Set and Exhibit Designers
Arts, Design, Entertainment, Sports, and Media Occupations- رمز O*NET-SOC
- 27-1027.00
Design special exhibits and sets for film, video, television, and theater productions. May study scripts, confer with directors, and conduct research to determine appropriate architectural styles.
التعرّض للذكاء الاصطناعي
- مصدر البيانات: BLSتاريخ النشر: 2026-08
مرتفع· نسبي
منخفضأربع فئات نسبيةمرتفع جدًاقيمة على مستوى المجموعة المهنية
المقياس والأساس والمصدر
أربع فئات نسبية (منخفض / متوسط / مرتفع / مرتفع جدًا)
831 مهنة تفصيلية في جدول توقعات التوظيف لدى BLS. وتُسند القيمة على مستوى رمز مصفوفة التوظيف الوطنية (NEM)، فالمهن التي تشترك في الرمز نفسه تأخذ النطاق نفسه
- مصدر البيانات: Anthropicتاريخ النشر: 2026-03
0.000
0.000نطاق القيم المعروضة هنا0.745المقياس والأساس والمصدر
مؤشر التعرّض المرصود، 0–1 كما نُشر
مربوط بمهام O*NET
منشورة لكل مهنة في SOC 2018؛ وكل مهنة في O*NET تحمل رمز SOC 2018 نفسه تأخذ هذه القيمة
- مصدر البيانات: ILOتاريخ النشر: 2025
0.37
0.09نطاق القيم المعروضة هنا0.70قيمة على مستوى المجموعة المهنية
المقياس والأساس والمصدر
مؤشر التعرّض للذكاء الاصطناعي التوليدي، 0–1 كما نُشر
قيمة منشورة على مستوى مجموعة الوحدة في ISCO-08. رُبطت بهذه المهنة بتطبيق جداول التناظر الرسمية لمكتب إحصاءات العمل الأمريكي (BLS) (من ISCO-08 إلى SOC 2010، ومن SOC 2010 إلى SOC 2018) كما نُشرت، والتناظر كلي أو جزئي
ما نوع القيمة التي ينشرها هذا المصدر
فئة BLS رتبة نسبية لا مستوى مطلق، وليست قياسًا مباشرًا: فهي تجمع الرتب المئينية للمهنة في عدة دراسات منشورة في أربع فئات. وهي ليست توقّعًا للتوظيف أو الأجور، ولا احتمالًا للتبني، ولا تفرّق بين الأتمتة والتعزيز.
Task-level exposure
المهام ذات التعرض فقط27 مهمة مقيَّمة · 20 مهمة بقيمة β ≥ 0.5 (74.1%)
β = التعرّض المباشر (E1) + 0.5 × التعرّض عند توفر الأدوات (E2)، وفق تعريف المستودع المصدري.
- وحدة المصدر: مهام O*NET 27.2 ← رمز المهنة في O*NET 31.0
- جميع المهام المقيَّمة موجودة في قائمة مهام O*NET 31.0.
