Talent Directors
Arts, Design, Entertainment, Sports, and Media Occupations- O*NET-SOC 代码
- 27-2012.04
Audition and interview performers to select most appropriate talent for parts in stage, television, radio, or motion picture productions.
- 数据来源: BLS发布时间: 2026-08
高· 相对
低四级相对区间很高职业群单位数值
尺度 · 母数 · 来源
四级相对类别(低 / 中等 / 高 / 很高)
以BLS就业预测表中831个细分职业为基数。取值按 NEM(全国就业矩阵)代码给定,因此共用同一 NEM 代码的职业得到相同分档
- 数据来源: Anthropic发布时间: 2026-03
0.092
0.000此处所载数值的范围0.745职业群单位数值
尺度 · 母数 · 来源
- 数据来源: ILO发布时间: 2025
0.37
0.09此处所载数值的范围0.70职业群单位数值
尺度 · 母数 · 来源
生成式AI暴露度指数,按发布原值0–1
按 ISCO-08 细类(4 位)发布的数值。按原样应用美国劳工统计局(BLS)的官方对照表(ISCO-08→2010 SOC、2010 SOC→2018 SOC)关联到本职业,对应关系为全部或部分对应
该来源发布的是什么性质的数值
BLS的类别是相对排位而非绝对水平,也不是一手测量:它把多项已发表研究给出的职业百分位排名归并为四个等级。它不是就业或工资预测,不是采用概率,也不区分自动化与增强。
Task-level exposure
显示隐藏的 7 项工作已评分任务 15 项 · β ≥ 0.5 的任务 13 项(86.7%)
β = 直接暴露(E1)+ 0.5 × 借助工具时的暴露(E2),依据原始代码库的定义。
- 原始单位:O*NET 27.2 任务 → O*NET 31.0 职业代码
- 所有已评分任务均在 O*NET 31.0 任务列表中。
- 来源
- OpenAI "GPTs are GPTs" exposure rubric
- 版本
- gh-main-0471612
- 许可
- MIT License, Copyright (c) 2024 OpenAI
| Task (O*NET 20.1) | Claude.aiRaw / share % | APIRaw / share % |
|---|---|---|
Read scripts and confer with producers to determine the types and numbers of performers required for a given production.27-2012.04 | 0.009836.6 | 0.005976.6 |
Attend or view productions to maintain knowledge of available actors.27-2012.04 | 0.006524.3 | —0 |
Maintain talent files that include information such as performers' specialties, past performances, and availability.27-2012.04 | 0.004215.7 | —0 |
Review performer information, such as photos, resumes, voice tapes, videos, and union membership, to decide whom to audition for parts.27-2012.04 | 0.00238.6 | 0.001823.4 |
Audition and interview performers to match their attributes to specific roles or to increase the pool of available acting talent.27-2012.04 | 0.00217.8 | —0 |
Prepare actors for auditions by providing scripts and information about roles and casting requirements.27-2012.04 | 0.00197.1 | —0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task (O*NET 27.2) | βE1 + 0.5 × E2 |
|---|---|
Prepare actors for auditions by providing scripts and information about roles and casting requirements.O*NET Task ID 11020 | 1.0 |
Review performer information, such as photos, resumes, voice tapes, videos, and union membership, to decide whom to audition for parts.O*NET Task ID 11015 | 0.5 |
Read scripts and confer with producers to determine the types and numbers of performers required for a given production.O*NET Task ID 11016 | 0.5 |
Select performers for roles or submit lists of suitable performers to producers or directors for final selection.O*NET Task ID 11017 | 0.5 |
Audition and interview performers to match their attributes to specific roles or to increase the pool of available acting talent.O*NET Task ID 11018 | 0.5 |
Maintain talent files that include information such as performers' specialties, past performances, and availability.O*NET Task ID 11019 | 0.5 |
Serve as liaisons between directors, actors, and agents.O*NET Task ID 11021 | 0.5 |
Attend or view productions to maintain knowledge of available actors.O*NET Task ID 11022 | 0.5 |
Negotiate contract agreements with performers, with agents, or between performers and agents or production companies.O*NET Task ID 11023 | 0.5 |
Contact agents and actors to provide notification of audition and performance opportunities and to set up audition times.O*NET Task ID 11024 | 0.5 |
