Producers and Directors
Arts, Design, Entertainment, Sports, and Media Occupations- O*NET-SOC 代码
- 27-2012.00
Produce or direct stage, television, radio, video, or film productions for entertainment, information, or instruction. Responsible for creative decisions, such as interpretation of script, choice of actors or guests, set design, sound, special effects, and choreography.
- 数据来源: BLS发布时间: 2026-08
高· 相对
低四级相对区间很高职业群单位数值
尺度 · 母数 · 来源
四级相对类别（低 / 中等 / 高 / 很高）
以BLS就业预测表中831个细分职业为基数。取值按 NEM（全国就业矩阵）代码给定，因此共用同一 NEM 代码的职业得到相同分档
- 数据来源: Anthropic发布时间: 2026-03
0.092
0.000此处所载数值的范围0.745职业群单位数值
尺度 · 母数 · 来源
- 数据来源: ILO发布时间: 2025
0.37
0.09此处所载数值的范围0.70职业群单位数值
尺度 · 母数 · 来源
生成式AI暴露度指数，按发布原值0–1
按 ISCO-08 细类（4 位）发布的数值。按原样应用美国劳工统计局（BLS）的官方对照表（ISCO-08→2010 SOC、2010 SOC→2018 SOC）关联到本职业，对应关系为全部或部分对应
该来源发布的是什么性质的数值
BLS的类别是相对排位而非绝对水平，也不是一手测量：它把多项已发表研究给出的职业百分位排名归并为四个等级。它不是就业或工资预测，不是采用概率，也不区分自动化与增强。
Task-level exposure
显示隐藏的 31 项工作已评分任务 30 项 · β ≥ 0.5 的任务 24 项（80.0%）
β = 直接暴露（E1）+ 0.5 × 借助工具时的暴露（E2），依据原始代码库的定义。
- 原始单位：O*NET 27.2 任务 → O*NET 31.0 职业代码
- 所有已评分任务均在 O*NET 31.0 任务列表中。
- 来源
- OpenAI "GPTs are GPTs" exposure rubric
- 版本
- gh-main-0471612
- 许可
- MIT License, Copyright (c) 2024 OpenAI
以下为 O*NET-SOC 2010 职业 27-2012.01 Producers; 27-2012.02 Directors- Stage, Motion Pictures, Television, and Radio 的工作任务，由本站依据 O*NET-SOC 2010→2019 官方对照表关联到此职业
| Task (O*NET 20.1) | Claude.aiRaw / share % | APIRaw / share % |
|---|---|---|
Consult with writers, producers, or actors about script changes or "workshop" scripts, through rehearsal with writers and actors to create final drafts.27-2012.02 | 0.063628.7 | 0.00663.3 |
Compose and edit scripts or provide screenwriters with story outlines from which scripts can be written.27-2012.01 | 0.032814.8 | 0.00733.7 |
Compile scripts, program notes, and other material related to productions.27-2012.02 | 0.030013.5 | 0.01376.9 |
Write and edit news stories from information collected by reporters and other sources.27-2012.01 | 0.024010.8 | 0.022411.2 |
Select plays, scripts, books, or ideas to be produced.27-2012.01 | 0.01697.6 | 0.032416.3 |
Research production topics using the internet, video archives, and other informational sources.27-2012.01 | 0.01456.5 | 0.00984.9 |
Plan details such as framing, composition, camera movement, sound, and actor movement for each shot or scene.27-2012.02 | 0.00853.8 | —0 |
Study and research scripts to determine how they should be directed.27-2012.02 | 0.00592.7 | 0.01135.7 |
Select plays or scripts for production and determine how material should be interpreted and performed.27-2012.02 | 0.00452.0 | —0 |
Coordinate the activities of writers, directors, managers, and other personnel throughout the production process.27-2012.01 | 0.00431.9 | —0 |
Confer with technical directors, managers, crew members, and writers to discuss details of production, such as photography, script, music, sets, and costumes.27-2012.02 | 0.00431.9 | —0 |
Plan and coordinate the production of musical recordings, selecting music and directing performers.27-2012.01 | 0.00381.7 | 0.00442.2 |
Direct live broadcasts, films and recordings, or non-broadcast programming for public entertainment or education.27-2012.02 | 0.00341.5 | 0.082341.3 |
Obtain and distribute costumes, props, music, and studio equipment needed to complete productions.27-2012.01 | 0.00210.9 | —0 |
Write and submit proposals to bid on contracts for projects.27-2012.01 | 0.00170.8 | —0 |