- المصدر
- OpenAI "GPTs are GPTs" exposure rubric
- الإصدار
- gh-main-0471612
- الترخيص
- MIT License, Copyright (c) 2024 OpenAI
| Task | Claude.aiRaw / share % |
|---|---|
Examine objects to be included in exhibits in order to plan where and how to display them.27-1027.00 | 0.018024.9 |
Develop set designs based on evaluation of scripts, budgets, research information, and available locations.27-1027.00 | 0.017624.4 |
Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations such as streets and fairgrounds.27-1027.00 | 0.014419.9 |
Read scripts in order to determine location, set, and design requirements.27-1027.00 | 0.012116.8 |
Direct and coordinate construction, erection, or decoration activities in order to ensure that sets or exhibits meet design, budget, and schedule requirements.27-1027.00 | 0.010114.0 |
| Not observed on any surface — 22 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states. | |
Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits. | —0 |
Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed. | —0 |
Confer with clients and staff in order to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, and/or promotion requirements. | —0 |
Estimate set- or exhibit-related costs including materials, construction, and rental of props or locations. | —0 |
Inspect installed exhibits for conformance to specifications, and satisfactory operation of special effects components. | —0 |
Plan for location-specific issues such as space limitations, traffic flow patterns, and safety concerns. | —0 |
Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions. | —0 |
Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects and/or lighting. | —0 |
Select and purchase lumber and hardware necessary for set construction. | —0 |
Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts. | —0 |
Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information as necessary. | —0 |
Coordinate the removal of sets, props, and exhibits after productions or events are complete. | —0 |
Select set props such as furniture, pictures, lamps, and rugs. | —0 |
Confer with conservators in order to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced. | —0 |
Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation. | —0 |
Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles. | —0 |
Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects. | —0 |
Attend rehearsals and production meetings in order to obtain and share information related to sets. | —0 |
Arrange for outside contractors to construct exhibit structures. | —0 |
Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use. | —0 |
Provide supportive materials for exhibits and displays, such as press kits and advertising, posters, brochures, catalogues, and invitations and publicity notices. | —0 |
Incorporate security systems into exhibit layouts. | —0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task | βE1 + 0.5 × E2 |
|---|---|
Examine objects to be included in exhibits to plan where and how to display them.O*NET Task ID 9284 | 0.5 |
Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits.O*NET Task ID 9285 | 0.5 |
Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed.O*NET Task ID 9286 | 0.5 |
Estimate set- or exhibit-related costs, including materials, construction, and rental of props or locations.O*NET Task ID 9288 | 0.5 |
Develop set designs, based on evaluation of scripts, budgets, research information, and available locations.O*NET Task ID 9289 | 0.5 |
Direct and coordinate construction, erection, or decoration activities to ensure that sets or exhibits meet design, budget, and schedule requirements.O*NET Task ID 9290 | 0.5 |
Plan for location-specific issues, such as space limitations, traffic flow patterns, and safety concerns.O*NET Task ID 9292 | 0.5 |
Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions.O*NET Task ID 9293 | 0.5 |
Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects or lighting.O*NET Task ID 9294 | 0.5 |
Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts.O*NET Task ID 9296 | 0.5 |
Confer with clients and staff to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, or promotion requirements.O*NET Task ID 9287 | 0.0 |
Inspect installed exhibits for conformance to specifications and satisfactory operation of special-effects components.O*NET Task ID 9291 | 0.0 |
Select and purchase lumber and hardware necessary for set construction.O*NET Task ID 9295 | 0.0 |
Coordinate the removal of sets, props, and exhibits after productions or events are complete.O*NET Task ID 9299 | 0.0 |
Attend rehearsals and production meetings to obtain and share information related to sets.O*NET Task ID 9306 | 0.0 |
Arrange for outside contractors to construct exhibit structures.O*NET Task ID 9307 | 0.0 |
Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use.O*NET Task ID 9310 | 0.0 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
جميع مهام O*NET 31.0 (27)
جميع مهام O*NET 31.0 لهذه المهنة (بالإنجليزية كما نُشرت؛ نوع المهمة أساسية أو تكميلية). لا تُدرج قيم التعرّض في هذه القائمة؛ فهي في الجدول أعلاه، بجوار كل مهمة بالصيغة الواردة في إصدار O*NET الذي استخدمه كل مصدر.