Hire and supervise workers who help locate people with specified attributes and talents.O*NET Task ID 11025 | 0.5 |
Arrange for or design screen tests or auditions for prospective performers.O*NET Task ID 11026 | 0.5 |
Locate performers or extras for crowd and background scenes, and stand-ins or photo doubles for actors, by direct contact or through agents.O*NET Task ID 11027 | 0.5 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
O*NET 31.0 全部任务(15 项)
本职业在 O*NET 31.0 中的全部任务(英文原文;任务类型为核心或补充)。暴露值不列在此清单中,而在上方表格里,位于各来源所用 O*NET 版本的任务表述旁。
| 任务(O*NET 31.0) | 类型 |
|---|---|
| Review performer information, such as photos, resumes, voice tapes, videos, and union membership, to decide whom to audition for parts. | 核心 |
| Read scripts and confer with producers to determine the types and numbers of performers required for a given production. | 核心 |
| Select performers for roles or submit lists of suitable performers to producers or directors for final selection. | 核心 |
| Audition and interview performers to match their attributes to specific roles or to increase the pool of available acting talent. | 核心 |
| Maintain talent files that include information such as performers' specialties, past performances, and availability. | 核心 |
| Prepare actors for auditions by providing scripts and information about roles and casting requirements. | 核心 |
| Serve as liaisons between directors, actors, and agents. | 核心 |
| Attend or view productions to maintain knowledge of available actors. | 核心 |
| Negotiate contract agreements with performers, with agents, or between performers and agents or production companies. | 核心 |
| Contact agents and actors to provide notification of audition and performance opportunities and to set up audition times. | 核心 |
| Arrange for or design screen tests or auditions for prospective performers. | 核心 |
| Hire and supervise workers who help locate people with specified attributes and talents. | 补充 |
| Locate performers or extras for crowd and background scenes, and stand-ins or photo doubles for actors, by direct contact or through agents. | 补充 |
| Direct shows, productions, and plays. | 补充 |
| Teach acting classes. | 补充 |
0.00/ 3· 机器人暴露指数
尺度 · 母数 · 来源
对每项体力任务,按已实际部署、销售或演示的机器人能够完成它的环境评定 0–3 级(0 不可 · 1 围栏式机器单元、灌装线等机器人专用设施 · 2 医院药房、集装箱港口等受管理的设施 · 3 私人住宅、建筑工地等非结构化环境),再按工作时间占比求平均
以该职业 O*NET 29.3 任务中的体力任务为准
等级与时间占比由 Anthropic 使用 Claude Opus 5(网络搜索)估算(截至 2026 年)。
机器人暴露指数与本站的 AI 暴露度是不同的指标,不能相加或相互比较。该指数不代表实际采用情况或成本竞争力,0 也包括没有体力任务的职业。
每项体力任务的等级
该职业的 O*NET 29.3 任务中没有被归类为体力任务的任务。
职业信息
就业展望(BLS)
这些数值属于整个 SOC 27-2012 组(Producers and directors),并非仅属于该 O*NET 职业。
- 就业人数,2025
- 181K
- 预计就业人数,2035
- 188K
- 变化 (2025–35)
- +4%
- 年薪中位数,2025
- $90,360
- 入职通常所需学历
- Bachelor's degree
韩国职业分类关联(KSCO)
来自 AI Changing Work 制作的 Korea Occupation Direct Crosswalk v1.1 当前版本的关联。关系值从 O*NET-SOC 职业一侧解读。
| KSCO 代码 | KSCO 名称 | 关系 | 状态 |
|---|---|---|---|
| 29394 | 방송 및 영화 연출 보조원 | 本职业范围更窄 | 已确认 |
关系与状态的定义(kr-direct v1.1)
国际劳工组织(ILO)职业说明
以下 ISCO-08 职业组由 AI Changing Work 原样套用美国劳工统计局(BLS)发布的对照表(2018 SOC→2010 SOC、2010 SOC→ISCO-08)、不逐案取舍,与本职业相关联;每项关联可能是完全对应,也可能是部分对应。
- ISCO-08 2654Film, Stage and Related Directors and Producers
影视、舞台及有关导演和制片人
自行翻译
自行翻译 · 非 ISCO 官方词汇 — 未经国际劳工组织审核。
以下定义、任务和职业示例是 ILO 对该 ISCO-08 职业组的描述,而不是对本职业的描述。
Film, stage and related directors and producers oversee and control the technical and artistic aspects of motion pictures, television or radio productions and stage shows.
