Film and Video Editors
Arts, Design, Entertainment, Sports, and Media Occupations- O*NET-SOC 代码
- 27-4032.00
Edit moving images on film, video, or other media. May work with a producer or director to organize images for final production. May edit or synchronize soundtracks with images.
- 数据来源: BLS发布时间: 2026-08
高· 相对
低四级相对区间很高职业群单位数值
尺度 · 母数 · 来源
四级相对类别（低 / 中等 / 高 / 很高）
以BLS就业预测表中831个细分职业为基数。取值按 NEM（全国就业矩阵）代码给定，因此共用同一 NEM 代码的职业得到相同分档
- 数据来源: Anthropic发布时间: 2026-03
0.223
0.000此处所载数值的范围0.745尺度 · 母数 · 来源
- 数据来源: ILO发布时间: 2025
0.37
0.09此处所载数值的范围0.70职业群单位数值
尺度 · 母数 · 来源
生成式AI暴露度指数，按发布原值0–1
按 ISCO-08 细类（4 位）发布的数值。按原样应用美国劳工统计局（BLS）的官方对照表（ISCO-08→2010 SOC、2010 SOC→2018 SOC）关联到本职业，对应关系为全部或部分对应
该来源发布的是什么性质的数值
BLS的类别是相对排位而非绝对水平，也不是一手测量：它把多项已发表研究给出的职业百分位排名归并为四个等级。它不是就业或工资预测，不是采用概率，也不区分自动化与增强。
Task-level exposure
显示隐藏的 12 项工作已评分任务 23 项 · β ≥ 0.5 的任务 21 项（91.3%）
β = 直接暴露（E1）+ 0.5 × 借助工具时的暴露（E2），依据原始代码库的定义。
- 原始单位：O*NET 27.2 任务 → O*NET 31.0 职业代码
- 已评分任务中有 1 项不在 O*NET 31.0 任务列表中，其分数按 O*NET 27.2 的发布值保留。
- 来源
- OpenAI "GPTs are GPTs" exposure rubric
- 版本
- gh-main-0471612
- 许可
- MIT License, Copyright (c) 2024 OpenAI
| Task (O*NET 20.1) | Claude.aiRaw / share % | APIRaw / share % |
|---|---|---|
Program computerized graphic effects.27-4032.00 | 0.049846.8 | 0.068443.1 |
Study scripts to become familiar with production concepts and requirements.27-4032.00 | 0.025123.6 | 0.031119.6 |
Confer with producers and directors concerning layout or editing approaches needed to increase dramatic or entertainment value of productions.27-4032.00 | 0.012912.1 | 0.00281.7 |
Organize and string together raw footage into a continuous whole according to scripts or the instructions of directors and producers.27-4032.00 | 0.00625.8 | 0.030819.4 |
Review assembled films or edited videotapes on screens or monitors to determine if corrections are necessary.27-4032.00 | 0.00373.5 | 0.00714.5 |
Select and combine the most effective shots of each scene to form a logical and smoothly running story.27-4032.00 | 0.00343.2 | 0.00784.9 |
Edit films and videotapes to insert music, dialogue, and sound effects, to arrange films into sequences, and to correct errors, using editing equipment.27-4032.00 | 0.00292.7 | —0 |
Review footage sequence by sequence to become familiar with it before assembling it into a final product.27-4032.00 | 0.00242.3 | 0.00462.9 |
Manipulate plot, score, sound, and graphics to make the parts into a continuous whole, working closely with people in audio, visual, music, optical, or special effects departments. | —0 | 0.00251.6 |
Trim film segments to specified lengths and reassemble segments in sequences that present stories with maximum effect. | —0 | 0.00221.4 |
Determine the specific audio and visual effects and music necessary to complete films. | —0 | 0.00151.0 |
Values in this tab are predicted labels, not observations. Eloundou et al. (2023) published two rating regimes — human raters and GPT-4 — and the β shown here is derived from the GPT-4 rater basis alone; the same task can take a different value under the other regime. The unit and the meaning differ from the observed shares (%) in the other tabs, so do not place them on the same axis.