Cut and edit film or tape to integrate component parts into desired sequences.27-2012.02 | 0.00150.7 | —0 |
Compile cue words and phrases and cue announcers, cast members, and technicians during performances. | —0 | 0.00502.5 |
Communicate to actors the approach, characterization, and movement needed for each scene in such a way that rehearsals and takes are minimized. | —0 | 0.00412.1 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task (O*NET 27.2) | βE1 + 0.5 × E2 |
|---|---|
Write and edit news stories from information collected by reporters and other sources.O*NET Task ID 22514 | 1.0 |
Consult with writers, producers, or actors about script changes or "workshop" scripts, through rehearsal with writers and actors to create final drafts.O*NET Task ID 22524 | 1.0 |
Compile scripts, program notes, and other material related to productions.O*NET Task ID 22528 | 1.0 |
Perform administrative duties, such as preparing operational reports, distributing rehearsal call sheets and script copies, and arranging for rehearsal quarters.O*NET Task ID 22529 | 1.0 |
Compose and edit scripts or provide screenwriters with story outlines from which scripts can be written.O*NET Task ID 22533 | 1.0 |
Write and submit proposals to bid on contracts for projects.O*NET Task ID 22539 | 1.0 |
Plan details such as framing, composition, camera movement, sound, and actor movement for each shot or scene.O*NET Task ID 22515 | 0.5 |
Coordinate the activities of writers, directors, managers, and other personnel throughout the production process.O*NET Task ID 22518 | 0.5 |
Study and research scripts to determine how they should be directed.O*NET Task ID 22519 | 0.5 |
Confer with technical directors, managers, crew members, and writers to discuss details of production, such as photography, script, music, sets, and costumes.O*NET Task ID 22521 | 0.5 |
Research production topics using the internet, video archives, and other informational sources.O*NET Task ID 22522 | 0.5 |
Review film, recordings, or rehearsals to ensure conformance to production and broadcast standards.O*NET Task ID 22523 | 0.5 |
Identify and approve equipment and elements required for productions, such as scenery, lights, props, costumes, choreography, and music.O*NET Task ID 22525 | 0.5 |
Establish pace of programs and sequences of scenes according to time requirements and cast and set accessibility.O*NET Task ID 22526 | 0.5 |
Arrange financing for productions.O*NET Task ID 22531 | 0.5 |
Perform management activities, such as budgeting, scheduling, planning, and marketing.O*NET Task ID 22532 | 0.5 |
Negotiate with parties, including independent producers and the distributors and broadcasters who will be handling completed productions.O*NET Task ID 22534 | 0.5 |
Cut and edit film or tape to integrate component parts into desired sequences.O*NET Task ID 22535 | 0.5 |
Choose settings and locations for films and determine how scenes will be shot in these settings.O*NET Task ID 22536 | 0.5 |
Review film daily to check on work in progress and to plan for future filming.O*NET Task ID 22537 | 0.5 |
Obtain rights to scripts or to such items as existing video footage.O*NET Task ID 22538 | 0.5 |
Develop marketing plans for finished products, collaborating with sales associates to supervise product distribution.O*NET Task ID 22540 | 0.5 |
Hire principal cast members and crew members, such as art directors, cinematographers, and costume designers.O*NET Task ID 22541 | 0.5 |
