- O*NET-SOC code
- 27-2032.00
Create new dance routines. Rehearse performance of routines. May direct and stage presentations.
- Data source: BLSPublished: 2026-08
Moderate· relative
LowFour relative bandsVery highGroup-level value
Scale, basis and source
Four relative bands (Low / Moderate / High / Very high)
831 detailed occupations in the BLS Employment Projections table. Assigned per National Employment Matrix (NEM) code, so occupations sharing a NEM code carry the same band
- Data source: AnthropicPublished: 2026-03
0.080
0.000Range of values carried here0.745Scale, basis and source
Observed exposure index, 0–1 as published
Mapped onto O*NET tasks
Published per SOC 2018 occupation; every O*NET occupation with the same SOC 2018 code carries this value
- Data source: ILOPublished: 2025
0.19
0.09Range of values carried here0.70Group-level value
Scale, basis and source
Generative AI exposure index, 0–1 as published
Published per ISCO-08 unit group. Linked to this occupation, wholly or in part, by applying U.S. Bureau of Labor Statistics crosswalks (ISCO-08 to 2010 SOC, 2010 SOC to 2018 SOC) as published
What kind of figure this source publishes
The BLS category is a relative rank, not an absolute level, and it is not a first-hand measurement: it groups an occupation's percentile ranks across several published studies into four bands. It is not an employment or wage forecast, not a probability of adoption, and it does not separate automation from augmentation.
Task-level exposure
18 rated tasks · 9 tasks with β ≥ 0.5 (50.0%)
β = direct exposure (E1) + 0.5 × exposure when tools are available (E2), per the source repository's definition.
- Source unit: O*NET 27.2 tasks → O*NET 31.0 occupation code
- All rated tasks are in the O*NET 31.0 task list.
- Source
- OpenAI "GPTs are GPTs" exposure rubric
- Release
- gh-main-0471612
- License
- MIT License, Copyright (c) 2024 OpenAI
| Task (O*NET 30.2) | Claude.aiRaw / share % |
|---|---|
Assess students' dancing abilities to determine where improvement or change is needed.27-2032.00 | 0.00000.0 |
Design sets, lighting, costumes, and other artistic elements of productions, in collaboration with cast members.27-2032.00 | 0.00000.0 |
| Not observed on any surface — 16 task(s) — These tasks have no row in the source for this release. The 0 in the share row is a display-stage composition ratio; absence is what the — in the raw row states. | |
Direct rehearsals to instruct dancers in dance steps and in techniques to achieve desired effects. | —0 |
Read and study story lines and musical scores to determine how to translate ideas and moods into dance movements. | —0 |
Design dances for individual dancers, dance companies, musical theatre, opera, fashion shows, film, television productions, and special events, and for dancers ranging from beginners to professionals. | —0 |
Choose the music, sound effects, or spoken narrative to accompany a dance. | —0 |
Advise dancers on standing and moving properly, teaching correct dance techniques to help prevent injuries. | —0 |
Coordinate production music with music directors. | —0 |
Audition performers for one or more dance parts. | —0 |
Direct and stage dance presentations for various forms of entertainment. | —0 |
Develop ideas for creating dances, keeping notes and sketches to record influences. | —0 |
Train, exercise, and attend dance classes to maintain high levels of technical proficiency, physical ability, and physical fitness. | —0 |
Teach students, dancers, and other performers about rhythm and interpretive movement. | —0 |
Experiment with different types of dancers, steps, dances, and placements, testing ideas informally to get feedback from dancers. | —0 |
Seek influences from other art forms, such as theatre, the visual arts, and architecture. | —0 |
Record dance movements and their technical aspects, using a technical understanding of the patterns and formations of choreography. | —0 |
Manage dance schools, or assist in their management. | —0 |
Restage traditional dances and works in dance companies' repertoires, developing new interpretations. | —0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task (O*NET 27.2) | βE1 + 0.5 × E2 |
|---|---|
Develop ideas for creating dances, keeping notes and sketches to record influences.O*NET Task ID 11036 | 1.0 |
Design dances for individual dancers, dance companies, musical theatre, opera, fashion shows, film, television productions, and special events, and for dancers ranging from beginners to professionals.O*NET Task ID 11030 | 0.5 |
Choose the music, sound effects, or spoken narrative to accompany a dance.O*NET Task ID 11031 | 0.5 |
Coordinate production music with music directors.O*NET Task ID 11033 | 0.5 |
Assess students' dancing abilities to determine where improvement or change is needed.O*NET Task ID 11039 | 0.5 |
Seek influences from other art forms, such as theatre, the visual arts, and architecture.O*NET Task ID 11041 | 0.5 |
Design sets, lighting, costumes, and other artistic elements of productions, in collaboration with cast members.O*NET Task ID 11042 | 0.5 |
Record dance movements and their technical aspects, using a technical understanding of the patterns and formations of choreography.O*NET Task ID 11043 | 0.5 |
Manage dance schools, or assist in their management.O*NET Task ID 11045 | 0.5 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
All O*NET 31.0 task statements (18)
All O*NET 31.0 task statements for this occupation (English, as published; task type core or supplemental). Exposure values are not listed here; they are in the table above, next to each task statement as worded in the O*NET version each source used.