| المهمة | النوع |
|---|---|
| Examine objects to be included in exhibits to plan where and how to display them. | أساسية |
| Acquire, or arrange for acquisition of, specimens or graphics required to complete exhibits. | أساسية |
| Prepare rough drafts and scale working drawings of sets, including floor plans, scenery, and properties to be constructed. | أساسية |
| Confer with clients and staff to gather information about exhibit space, proposed themes and content, timelines, budgets, materials, or promotion requirements. | أساسية |
| Estimate set- or exhibit-related costs, including materials, construction, and rental of props or locations. | أساسية |
| Develop set designs, based on evaluation of scripts, budgets, research information, and available locations. | أساسية |
| Inspect installed exhibits for conformance to specifications and satisfactory operation of special-effects components. | أساسية |
| Plan for location-specific issues, such as space limitations, traffic flow patterns, and safety concerns. | أساسية |
| Submit plans for approval, and adapt plans to serve intended purposes, or to conform to budget or fabrication restrictions. | أساسية |
| Prepare preliminary renderings of proposed exhibits, including detailed construction, layout, and material specifications, and diagrams relating to aspects such as special effects or lighting. | أساسية |
| Collaborate with those in charge of lighting and sound so that those production aspects can be coordinated with set designs or exhibit layouts. | أساسية |
| Research architectural and stylistic elements appropriate to the time period to be depicted, consulting experts for information, as necessary. | أساسية |
| Design and produce displays and materials that can be used to decorate windows, interior displays, or event locations, such as streets and fairgrounds. | أساسية |
| Select set props, such as furniture, pictures, lamps, and rugs. | أساسية |
| Assign staff to complete design ideas and prepare sketches, illustrations, and detailed drawings of sets, or graphics and animation. | أساسية |
| Observe sets during rehearsals in order to ensure that set elements do not interfere with performance aspects such as cast movement and camera angles. | أساسية |
| Design and build scale models of set designs, or miniature sets used in filming backgrounds or special effects. | أساسية |
| Read scripts to determine location, set, and design requirements. | أساسية |
| Attend rehearsals and production meetings to obtain and share information related to sets. | أساسية |
| Direct and coordinate construction, erection, or decoration activities to ensure that sets or exhibits meet design, budget, and schedule requirements. | تكميلية |
| Select and purchase lumber and hardware necessary for set construction. | تكميلية |
| Coordinate the removal of sets, props, and exhibits after productions or events are complete. | تكميلية |
| Confer with conservators to determine how to handle an exhibit's environmental aspects, such as lighting, temperature, and humidity, so that objects will be protected and exhibits will be enhanced. | تكميلية |
| Arrange for outside contractors to construct exhibit structures. | تكميلية |
| Provide supportive materials for exhibits and displays, such as press kits, advertising, publicity notices, posters, brochures, catalogues, and invitations. | تكميلية |
| Incorporate security systems into exhibit layouts. | تكميلية |
| Coordinate the transportation of sets that are built off-site, and coordinate their setup at the site of use. | تكميلية |
مؤشر التعرض للروبوتات
Anthropic، «What work can robots do?» (2026)
0.04/ 3
تُمنح كل مهمة بدنية من مهام O*NET 29.3 لهذه المهنة درجة من 0 إلى 3 بحسب البيئة التي يمكن فيها لروبوتات سبق نشرها أو بيعها أو عرضها أن تؤديها (0 لا شيء · 1 بيئات مخصصة للروبوتات مثل خلية آلات مسيّجة أو خط تعبئة زجاجات · 2 منشآت منظَّمة مثل صيدلية مستشفى أو ميناء حاويات · 3 بيئات غير منظَّمة مثل منزل خاص أو موقع بناء)، ثم يُحسب متوسط الدرجات بحسب حصة كل مهمة من وقت العمل. قدّرت Anthropic الدرجات وحصص الوقت باستخدام Claude Opus 5 مع البحث على الويب (الوضع في 2026). لا يقيس المؤشر التبني الفعلي ولا التكلفة، ويشمل الصفر أيضًا المهن التي لا تتضمن مهام بدنية. وهو مقياس مختلف عن أرقام التعرض للذكاء الاصطناعي في هذا الموقع، فلا يمكن جمعه معها ولا مقارنته بها.
درجة كل مهمة بدنية (نصوص المهام كما وردت في O*NET 29.3)
- 0 لا شيءInspect installed exhibits for conformance to specifications and satisfactory operation of special-effects components.
- 0 لا شيءDesign and produce displays and materials that can be used to decorate windows, interior displays, or event locations, such as streets and fairgrounds.
- 1 بيئات مخصصة للروبوتاتDesign and build scale models of set designs, or miniature sets used in filming backgrounds or special effects.
معلومات مهنية
مصادر بيانات هذه الصفحة وتراخيصها وإشعارات التعديل والترجمة الصادرة عن AI Changing Work: الاعتمادات والمصادر