Select plays, scripts, books, news content, or ideas to be produced.O*NET Task ID 22543 | 0.5 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
O*NET 31.0 全部任务（30 项）
本职业在 O*NET 31.0 中的全部任务（英文原文；任务类型为核心或补充）。暴露值不列在此清单中，而在上方表格里，位于各来源所用 O*NET 版本的任务表述旁。
| 任务（O*NET 31.0） | 类型 |
|---|---|
| Plan details such as framing, composition, camera movement, sound, and actor movement for each shot or scene. | 核心 |
| Communicate to actors the approach, characterization, and movement needed for each scene in such a way that rehearsals and takes are minimized. | 核心 |
| Direct live broadcasts, films and recordings, or non-broadcast programming for public entertainment or education. | 核心 |
| Coordinate the activities of writers, directors, managers, and other personnel throughout the production process. | 核心 |
| Study and research scripts to determine how they should be directed. | 核心 |
| Supervise and coordinate the work of camera, lighting, design, and sound crew members. | 核心 |
| Confer with technical directors, managers, crew members, and writers to discuss details of production, such as photography, script, music, sets, and costumes. | 核心 |
| Research production topics using the internet, video archives, and other informational sources. | 核心 |
| Review film, recordings, or rehearsals to ensure conformance to production and broadcast standards. | 核心 |
| Consult with writers, producers, or actors about script changes or "workshop" scripts, through rehearsal with writers and actors to create final drafts. | 核心 |
| Identify and approve equipment and elements required for productions, such as scenery, lights, props, costumes, choreography, and music. | 核心 |
| Establish pace of programs and sequences of scenes according to time requirements and cast and set accessibility. | 核心 |
| Conduct meetings with staff to discuss production progress and to ensure production objectives are attained. | 核心 |
| Compile scripts, program notes, and other material related to productions. | 核心 |
| Resolve personnel problems that arise during the production process by acting as liaisons between dissenting parties when necessary. | 核心 |
| Perform management activities, such as budgeting, scheduling, planning, and marketing. | 核心 |
| Obtain rights to scripts or to such items as existing video footage. | 核心 |
| Write and edit news stories from information collected by reporters and other sources. | 补充 |
| Perform administrative duties, such as preparing operational reports, distributing rehearsal call sheets and script copies, and arranging for rehearsal quarters. | 补充 |
| Arrange financing for productions. | 补充 |
| Compose and edit scripts or provide screenwriters with story outlines from which scripts can be written. | 补充 |
| Negotiate with parties, including independent producers and the distributors and broadcasters who will be handling completed productions. | 补充 |
| Cut and edit film or tape to integrate component parts into desired sequences. | 补充 |
| Choose settings and locations for films and determine how scenes will be shot in these settings. | 补充 |
| Review film daily to check on work in progress and to plan for future filming. | 补充 |
| Write and submit proposals to bid on contracts for projects. | 补充 |
| Develop marketing plans for finished products, collaborating with sales associates to supervise product distribution. | 补充 |
| Hire principal cast members and crew members, such as art directors, cinematographers, and costume designers. | — |