| Task (O*NET 31.0) | Type |
|---|---|
| Direct rehearsals to instruct dancers in dance steps and in techniques to achieve desired effects. | Core |
| Read and study story lines and musical scores to determine how to translate ideas and moods into dance movements. | Core |
| Design dances for individual dancers, dance companies, musical theatre, opera, fashion shows, film, television productions, and special events, and for dancers ranging from beginners to professionals. | Core |
| Choose the music, sound effects, or spoken narrative to accompany a dance. | Core |
| Advise dancers on standing and moving properly, teaching correct dance techniques to help prevent injuries. | Core |
| Coordinate production music with music directors. | Core |
| Audition performers for one or more dance parts. | Core |
| Direct and stage dance presentations for various forms of entertainment. | Core |
| Develop ideas for creating dances, keeping notes and sketches to record influences. | Core |
| Train, exercise, and attend dance classes to maintain high levels of technical proficiency, physical ability, and physical fitness. | Core |
| Teach students, dancers, and other performers about rhythm and interpretive movement. | Core |
| Assess students' dancing abilities to determine where improvement or change is needed. | Core |
| Experiment with different types of dancers, steps, dances, and placements, testing ideas informally to get feedback from dancers. | Core |
| Seek influences from other art forms, such as theatre, the visual arts, and architecture. | Core |
| Design sets, lighting, costumes, and other artistic elements of productions, in collaboration with cast members. | Core |
| Record dance movements and their technical aspects, using a technical understanding of the patterns and formations of choreography. | Core |
| Manage dance schools, or assist in their management. | Core |
| Restage traditional dances and works in dance companies' repertoires, developing new interpretations. | Supplemental |
0.00/ 3· Robot exposure index
Scale, basis and source
Each physical task is graded 0–3 by the setting in which robots that have been deployed, sold or demonstrated could do it (0 none · 1 purpose-built robot settings such as a fenced machine cell or a bottling line · 2 structured facilities such as a hospital pharmacy or a container port · 3 unstructured settings such as a private home or a construction site), and the grades are averaged by share of working time
Physical tasks among this occupation's O*NET 29.3 tasks
Anthropic estimated the grades and time shares with Claude Opus 5 using web search, as of 2026.
The robot exposure index is a different measure from the AI exposure figures on this site and cannot be added to or compared with them. It does not measure actual adoption or cost, and 0 also covers occupations with no physical tasks.
Tier of each physical task
Robot environment tiers (E0–E3)
E0 noneDetails
Rated not doable by robots that have been deployed, sold or demonstrated, even in a purpose-built setting
E1 purpose-built robot settingsDetails
Rated doable in a setting built around the machine, such as a fenced machine cell or a bottling line
E2 structured facilitiesDetails
Rated doable in a human work facility that an institution keeps to a working standard, such as a hospital pharmacy or a container port
E3 unstructured settingsDetails
Rated doable in a setting that no institution keeps to a working standard, such as a private home or a construction site
Only tasks classified as physical are listed; other tasks have no tier in the source.
| Task (O*NET 29.3) | Robot environment tier |
|---|---|
| Train, exercise, and attend dance classes to maintain high levels of technical proficiency, physical ability, and physical fitness. | E0 none |
Occupation information
Employment outlook (BLS)
- Employment, 2025
- 5K
- Projected employment, 2035
- 5K
- Change (2025–35)
- +3.1%
- Median annual wage, 2025
- $55,310
- Typical education needed for entry
- High school diploma or equivalent
Korea classification links (KSCO)
Links from the current release of the Korea Occupation Direct Crosswalk v1.1, made by AI Changing Work. Relation values are read from the O*NET-SOC occupation side.
| KSCO code | KSCO title | Relation | Status |
|---|---|---|---|
| 29472 | 안무가 | Same scope | confirmed |
Relation and status definitions(kr-direct v1.1)
ILO occupational description
AI Changing Work links the ISCO-08 unit groups below to this occupation by applying the U.S. Bureau of Labor Statistics crosswalks (2018 SOC to 2010 SOC, 2010 SOC to ISCO-08) as published, without case-by-case selection; each link may be whole or partial.
- ISCO-08 2653Dancers and Choreographers
The definition, tasks and examples below are the ILO's description of that unit group, not of this occupation.
Dancers and choreographers conceive and create or perform dances.
Tasks
- (a) conceiving and creating dances, which often convey a story, theme, idea or mood, by a pattern of steps, movements and gestures;
- (b) performing dances as a soloist, with a partner or as a member of a dancing group before live audiences or for film, television or other visual media;
- (c) training ,exercising and attending dance classes to maintain the required levels of ability and fitness;
- (d) directing and participating in rehearsals to practice dance steps and techniques required for a performance;
- (e) auditioning for dance roles or for memberships in dance companies;
- (f) coordinating the production music with the music directors.