| Task (O*NET 27.2) | βE1 + 0.5 × E2 |
|---|---|
Study scripts to become familiar with production concepts and requirements.O*NET Task ID 4051 | 1.0 |
Program computerized graphic effects.O*NET Task ID 4059 | 1.0 |
Cut shot sequences to different angles at specific points in scenes, making each individual cut as fluid and seamless as possible.O*NET Task ID 4050 | 0.5 |
Edit films and videotapes to insert music, dialogue, and sound effects, to arrange films into sequences, and to correct errors, using editing equipment.O*NET Task ID 4052 | 0.5 |
Select and combine the most effective shots of each scene to form a logical and smoothly running story.O*NET Task ID 4053 | 0.5 |
Mark frames where a particular shot or piece of sound is to begin or end.O*NET Task ID 4054 | 0.5 |
Determine the specific audio and visual effects and music necessary to complete films.O*NET Task ID 4055 | 0.5 |
Verify key numbers and time codes on materials.O*NET Task ID 4056 | 0.5 |
Organize and string together raw footage into a continuous whole according to scripts or the instructions of directors and producers.O*NET Task ID 4057 | 0.5 |
Review assembled films or edited videotapes on screens or monitors to determine if corrections are necessary.O*NET Task ID 4058 | 0.5 |
Review footage sequence by sequence to become familiar with it before assembling it into a final product.O*NET Task ID 4060 | 0.5 |
Set up and operate computer editing systems, electronic titling systems, video switching equipment, and digital video effects units to produce a final product.O*NET Task ID 4061 | 0.5 |
Record needed sounds or obtain them from sound effects libraries.O*NET Task ID 4062 | 0.5 |
Confer with producers and directors concerning layout or editing approaches needed to increase dramatic or entertainment value of productions.O*NET Task ID 4063 | 0.5 |
Manipulate plot, score, sound, and graphics to make the parts into a continuous whole, working closely with people in audio, visual, music, optical, or special effects departments.O*NET Task ID 4064 | 0.5 |
Supervise and coordinate activities of workers engaged in film editing, assembling, and recording activities.O*NET Task ID 4065 | 0.5 |
Trim film segments to specified lengths and reassemble segments in sequences that present stories with maximum effect.O*NET Task ID 4066 | 0.5 |
Develop post-production models for films.O*NET Task ID 4067 | 0.5 |
Piece sounds together to develop film soundtracks.O*NET Task ID 4068 | 0.5 |
Collaborate with music editors to select appropriate passages of music and develop production scores.O*NET Task ID 4070 | 0.5 |
Estimate how long audiences watching comedies will laugh at each gag line or situation to space scenes appropriately.O*NET Task ID 4072 | 0.5 |
β = E1 + 0.5 × E2 · E1 = tasks where direct LLM access alone cuts time by at least 50%, E2 = tasks where software built on top of an LLM cuts time by at least 50%. Values take only 0 / 0.5 / 1.0.
Data sources & licenses — O*NET®, Anthropic Economic Index, Eloundou et al. (2023): see full notices on the Credits page
O*NET 31.0 全部任务（22 项）
本职业在 O*NET 31.0 中的全部任务（英文原文；任务类型为核心或补充）。暴露值不列在此清单中，而在上方表格里，位于各来源所用 O*NET 版本的任务表述旁。
| 任务（O*NET 31.0） | 类型 |
|---|---|
| Cut shot sequences to different angles at specific points in scenes, making each individual cut as fluid and seamless as possible. | 核心 |
| Study scripts to become familiar with production concepts and requirements. | 核心 |
| Edit films and videotapes to insert music, dialogue, and sound effects, to arrange films into sequences, and to correct errors, using editing equipment. | 核心 |
| Select and combine the most effective shots of each scene to form a logical and smoothly running story. | 核心 |
| Verify key numbers and time codes on materials. | 核心 |
| Organize and string together raw footage into a continuous whole according to scripts or the instructions of directors and producers. | 核心 |
| Review assembled films or edited videotapes on screens or monitors to determine if corrections are necessary. | 核心 |
| Program computerized graphic effects. | 核心 |
| Review footage sequence by sequence to become familiar with it before assembling it into a final product. | 核心 |
| Set up and operate computer editing systems, electronic titling systems, video switching equipment, and digital video effects units to produce a final product. | 核心 |