| Hold auditions for parts or negotiate contracts with actors determined suitable for specific roles. | — |
| Select plays, scripts, books, news content, or ideas to be produced. | — |
0.00/ 3· 机器人暴露指数
尺度 · 母数 · 来源
对每项体力任务，按已实际部署、销售或演示的机器人能够完成它的环境评定 0–3 级（0 不可 · 1 围栏式机器单元、灌装线等机器人专用设施 · 2 医院药房、集装箱港口等受管理的设施 · 3 私人住宅、建筑工地等非结构化环境），再按工作时间占比求平均
以该职业 O*NET 29.3 任务中的体力任务为准
等级与时间占比由 Anthropic 使用 Claude Opus 5（网络搜索）估算（截至 2026 年）。
机器人暴露指数与本站的 AI 暴露度是不同的指标，不能相加或相互比较。该指数不代表实际采用情况或成本竞争力，0 也包括没有体力任务的职业。
每项体力任务的等级
该职业的 O*NET 29.3 任务中没有被归类为体力任务的任务。
职业信息
就业展望（BLS）
这些数值属于整个 SOC 27-2012 组（Producers and directors），并非仅属于该 O*NET 职业。
- 就业人数，2025
- 181K
- 预计就业人数，2035
- 188K
- 变化 (2025–35)
- +4%
- 年薪中位数，2025
- $90,360
- 入职通常所需学历
- Bachelor's degree
韩国职业分类关联（KSCO）
来自 AI Changing Work 制作的 Korea Occupation Direct Crosswalk v1.1 当前版本的关联。关系值从 O*NET-SOC 职业一侧解读。
| KSCO 代码 | KSCO 名称 | 关系 | 状态 |
|---|---|---|---|
| 29311 | 감독 및 연출가 | 本职业范围更宽 | 已确认 |
| 29319 | 그 외 감독 및 연출가 | 本职业范围更宽 | 已确认 |
| 29380 | 미디어 콘텐츠 창작자 | 有重叠，但不相同 | 已确认 |
| 29810 | 공연 및 시각예술 기획자 | 有重叠，但不相同 | 已确认 |
| 29820 | 영화 및 음반 기획자 | 有重叠，但不相同 | 已确认 |
| 29391 | 스크립터 | 相关，但不对应 | 已确认 |
关系与状态的定义(kr-direct v1.1)
国际劳工组织（ILO）职业说明
以下 ISCO-08 职业组由 AI Changing Work 原样套用美国劳工统计局（BLS）发布的对照表（2018 SOC→2010 SOC、2010 SOC→ISCO-08）、不逐案取舍，与本职业相关联；每项关联可能是完全对应，也可能是部分对应。
- ISCO-08 2654Film, Stage and Related Directors and Producers
影视、舞台及有关导演和制片人
自行翻译
自行翻译 · 非 ISCO 官方词汇 — 未经国际劳工组织审核。
以下定义、任务和职业示例是 ILO 对该 ISCO-08 职业组的描述，而不是对本职业的描述。
Film, stage and related directors and producers oversee and control the technical and artistic aspects of motion pictures, television or radio productions and stage shows.
任务
- (a) choosing writers, studying scripts to determine artistic interpretation, and instructing actors on acting methods;
- (b) directing all aspects of dramatic productions on stage, television, radio or in motion pictures, including choice of actors, and final decisions concerning costumes, set designs, sound or lighting effects;
- (c) planning, organizing and controlling the various stages and scheduling involved in the production of presentations, motion pictures, television shows and radio programmes;
- (d) engaging and supervising all technical personnel, and determining the treatment, scope and scheduling of production;
- (e) maintaining production archives and negotiating royalties;
- (f) creating, planning, writing scripts for recording, videotaping and editing programmes;
- (g) supervising the positioning of scenery, props and lighting and sound equipment.
职业示例
Documentary director · Film editor · Motion picture director · Photography director · Stage director · Technical director · Technical television or radio director · Theatre producer
Sources: ILO ISCO-08 — details: Credits
ESCO 职业词汇
以下每一项都是在已公开的ESCO-O*NET Crosswalk（第 1 版，2022 年）中与本职业逐项对应的。对应类型出自该对照表；表述出自 AI Changing Work。
- assistant video and motion picture directorESCO 3435.2本职业范围更宽
Assistant video and motion picture directors are responsible for the organisation, scheduling and planning of the cast, crew and activities on a set. They assist the video and motion picture directors, maintain budgets and ensure that all production activities go according to schedule.
- broadcasting programme directorESCO 3435.5本职业范围更宽
Broadcasting programme directors make the programme schedule. They decide how much broadcast time a programme gets and when it is aired, based on a few factors like, ratings, viewer demographics, etc.
