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Film and Video Editors

Arts, Design, Entertainment & Mediahighaugment
Projected change (est.): ~+4%
Median Wage (est.): ~$63,520
Employment (est.): ~38K

Overall Exposure

57+15

2025 vs 2023

Theoretical Exposure

73

What AI could do

Observed Exposure

34

What AI actually does

Automation Risk Score

45

Displacement risk

3-Year Outlook (2025 → 2028)

Projected changes in AI automation metrics over the next 3 years based on estimated data.

Overall Exposure

57→72
+15

2025 → 2028 (estimated)

Theoretical Exposure

73→88
+15

2025 → 2028 (estimated)

Observed Exposure

34→45
+11

2025 → 2028 (estimated)

Automation Risk

45→58
+13

2025 → 2028 (estimated)

Exposure Metrics (2023 - 2028)

Task Breakdown

Assemble raw footage into rough cuts and sequences
62%β 1
Apply color correction and grading to footage
55%β 0.5
Synchronize audio tracks with visual elements
70%β 1
Select and arrange transitions and visual effects
48%β 0.5

About This Occupation

If you work as a Film and Video Editor, AI is transforming the way you craft visual stories. With an automation risk of 50/100 and overall exposure at 63%, this role faces high transformation potential. The most automatable task is synchronize audio tracks with visual elements at 70%. Classified as an 'augment' role, AI tools increasingly assist with rough-cut assembly and color grading, but creative editorial decisions remain firmly human. BLS projects +4% growth through 2034, reflecting steady demand for video content across streaming and digital platforms. Editors who master AI-assisted workflows will have a competitive edge.

ISCO-08 classification

Unit group 2654ILO official

Film, Stage and Related Directors and Producers

Definition

ILO original text (English)

Film, stage and related directors and producers oversee and control the technical and artistic aspects of motion pictures, television or radio productions and stage shows.

Definition & vocabulary source

Source: International Labour Organization (ILO) — ISCO-08 Structure

License: ILO CC BY 4.0

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Official occupational information

  • ONET27-1011.00

    Art Directors

    Formulate design concepts and presentation approaches for visual productions and media, such as print, broadcasting, video, and film. Direct workers engaged in artwork or layout design.

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  • ONET27-2012.00

    Producers and Directors

    Produce or direct stage, television, radio, video, or film productions for entertainment, information, or instruction. Responsible for creative decisions, such as interpretation of script, choice of actors or guests, set design, sound, special effects, and choreography.

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  • ONET27-2012.04

    Talent Directors

    Audition and interview performers to select most appropriate talent for parts in stage, television, radio, or motion picture productions.

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  • ONET27-2012.05

    Media Technical Directors/Managers

    Coordinate activities of technical departments, such as taping, editing, engineering, and maintenance, to produce radio or television programs.

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  • ONET27-4032.00

    Film and Video Editors

    Edit moving images on film, video, or other media. May work with a producer or director to organize images for final production. May edit or synchronize soundtracks with images.

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Source: O*NET 30.2, U.S. DOL/ETA

License: CC BY 4.0

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Frequently Asked Questions

With an automation risk score of 45%, Film and Video Editors faces a moderate level of AI-driven change. Some tasks can be automated, but many require human judgment, creativity, or interpersonal skills that AI cannot yet replicate. The role is more likely to evolve alongside AI than be replaced.

Our estimated AI automation risk score for Film and Video Editors is 45% for 2025. Estimated overall AI exposure is 57%, with 73% theoretical exposure and 34% observed exposure. The estimated risk trend from 2023 to 2025 is +12 points. All of these are model-generated estimates, not measurements.

The tasks with the highest automation potential for Film and Video Editors are: Synchronize audio tracks with visual elements (70%), Assemble raw footage into rough cuts and sequences (62%), Apply color correction and grading to footage (55%). These rates are our own estimates of how much of each task current AI systems can handle. They are not measurements and are not taken from any external dataset.

We estimate a +4% employment change for Film and Video Editors between 2024 and 2034. This is our own estimate, not a figure published by the U.S. Bureau of Labor Statistics. Combined with an estimated overall AI exposure of 57%, this occupation faces both traditional labor market shifts and AI-driven transformation. Workers should monitor both employment trends and AI capability growth.

Since AI primarily augments capabilities in this role, professionals in Film and Video Editors should embrace AI as a productivity multiplier. Focus on learning to use AI tools effectively, developing higher-order analytical and creative skills, and positioning yourself as someone who can leverage AI to deliver greater value.