Example occupations
Choreographer · Ballet Dancer · Night-club dancer · Street dancer
Sources: ILO ISCO-08 — details: Credits
ESCO occupational vocabulary
Each entry below is matched to this occupation in the published ESCO-O*NET Crosswalk (version 1, 2022). The match types are that crosswalk's; the wording is AI Changing Work's.
- choreographerESCO 2653.1Same scope
Choreographers create sequences of movements in which motion, form or both are specified. Some choreographers also take up the role of coordinating, teaching and rehearsing performers in the production of the choreography. They can also act as a movement coach for actors.
- dance répétiteurESCO 2653.1.2This occupation is broader
Dance répétiteurs assist conductors and choreographers in directing rehearsals and guiding the artists in the rehearsal process. Regardless of their nature and scope, a répétiteur's actions are, from an ethical and practical standpoint, based on a commitment to respect the integrity of the work.
- artistic coachESCO 3422.1Overlapping, not the same
Artistic coaches research, plan, organise and lead arts activities for sport practitioners in order to provide them with artistic abilities such as dance, acting, expression and transmission that are important for their sport performance. Artistic coaches make technical, performatic or artistic abilities accessible to sports practitioners with the goal of improving their sport performance.
- choreologistESCO 2653.1.1Overlapping, not the same
Choreologists are specialised creators of dance in specific styles or traditions, such as ethnic dance, early dance or baroque dance. Their work is contextualised historically and sociologically as an expression of the human group that developed it. Choreologists analyse dance from intrinsic aspects: theory, practice and epistemology of movements in itself. They also study dance from the extrinsic perspective: the social, ethnological, etnographical and sociological context in which dance is developed.
- performing arts school dance instructorESCO 2310.1.29Overlapping, not the same
Performing arts school dance instructors educate students in specific theory and, primarily, practice-based dance courses at a specialised dance school or conservatory at a higher education level. They provide theoretical instruction in service of the practical skills and techniques the students must subsequently master for dance. Performing arts school dance instructors monitor the students' progress, assist individually when necessary, and evaluate their knowledge and performance on the dance through, often practical, assignments, tests and examinations.
Source: European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
License: CC BY 4.0 (EU Reuse Notice)
ESCO reuse terms and the modification notice are in Credits.
France classification links (ROME)
AI Changing Work's links between this occupation and ROME 4.0 job profiles, judged with AI models. Relations are read from this occupation's side. Links marked “provisional” were adopted on the judgments of two judges from the same model family (Claude) alone, or by an operator rule applied to their judgments, so they rest on weaker evidence than confirmed links.
| ROME code | ROME title (French) | Relation |
|---|---|---|
| L1211 | Chorégraphe | Same scopeprovisional |
Source: France Travail — Répertoire Opérationnel des Métiers et des Emplois (ROME 4.0), version 61, last updated 15 June 2026 (https://www.data.gouv.fr/datasets/repertoire-operationnel-des-metiers-et-des-emplois-rome). Licence Ouverte 2.0.
ROME codes and titles are reproduced unchanged; the links to O*NET-SOC occupations are AI Changing Work's own judgment and are not a France Travail correspondence.
(AI Changing Work link release: fr-direct v1)
Spain classification links (CNO-11)
AI Changing Work's links between this occupation and CNO-11 occupations, judged with AI models. Relations are read from this occupation's side.
| CNO-11 code | CNO-11 title (Spanish) | Relation |
|---|---|---|
| 2933 | Coreógrafos y bailarines | This occupation is narrower |
Source: Instituto Nacional de Estadística (INE), National Classification of Occupations 2011 (CNO-11, Royal Decree 1591/2010) — www.ine.es · Licensed CC BY 4.0. CNO-11 codes and Spanish titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not an INE correspondence.
(AI Changing Work link release: es-direct v1)
Germany classification links (KldB)
AI Changing Work's links between this occupation and KldB occupations, judged with AI models. Relations are read from this occupation's side.
| KldB code | KldB title (German) | Relation |
|---|---|---|
| 94224 | Tänzer/innen und Choreografen/Choreografinnen - hoch komplexe Tätigkeiten | This occupation is narrower |
Source: © Statistik der Bundesagentur für Arbeit — Klassifikation der Berufe 2010 – überarbeitete Fassung 2020, https://statistik.arbeitsagentur.de. KldB codes and titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own mapping (eigene Zuordnung) and are not a Bundesagentur für Arbeit correspondence.
(AI Changing Work link release: de-direct v1)
Japan classification links (JSCO)
AI Changing Work's links between this occupation and JSCO occupations, judged with AI models. Relations are read from this occupation's side.
| JSCO code | JSCO title (Japanese) | Relation |
|---|---|---|
| 232 | 舞踊家 | This occupation is narrowerprovisional |
| 234 | 演出家 | Related, not a matchprovisional |
Source: Ministry of Internal Affairs and Communications (MIC), Japan Standard Occupational Classification (Dec. 2009, MIC Notification No. 555). JSCO codes and Japanese titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not a MIC correspondence.
(AI Changing Work link release: jp-direct v1)
Sources, licenses and AI Changing Work's modification and translation notices for this page: Credits & sources