- fight directorESCO 3435.8本职业范围更宽
Fight directors coach performers to safely execute fight sequences. They direct fights for performances such as dance, movies and television, circus, variety, and others. Fight directors may have a background in sports such as fencing, shooting or boxing, martial arts such as judo, wushu or karate, or military training.
- producerESCO 2654.2本职业范围更宽
Producers are responsible for managing the production of music, motion pictures or series. They plan and coordinate all aspects of the production such as the direction, publication and financing. Producers oversee the production and manage all technical and logistic aspects of recording and editing.
- radio producerESCO 2654.3本职业范围更宽
Radio producers are responsible for organising the making of radio shows. They oversee aspects of radio shows such as content, audio production, resource planning and personnel supervision.
- stage directorESCO 2166.4.6本职业范围更宽
Stage directors oversee and orchestrate the mounting of a performance production by unifying various endeavours and aspects of a theatrical production. They ensure the quality and completeness of the theatrical production and lead the members of the creative team into realising their artistic vision for it.
- video and motion picture directorESCO 2166.4.8本职业范围更宽
Video and motion picture directors are responsible for the overall production of a movie or television program. They edit and translate the script into audiovisual images. Video and motion picture directors supervise and manage the film crew. They convey their creative vision on the actors, audio and video equipment operators, lighting technicians, etc and direct them. Video and motion picture directors also supervise the editing of the footage.
- video and motion picture producerESCO 2654.2.2本职业范围更宽
Video and motion picture producers supervise the entire production of a movie or television programme. They select the scripts that will be turned into motion pictures or series. Video and motion picture producers find the financial means to make a movie or television series. They have the final decision on the whole project, from development and editing to distribution. During large-scale productions, video and motion picture producers can be part of a team of producers and may be responsible for some of these tasks.
- assistant stage directorESCO 3435.1有重叠，但不相同
Assistant stage directors support the needs of the stage director and the production for each assigned stage production, and serve as a liaison between performers, theatre staff and stage directors. They take notes, provide feedback, coordinate the rehearsal schedule, take blocking, rehearse or review scenes, prepare or distribute actor notes, and facilitate communication between designers, production staff, and stage director.
来源: European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
许可: CC BY 4.0 (EU Reuse Notice)
ESCO reuse terms and the modification notice are in Credits.
法国职业分类关联（ROME）
本职业与 ROME 4.0 职业条目（fiche）之间的关联，由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。标为「暂定」的关联仅凭同一模型系列（Claude）两位判定者的判定采纳，或对其判定适用运营方规则后采纳，因此其依据弱于已确认的关联。
| ROME 代码 | ROME 名称（法语） | 关系 |
|---|---|---|
| L1301 | Metteur / Metteuse en scène | 本职业范围更宽 |
| L1302 | Producteur / Productrice audiovisuel et cinéma | 本职业范围更宽 |
| L1304 | Assistant réalisateur / Assistante réalisatrice | 本职业范围更宽 |
| L1305 | Directeur / Directrice artistique spectacle | 本职业范围更宽 |
| L1306 | Réalisateur / Réalisatrice audiovisuel | 本职业范围更宽 |
| L1308 | Directeur / Directrice de production audiovisuelle et cinéma | 本职业范围更宽 |
| L1311 | Chargé / Chargée de production de spectacles | 本职业范围更宽 |
| L1315 | Documentariste | 本职业范围更宽 |
| L1512 | Régisseur / Régisseuse de spectacles | 本职业范围更宽 |
| L1307 | Assistant / Assistante mise en scène | 本职业范围更宽暂定 |
| L1309 | Coordinateur / Coordinatrice d'intimité | 本职业范围更宽暂定 |
| L1318 | Scripte de programmes audiovisuels | 本职业范围更宽暂定 |
| E1415 | Directeur / Directrice de la production publicitaire | 相关，但不对应 |
| L1526 | Régisseur / Régisseuse de scène | 相关，但不对应 |
| L1310 | Directeur / Directrice de salle de spectacles | 相关，但不对应暂定 |
| L1319 | Directeur / Directrice artistique éditions de musique et phonographique | 相关，但不对应暂定 |
Source: France Travail — Répertoire Opérationnel des Métiers et des Emplois (ROME 4.0), version 61, last updated 15 June 2026 (https://www.data.gouv.fr/datasets/repertoire-operationnel-des-metiers-et-des-emplois-rome). Licence Ouverte 2.0.