| Manipulate plot, score, sound, and graphics to make the parts into a continuous whole, working closely with people in audio, visual, music, optical, or special effects departments. | 核心 |
| Supervise and coordinate activities of workers engaged in film editing, assembling, and recording activities. | 核心 |
| Trim film segments to specified lengths and reassemble segments in sequences that present stories with maximum effect. | 核心 |
| Mark frames where a particular shot or piece of sound is to begin or end. | 补充 |
| Determine the specific audio and visual effects and music necessary to complete films. | 补充 |
| Record needed sounds or obtain them from sound effects libraries. | 补充 |
| Confer with producers and directors concerning layout or editing approaches needed to increase dramatic or entertainment value of productions. | 补充 |
| Develop post-production models for films. | 补充 |
| Piece sounds together to develop film soundtracks. | 补充 |
| Conduct film screenings for directors and members of production staffs. | 补充 |
| Collaborate with music editors to select appropriate passages of music and develop production scores. | 补充 |
| Discuss the sound requirements of pictures with sound effects editors. | 补充 |
0.00/ 3· 机器人暴露指数
尺度 · 母数 · 来源
对每项体力任务，按已实际部署、销售或演示的机器人能够完成它的环境评定 0–3 级（0 不可 · 1 围栏式机器单元、灌装线等机器人专用设施 · 2 医院药房、集装箱港口等受管理的设施 · 3 私人住宅、建筑工地等非结构化环境），再按工作时间占比求平均
以该职业 O*NET 29.3 任务中的体力任务为准
等级与时间占比由 Anthropic 使用 Claude Opus 5（网络搜索）估算（截至 2026 年）。
机器人暴露指数与本站的 AI 暴露度是不同的指标，不能相加或相互比较。该指数不代表实际采用情况或成本竞争力，0 也包括没有体力任务的职业。
每项体力任务的等级
该职业的 O*NET 29.3 任务中没有被归类为体力任务的任务。
职业信息
就业展望（BLS）
- 就业人数，2025
- 39K
- 预计就业人数，2035
- 41K
- 变化 (2025–35)
- +3.7%
- 年薪中位数，2025
- $75,420
- 入职通常所需学历
- Bachelor's degree
韩国职业分类关联（KSCO）
来自 AI Changing Work 制作的 Korea Occupation Direct Crosswalk v1.1 当前版本的关联。关系值从 O*NET-SOC 职业一侧解读。
| KSCO 代码 | KSCO 名称 | 关系 | 状态 |
|---|---|---|---|
| 29360 | 영상‧녹화 및 편집 기사 | 本职业范围更窄 | 已确认 |
| 29380 | 미디어 콘텐츠 창작자 | 相关，但不对应 | 已确认 |
关系与状态的定义(kr-direct v1.1)
国际劳工组织（ILO）职业说明
以下 ISCO-08 职业组由 AI Changing Work 原样套用美国劳工统计局（BLS）发布的对照表（2018 SOC→2010 SOC、2010 SOC→ISCO-08）、不逐案取舍，与本职业相关联；每项关联可能是完全对应，也可能是部分对应。
- ISCO-08 2654Film, Stage and Related Directors and Producers
影视、舞台及有关导演和制片人
自行翻译
自行翻译 · 非 ISCO 官方词汇 — 未经国际劳工组织审核。
以下定义、任务和职业示例是 ILO 对该 ISCO-08 职业组的描述，而不是对本职业的描述。
Film, stage and related directors and producers oversee and control the technical and artistic aspects of motion pictures, television or radio productions and stage shows.
任务
- (a) choosing writers, studying scripts to determine artistic interpretation, and instructing actors on acting methods;
- (b) directing all aspects of dramatic productions on stage, television, radio or in motion pictures, including choice of actors, and final decisions concerning costumes, set designs, sound or lighting effects;
- (c) planning, organizing and controlling the various stages and scheduling involved in the production of presentations, motion pictures, television shows and radio programmes;
- (d) engaging and supervising all technical personnel, and determining the treatment, scope and scheduling of production;
- (e) maintaining production archives and negotiating royalties;
- (f) creating, planning, writing scripts for recording, videotaping and editing programmes;
- (g) supervising the positioning of scenery, props and lighting and sound equipment.
职业示例
Documentary director · Film editor · Motion picture director · Photography director · Stage director · Technical director · Technical television or radio director · Theatre producer
Sources: ILO ISCO-08 — details: Credits
ESCO 职业词汇
以下每一项都是在已公开的ESCO-O*NET Crosswalk（第 1 版，2022 年）中与本职业逐项对应的。对应类型出自该对照表；表述出自 AI Changing Work。
- director of photographyESCO 2166.4.3本职业范围更宽
Directors of photography are responsible for the visual interpretation of the script and all photography components of the film, including framing, colouring, lightning, style and locations. They create the visual look of the film or television programme and select the filming equipment, including the lens and filters. Directors of photography manage the visual equipment operators and lighting technicians. They work together with the video and motion picture director to achieve the desired effect.