任务
- (a) choosing writers, studying scripts to determine artistic interpretation, and instructing actors on acting methods;
- (b) directing all aspects of dramatic productions on stage, television, radio or in motion pictures, including choice of actors, and final decisions concerning costumes, set designs, sound or lighting effects;
- (c) planning, organizing and controlling the various stages and scheduling involved in the production of presentations, motion pictures, television shows and radio programmes;
- (d) engaging and supervising all technical personnel, and determining the treatment, scope and scheduling of production;
- (e) maintaining production archives and negotiating royalties;
- (f) creating, planning, writing scripts for recording, videotaping and editing programmes;
- (g) supervising the positioning of scenery, props and lighting and sound equipment.
职业示例
Documentary director · Film editor · Motion picture director · Photography director · Stage director · Technical director · Technical television or radio director · Theatre producer
Sources: ILO ISCO-08 — details: Credits
ESCO 职业词汇
以下每一项都是在已公开的ESCO-O*NET Crosswalk(第 1 版,2022 年)中与本职业逐项对应的。对应类型出自该对照表;表述出自 AI Changing Work。
- casting directorESCO 2166.4.2范围相同
Casting directors select actors for all roles in a motion picture or television series. They co-operate with the producer and director to determine what they are looking for. Casting directors contact talent agents and organise interviews and auditions for the parts. They determine the fees and contracts for the actors and extras.
来源: European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
许可: CC BY 4.0 (EU Reuse Notice)
ESCO reuse terms and the modification notice are in Credits.
法国职业分类关联(ROME)
本职业与 ROME 4.0 职业条目(fiche)之间的关联,由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。标为「暂定」的关联仅凭同一模型系列(Claude)两位判定者的判定采纳,或对其判定适用运营方规则后采纳,因此其依据弱于已确认的关联。
| ROME 代码 | ROME 名称(法语) | 关系 |
|---|---|---|
| L1317 | Directeur / Directrice de casting | 范围相同 |
Source: France Travail — Répertoire Opérationnel des Métiers et des Emplois (ROME 4.0), version 61, last updated 15 June 2026 (https://www.data.gouv.fr/datasets/repertoire-operationnel-des-metiers-et-des-emplois-rome). Licence Ouverte 2.0.
ROME codes and titles are reproduced unchanged; the links to O*NET-SOC occupations are AI Changing Work's own judgment and are not a France Travail correspondence.
(AI Changing Work link release: fr-direct v1)
西班牙职业分类关联(CNO-11)
本职业与 CNO-11 职业之间的关联,由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| CNO-11 代码 | CNO-11 名称(西班牙语) | 关系 |
|---|---|---|
| 2934 | Directores de cine, de teatro y afines | 本职业范围更窄 |
Source: Instituto Nacional de Estadística (INE), National Classification of Occupations 2011 (CNO-11, Royal Decree 1591/2010) — www.ine.es · Licensed CC BY 4.0. CNO-11 codes and Spanish titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not an INE correspondence.
(AI Changing Work link release: es-direct v1)
德国职业分类关联(KldB)
本职业与 KldB 职业之间的关联,由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| KldB 代码 | KldB 名称(德语) | 关系 |
|---|---|---|
| 94483 | Berufe in der Theater-, Film- und Fernsehproduktion (sonstige spezifische Tätigkeitsangabe) - komplexe Spezialistentätigkeiten | 本职业范围更窄 |
Source: © Statistik der Bundesagentur für Arbeit — Klassifikation der Berufe 2010 – überarbeitete Fassung 2020, https://statistik.arbeitsagentur.de. KldB codes and titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own mapping (eigene Zuordnung) and are not a Bundesagentur für Arbeit correspondence.
(AI Changing Work link release: de-direct v1)
日本职业分类关联(JSCO)
本职业与 JSCO 职业之间的关联,由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| JSCO 代码 | JSCO 名称(日语) | 关系 |
|---|---|---|
| 234 | 演出家 | 相关,但不对应暂定 |
| 249 | 他に分類されない専門的職業従事者 | 相关,但不对应暂定 |
Source: Ministry of Internal Affairs and Communications (MIC), Japan Standard Occupational Classification (Dec. 2009, MIC Notification No. 555). JSCO codes and Japanese titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not a MIC correspondence.
(AI Changing Work link release: jp-direct v1)
本页数据的来源与许可,以及 AI Changing Work 的修改与翻译说明:致谢与来源