调色师

艺术、设计、娱乐与媒体

AI暴露度

  • 数据来源: BLS发布时间: 2026-08

    高· 相对

    低四级相对区间很高

    职业群单位数值

    尺度 · 母数 · 来源

    四级相对类别（低 / 中等 / 高 / 很高）

    以BLS就业预测表中831个细分职业为基数。取值按 NEM（全国就业矩阵）代码给定，因此共用同一 NEM 代码的职业得到相同分档

    来源数据集（XLSX 文件下载）

  • 数据来源: Anthropic发布时间: 2026-03

    0.223

    0.000此处所载数值的范围0.745
    尺度 · 母数 · 来源

    观测暴露度指数，按发布原值0–1

    以O*NET任务映射为基准

    来源数据集

  • 数据来源: ILO发布时间: 2025

    0.37

    0.09此处所载数值的范围0.70

    职业群单位数值

    尺度 · 母数 · 来源

    生成式AI暴露度指数，按发布原值0–1

    ISCO-08职业小类单位 — 共用同一代码的职业取值相同

    本站计算，并非国际劳工组织发布的数值。在本站与 ILO 数据集相连的 1,012 个职业中，达到或高于此值的占 53%。

    来源数据集

该来源发布的是什么性质的数值

BLS的类别是相对排位而非绝对水平，也不是一手测量：它把多项已发表研究给出的职业百分位排名归并为四个等级。它不是就业或工资预测，不是采用概率，也不区分自动化与增强。

Task-level exposure

仅显示有暴露的工作
TaskClaude.aiRaw / share %
Study scripts to become familiar with production concepts and requirements.

27-4032

0.053341.9
Program computerized graphic effects.

27-4032

0.032425.5
Confer with producers and directors concerning layout or editing approaches needed to increase dramatic or entertainment value of productions.

27-4032

0.00826.5
Edit films and videotapes to insert music, dialogue, and sound effects, to arrange films into sequences, and to correct errors, using editing equipment.

27-4032

0.00745.8
Review footage sequence by sequence to become familiar with it before assembling it into a final product.

27-4032

0.00614.8
Select and combine the most effective shots of each scene to form a logical and smoothly running story.

27-4032

0.00574.5
Review assembled films or edited videotapes on screens or monitors to determine if corrections are necessary.

27-4032

0.00534.2
Organize and string together raw footage into a continuous whole according to scripts or the instructions of directors and producers.

27-4032

0.00443.5
Set up and operate computer editing systems, electronic titling systems, video switching equipment, and digital video effects units to produce a final product.

27-4032

0.00423.3
Not observed on any surface — 14 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states.
Cut shot sequences to different angles at specific points in scenes, making each individual cut as fluid and seamless as possible.
—0
Mark frames where a particular shot or piece of sound is to begin or end.
—0
Determine the specific audio and visual effects and music necessary to complete films.
—0
Verify key numbers and time codes on materials.
—0
Record needed sounds or obtain them from sound effects libraries.
—0
Trim film segments to specified lengths and reassemble segments in sequences that present stories with maximum effect.
—0
Manipulate plot, score, sound, and graphics to make the parts into a continuous whole, working closely with people in audio, visual, music, optical, or special effects departments.
—0
Supervise and coordinate activities of workers engaged in film editing, assembling, and recording activities.
—0
Develop post-production models for films.
—0
Piece sounds together to develop film soundtracks.
—0
Conduct film screenings for directors and members of production staffs.
—0
Collaborate with music editors to select appropriate passages of music and develop production scores.
—0
Discuss the sound requirements of pictures with sound effects editors.
—0
Estimate how long audiences watching comedies will laugh at each gag line or situation to space scenes appropriately.
—0

Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page

职业信息