- motion picture film developerESCO 8132.1本职业范围更宽
Motion picture film developers develop film material into visible videos and material. They develop the footage into different formats, such as 65-70mm and 8mm, and presentations, such as black and white and colour. They work small cine-films per request of clients.
- video and motion picture editorESCO 2654.4本职业范围更宽
Video and motion picture editors are responsible for the assembly and cutting of raw footage into a logically and aesthetically either for movies, television series, or domestic purposes. They reorganize scenes that have been shot and decide which special effects are needed. Video and motion picture editors work closely together with sound editors and music directors.
- video artistESCO 2651.12本职业范围更宽
Video artists create videos using analogue or digital techniques to obtain special effects, animation, or other animated visuals using films, videos, images, computer or other electronic tools.
来源: European Commission, DG EMPL — ESCO API 2026-08-08 (bridge v1.2.1)
许可: CC BY 4.0 (EU Reuse Notice)
ESCO reuse terms and the modification notice are in Credits.
法国职业分类关联（ROME）
本职业与 ROME 4.0 职业条目（fiche）之间的关联，由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。标为「暂定」的关联仅凭同一模型系列（Claude）两位判定者的判定采纳，或对其判定适用运营方规则后采纳，因此其依据弱于已确认的关联。
| ROME 代码 | ROME 名称（法语） | 关系 |
|---|---|---|
| L1507 | Monteur / Monteuse vidéo | 范围相同暂定 |
| E1202 | Opérateur / Opératrice de laboratoire cinématographique | 相关，但不对应暂定 |
Source: France Travail — Répertoire Opérationnel des Métiers et des Emplois (ROME 4.0), version 61, last updated 15 June 2026 (https://www.data.gouv.fr/datasets/repertoire-operationnel-des-metiers-et-des-emplois-rome). Licence Ouverte 2.0.
ROME codes and titles are reproduced unchanged; the links to O*NET-SOC occupations are AI Changing Work's own judgment and are not a France Travail correspondence.
(AI Changing Work link release: fr-direct v1)
西班牙职业分类关联（CNO-11）
本职业与 CNO-11 职业之间的关联，由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| CNO-11 代码 | CNO-11 名称（西班牙语） | 关系 |
|---|---|---|
| 3831 | Técnicos de grabación audiovisual | 本职业范围更窄 |
Source: Instituto Nacional de Estadística (INE), National Classification of Occupations 2011 (CNO-11, Royal Decree 1591/2010) — www.ine.es · Licensed CC BY 4.0. CNO-11 codes and Spanish titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not an INE correspondence.
(AI Changing Work link release: es-direct v1)
德国职业分类关联（KldB）
本职业与 KldB 职业之间的关联，由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| KldB 代码 | KldB 名称（德语） | 关系 |
|---|---|---|
| 94532 | Berufe in der Bild- und Tontechnik - fachlich ausgerichtete Tätigkeiten | 有重叠，但不相同 |
| 94533 | Berufe in der Bild- und Tontechnik - komplexe Spezialistentätigkeiten | 有重叠，但不相同 |
Source: © Statistik der Bundesagentur für Arbeit — Klassifikation der Berufe 2010 – überarbeitete Fassung 2020, https://statistik.arbeitsagentur.de. KldB codes and titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own mapping (eigene Zuordnung) and are not a Bundesagentur für Arbeit correspondence.
(AI Changing Work link release: de-direct v1)
日本职业分类关联（JSCO）
本职业与 JSCO 职业之间的关联，由 AI Changing Work 借助 AI 模型判定。关系从本职业一侧解读。
| JSCO 代码 | JSCO 名称（日语） | 关系 |
|---|---|---|
| 249 | 他に分類されない専門的職業従事者 | 本职业范围更窄 |
Source: Ministry of Internal Affairs and Communications (MIC), Japan Standard Occupational Classification (Dec. 2009, MIC Notification No. 555). JSCO codes and Japanese titles are reproduced unchanged; the links to O*NET occupations are AI Changing Work's own judgment and are not a MIC correspondence.
(AI Changing Work link release: jp-direct v1)
本页数据的来源与许可，以及 AI Changing Work 的修改与翻译说明：致谢与来源