编舞师
艺术、设计、娱乐与媒体AI暴露度
- 数据来源: BLS发布时间: 2026-08
中等· 相对
低四级相对区间很高职业群单位数值
尺度 · 母数 · 来源
四级相对类别（低 / 中等 / 高 / 很高）
以BLS就业预测表中831个细分职业为基数。取值按 NEM（全国就业矩阵）代码给定，因此共用同一 NEM 代码的职业得到相同分档
- 数据来源: Anthropic发布时间: 2026-03
0.080
0.000此处所载数值的范围0.745尺度 · 母数 · 来源
- 数据来源: ILO发布时间: 2025
0.19
0.09此处所载数值的范围0.70职业群单位数值
尺度 · 母数 · 来源
生成式AI暴露度指数，按发布原值0–1
ISCO-08职业小类单位 — 共用同一代码的职业取值相同
本站计算，并非国际劳工组织发布的数值。在本站与 ILO 数据集相连的 1,012 个职业中，达到或高于此值的占 87%。
该来源发布的是什么性质的数值
BLS的类别是相对排位而非绝对水平，也不是一手测量：它把多项已发表研究给出的职业百分位排名归并为四个等级。它不是就业或工资预测，不是采用概率，也不区分自动化与增强。
Task-level exposure
仅显示有暴露的工作| Task | Claude.aiRaw / share % |
|---|---|
Develop ideas for creating dances, keeping notes and sketches to record influences.27-2032 | 0.005937.8 |
Teach students, dancers, and other performers about rhythm and interpretive movement.27-2032 | 0.005937.8 |
Direct and stage dance presentations for various forms of entertainment.27-2032 | 0.003824.4 |
| Not observed on any surface — 15 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states. | |
Direct rehearsals to instruct dancers in how to use dance steps, and in techniques to achieve desired effects. | —0 |
Read and study story lines and musical scores to determine how to translate ideas and moods into dance movements. | —0 |
Design dances for individual dancers, dance companies, musical theatre, opera, fashion shows, film, television productions and special events, and for dancers ranging from beginners to professionals. | —0 |
Choose the music, sound effects, or spoken narrative to accompany a dance. | —0 |
Advise dancers on how to stand and move properly, teaching correct dance techniques to help prevent injuries. | —0 |
Coordinate production music with music directors. | —0 |
Audition performers for one or more dance parts. | —0 |
Train, exercise, and attend dance classes to maintain high levels of technical proficiency, physical ability, and physical fitness. | —0 |
Assess students' dancing abilities to determine where improvement or change is needed. | —0 |
Experiment with different types of dancers, steps, dances, and placements, testing ideas informally to get feedback from dancers. | —0 |
Seek influences from other art forms such as theatre, the visual arts, and architecture. | —0 |
Design sets, lighting, costumes, and other artistic elements of productions, in collaboration with cast members. | —0 |
Record dance movements and their technical aspects, using a technical understanding of the patterns and formations of choreography. | —0 |
Re-stage traditional dances and works in dance companies' repertoires, developing new interpretations. | —0 |
Manage dance schools, or assist in their management. | —0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task | βE1 + 0.5 × E2 |
|---|---|
Develop ideas for creating dances, keeping notes and sketches to record influences.O*NET Task ID 11036 | 1.0 |
Design dances for individual dancers, dance companies, musical theatre, opera, fashion shows, film, television productions, and special events, and for dancers ranging from beginners to professionals.O*NET Task ID 11030 | 0.5 |
Choose the music, sound effects, or spoken narrative to accompany a dance.O*NET Task ID 11031 | 0.5 |
Coordinate production music with music directors.O*NET Task ID 11033 | 0.5 |
Assess students' dancing abilities to determine where improvement or change is needed.O*NET Task ID 11039 | 0.5 |
Seek influences from other art forms, such as theatre, the visual arts, and architecture.O*NET Task ID 11041 | 0.5 |
Design sets, lighting, costumes, and other artistic elements of productions, in collaboration with cast members.O*NET Task ID 11042 | 0.5 |
Record dance movements and their technical aspects, using a technical understanding of the patterns and formations of choreography.O*NET Task ID 11043 | 0.5 |
Manage dance schools, or assist in their management.O*NET Task ID 11045 | 0.5 |
Direct rehearsals to instruct dancers in dance steps and in techniques to achieve desired effects.O*NET Task ID 11028 | 0.0 |
Read and study story lines and musical scores to determine how to translate ideas and moods into dance movements.O*NET Task ID 11029 | 0.0 |
Advise dancers on standing and moving properly, teaching correct dance techniques to help prevent injuries.O*NET Task ID 11032 | 0.0 |
Audition performers for one or more dance parts.O*NET Task ID 11034 | 0.0 |
Direct and stage dance presentations for various forms of entertainment.O*NET Task ID 11035 | 0.0 |
Train, exercise, and attend dance classes to maintain high levels of technical proficiency, physical ability, and physical fitness.O*NET Task ID 11037 | 0.0 |
Teach students, dancers, and other performers about rhythm and interpretive movement.O*NET Task ID 11038 | 0.0 |
Experiment with different types of dancers, steps, dances, and placements, testing ideas informally to get feedback from dancers.O*NET Task ID 11040 | 0.0 |
Restage traditional dances and works in dance companies' repertoires, developing new interpretations.O*NET Task ID 11044 | 0.0 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page