ROME codes and titles are reproduced unchanged; the links to O*NET-SOC occupations are AI Changing Work's own judgment and are not a France Travail correspondence.
(AI Changing Work link release: fr-direct v1)
西班牙职业分类关联（CNO-11）
本职业与 CNO-11 职业之间的关联，由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| CNO-11 代码 | CNO-11 名称（西班牙语） | 关系 |
|---|---|---|
| 2934 | Directores de cine, de teatro y afines | 范围相同 |
Source: Instituto Nacional de Estadística (INE), National Classification of Occupations 2011 (CNO-11, Royal Decree 1591/2010) — www.ine.es · Licensed CC BY 4.0. CNO-11 codes and Spanish titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not an INE correspondence.
(AI Changing Work link release: es-direct v1)
德国职业分类关联（KldB）
本职业与 KldB 职业之间的关联，由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| KldB 代码 | KldB 名称（德语） | 关系 |
|---|---|---|
| 94403 | Berufe in der Theater-, Film- und Fernsehproduktion (ohne Spezialisierung) - komplexe Spezialistentätigkeiten | 本职业范围更宽 |
| 94414 | Berufe in der Regie - hoch komplexe Tätigkeiten | 本职业范围更宽 |
| 94413 | Berufe in der Regie - komplexe Spezialistentätigkeiten | 本职业范围更宽暂定 |
| 94493 | Aufsichtskräfte - Theater-, Film- und Fernsehproduktion | 本职业范围更宽暂定 |
| 94404 | Berufe in der Theater-, Film- und Fernsehproduktion (ohne Spezialisierung) - hoch komplexe Tätigkeiten | 有重叠，但不相同 |
| 92303 | Verlags- und Medienkaufleute (ohne Spezialisierung) - komplexe Spezialistentätigkeiten | 相关，但不对应暂定 |
| 92304 | Verlags- und Medienkaufleute (ohne Spezialisierung) - hoch komplexe Tätigkeiten | 相关，但不对应暂定 |
| 94402 | Berufe in der Theater-, Film- und Fernsehproduktion (ohne Spezialisierung) - fachlich ausgerichtete Tätigkeiten | 相关，但不对应暂定 |
| 94494 | Führungskräfte - Theater-, Film- und Fernsehproduktion | 相关，但不对应暂定 |
Source: © Statistik der Bundesagentur für Arbeit — Klassifikation der Berufe 2010 – überarbeitete Fassung 2020, https://statistik.arbeitsagentur.de. KldB codes and titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own mapping (eigene Zuordnung) and are not a Bundesagentur für Arbeit correspondence.
(AI Changing Work link release: de-direct v1)
日本职业分类关联（JSCO）
本职业与 JSCO 职业之间的关联，由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| JSCO 代码 | JSCO 名称（日语） | 关系 |
|---|---|---|
| 234 | 演出家 | 本职业范围更窄 |
Source: Ministry of Internal Affairs and Communications (MIC), Japan Standard Occupational Classification (Dec. 2009, MIC Notification No. 555). JSCO codes and Japanese titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not a MIC correspondence.
(AI Changing Work link release: jp-direct v1)
本页数据的来源与许可，以及 AI Changing Work 的修改与翻译说明：致谢与来源